Contact Improvisation: An Introduction to a Vitalizing Dance Form

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9780786426478: Contact Improvisation: An Introduction to a Vitalizing Dance Form

In most forms of dancing, performers carry out their steps with a distance that keeps them from colliding with each other. Dancer, Steve Paxton in the 1970s considered this distance a territory for investigation. His study of intentional contact resulted in a public performance in 1972 in a Soho gallery, and the name "contact improvisation" was coined for the form of unrehearsed dance he introduced. Rather than copyrighting it, Paxton allowed it to evolve and spread. In this book, the author draws upon her own experience and research to explain the art of contact improvisation, in which dance partners propel movement by physical contact. They roll, fall, spiral, leap, and slip along the contours and momentum of moving bodies. The text begins with a history, then describes the elements that define this form of dance. Subsequent chapters explore how contact improvisation relates to self and identity; how class, race, gender, culture and physiology influence dance; how dance promotes connection in a culture of isolation; and how it relates to the concept of community. The final chapter is a collection of exercises explained in the words of teachers from across the United States and abroad. Appendix A describes how to set up and maintain a weekly jam; Appendix B details recommended reading, videos and Web sites.

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Pallant, Cheryl
Editore: McFarland Co Inc, United States (2006)
ISBN 10: 0786426470 ISBN 13: 9780786426478
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Descrizione libro McFarland Co Inc, United States, 2006. Paperback. Condizione libro: New. 223 x 150 mm. Language: English . Brand New Book. In most forms of dancing, performers carry out their steps with a distance that keeps them from colliding with each other. Dancer, Steve Paxton in the 1970s considered this distance a territory for investigation. His study of intentional contact resulted in a public performance in 1972 in a Soho gallery, and the name contact improvisation was coined for the form of unrehearsed dance he introduced. Rather than copyrighting it, Paxton allowed it to evolve and spread. In this book, the author draws upon her own experience and research to explain the art of contact improvisation, in which dance partners propel movement by physical contact. They roll, fall, spiral, leap, and slip along the contours and momentum of moving bodies. The text begins with a history, then describes the elements that define this form of dance. Subsequent chapters explore how contact improvisation relates to self and identity; how class, race, gender, culture and physiology influence dance; how dance promotes connection in a culture of isolation; and how it relates to the concept of community. The final chapter is a collection of exercises explained in the words of teachers from across the United States and abroad. Appendix A describes how to set up and maintain a weekly jam; Appendix B details recommended reading, videos and Web sites. Codice libro della libreria AAC9780786426478

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Pallant, Cheryl
Editore: McFarland Co Inc, United States (2006)
ISBN 10: 0786426470 ISBN 13: 9780786426478
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Descrizione libro McFarland Co Inc, United States, 2006. Paperback. Condizione libro: New. 223 x 150 mm. Language: English . Brand New Book. In most forms of dancing, performers carry out their steps with a distance that keeps them from colliding with each other. Dancer, Steve Paxton in the 1970s considered this distance a territory for investigation. His study of intentional contact resulted in a public performance in 1972 in a Soho gallery, and the name contact improvisation was coined for the form of unrehearsed dance he introduced. Rather than copyrighting it, Paxton allowed it to evolve and spread. In this book, the author draws upon her own experience and research to explain the art of contact improvisation, in which dance partners propel movement by physical contact. They roll, fall, spiral, leap, and slip along the contours and momentum of moving bodies. The text begins with a history, then describes the elements that define this form of dance. Subsequent chapters explore how contact improvisation relates to self and identity; how class, race, gender, culture and physiology influence dance; how dance promotes connection in a culture of isolation; and how it relates to the concept of community. The final chapter is a collection of exercises explained in the words of teachers from across the United States and abroad. Appendix A describes how to set up and maintain a weekly jam; Appendix B details recommended reading, videos and Web sites. Codice libro della libreria AAC9780786426478

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Descrizione libro Condizione libro: New. Depending on your location, this item may ship from the US or UK. Codice libro della libreria 97807864264780000000

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Descrizione libro McFarland & Company, Inc., Publishers. PAPERBACK. Condizione libro: New. 0786426470 Brand New Book. Ships from the United States. 30 Day Satisfaction Guarantee!. Codice libro della libreria 4897046

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Pallant, Cheryl
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Descrizione libro McFarland and Co Inc, 2006. PAP. Condizione libro: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria IB-9780786426478

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Pallant, Cheryl
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Descrizione libro McFarland & Co Inc. Paperback. Condizione libro: new. BRAND NEW, Contact Improvisation: An Introduction to a Vitalizing Dance Form, Cheryl Pallant, In most forms of dancing, performers carry out their steps with a distance that keeps them from colliding with each other. Dancer, Steve Paxton in the 1970s considered this distance a territory for investigation. His study of intentional contact resulted in a public performance in 1972 in a Soho gallery, and the name "contact improvisation" was coined for the form of unrehearsed dance he introduced. Rather than copyrighting it, Paxton allowed it to evolve and spread. In this book, the author draws upon her own experience and research to explain the art of contact improvisation, in which dance partners propel movement by physical contact. They roll, fall, spiral, leap, and slip along the contours and momentum of moving bodies. The text begins with a history, then describes the elements that define this form of dance. Subsequent chapters explore how contact improvisation relates to self and identity; how class, race, gender, culture and physiology influence dance; how dance promotes connection in a culture of isolation; and how it relates to the concept of community. The final chapter is a collection of exercises explained in the words of teachers from across the United States and abroad. Appendix A describes how to set up and maintain a weekly jam; Appendix B details recommended reading, videos and Web sites. Codice libro della libreria B9780786426478

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Pallant, Cheryl
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ISBN 10: 0786426470 ISBN 13: 9780786426478
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Descrizione libro McFarland and Co Inc, 2006. PAP. Condizione libro: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria IB-9780786426478

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Pallant, Cheryl
Editore: McFarland & Company, Inc., Publishers (2006)
ISBN 10: 0786426470 ISBN 13: 9780786426478
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Descrizione libro McFarland & Company, Inc., Publishers, 2006. Paperback. Condizione libro: New. book. Codice libro della libreria 0786426470

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Pallant, Cheryl
Editore: McFarland & Company, Inc., Pub (2006)
ISBN 10: 0786426470 ISBN 13: 9780786426478
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Descrizione libro McFarland & Company, Inc., Pub, 2006. Paperback. Condizione libro: New. Codice libro della libreria 0786426470

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Pallant, Cheryl
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Descrizione libro McFarland & Co Inc 2006-07-15, Jefferson, NC, 2006. paperback. Condizione libro: New. Codice libro della libreria 9780786426478

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