Heinrich Scheidemann's Keyboard Music: Transmission, Style and Chronology

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9780754654414: Heinrich Scheidemann's Keyboard Music: Transmission, Style and Chronology
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One of the most remarkable tales of recent resurrections in the field of early keyboard music concerns the music of Heinrich Scheidemann (c. 1595-1663). Long considered a minor master overshadowed by such figures as his teacher Jan Pieterszoon Sweelinck or his fellow student Samuel Scheidt, a number of major source discoveries made in the second half of the twentieth century - the most important one being the discovery of the Zellerfield tablatures - have gradually raised his stature towards what it should now be, namely that of the paramount figure in North German organ music of the first half of the seventeenth century, equalled only by Buxtehude in the second half. Pieter Dirksen, one of the leading scholars on early German keyboard music, shows how Scheidemann was a central personality in the rich musical life of Hamburg and stood on friendly terms with colleagues such as Jacob and Johannes Praetorius, Ulrich Cernitz, Thomas Selle, Johann Schop and Johann Rist. The sources for Scheidemann are for the most part contemporary and stem from all periods of his career, and beyond that until one or two decades after his death. His keyboard music was never published in his lifetime but circulated widely within professional circles. Dirksen considers the transmission of Scheidemann's music as a whole in Part One, where each source is analyzed individually, and the repertoire itself is examined in Part Two. A number of specialized studies, including a detailed investigation into the background of one of the sources as well as adressing questions of organology (an account of the famous Catharinen organ as it was during Scheidemann's era) and performance practice (a study of the fingering indications and observations on registration practice) form Part Three. A wealth of appendices also detail a relative chronology of the music; a geographic overview of the transmission and two hitherto unpublished, fragmentarily transmitted Scheidemann pieces. The book will therefore a

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Pieter Dirksen completed his doctorate in musicology 'cum laude' in 1996 and has published widely on baroque keyboard music. He performs as a soloist on both harpsichord and organ as a continuo player with various chamber ensembles and orchestras.

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DIRKSEN, PIETER
Editore: Routledge (2007)
ISBN 10: 0754654419 ISBN 13: 9780754654414
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Descrizione libro Routledge, 2007. Hardback. Condizione: NEW. 9780754654414 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. For all enquiries, please contact Herb Tandree Philosophy Books directly - customer service is our primary goal. Codice articolo HTANDREE01019576

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Pieter Dirksen
Editore: Taylor Francis Ltd, United Kingdom (2007)
ISBN 10: 0754654419 ISBN 13: 9780754654414
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Descrizione libro Taylor Francis Ltd, United Kingdom, 2007. Hardback. Condizione: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. One of the most remarkable tales of recent resurrections in the field of early keyboard music concerns the music of Heinrich Scheidemann (c. 1595-1663). Long considered a minor master overshadowed by such figures as his teacher Jan Pieterszoon Sweelinck or his fellow student Samuel Scheidt, a number of major source discoveries made in the second half of the twentieth century - the most important one being the discovery of the Zellerfield tablatures - have gradually raised his stature towards what it should now be, namely that of the paramount figure in North German organ music of the first half of the seventeenth century, equalled only by Buxtehude in the second half. Pieter Dirksen, one of the leading scholars on early German keyboard music, shows how Scheidemann was a central personality in the rich musical life of Hamburg and stood on friendly terms with colleagues such as Jacob and Johannes Praetorius, Ulrich Cernitz, Thomas Selle, Johann Schop and Johann Rist. The sources for Scheidemann are for the most part contemporary and stem from all periods of his career, and beyond that until one or two decades after his death. His keyboard music was never published in his lifetime but circulated widely within professional circles. Dirksen considers the transmission of Scheidemann s music as a whole in Part One, where each source is analyzed individually, and the repertoire itself is examined in Part Two. A number of specialized studies, including a detailed investigation into the background of one of the sources as well as adressing questions of organology (an account of the famous Catharinen organ as it was during Scheidemann s era) and performance practice (a study of the fingering indications and observations on registration practice) form Part Three. A wealth of appendices also detail a relative chronology of the music; a geographic overview of the transmission and two hitherto unpublished, fragmentarily transmitted Scheidemann pieces. The book will therefore a. Codice articolo BTE9780754654414

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Pieter Dirksen
Editore: Ashgate Pub Co (2007)
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Descrizione libro Ashgate Pub Co, 2007. Hardcover. Condizione: Brand New. 254 pages. 9.25x6.25x1.00 inches. In Stock. Codice articolo __0754654419

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Dirksen, Pieter
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Descrizione libro Routledge, 2016. Hardcover. Condizione: New. Never used!. Codice articolo P110754654419

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Pieter Dirksen
Editore: Routledge (2016)
ISBN 10: 0754654419 ISBN 13: 9780754654414
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Descrizione libro Routledge, 2016. Condizione: New. book. Codice articolo M0754654419

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