Deep-frozen for 200 years, a health-food store owner wakes up in a no-sex police state and hides as a robot.
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If Interiors was Woody Allen's Bergman movie, and Stardust Memories was his Fellini movie, then you could say that Sleeper is his Buster Keaton movie. Relying more on visual/conceptual/slapstick gags than his trademark verbal wit, Sleeper is probably the funniest of what would become known as Allen's "early, funny films" and a milestone in his development as a director. Allen plays Miles Monroe, cryogenically frozen in 1973 (he went into the hospital for an ulcer operation) and thawed 200 years later. Society has become a sterile, Big Brother-controlled dystopia, and Miles joins the underground resistance--joined by a pampered rich woman (Diane Keaton at her bubbliest). Among the most famous gags are Miles' attempt to impersonate a domestic-servant robot; the Orgasmatron, a futuristic home appliance that provides instant pleasure; a McDonald's sign boasting how many trillions the chain has served; and an inflatable suit that provides the means for a quick getaway. The kooky thawing scenes were later blatantly (and admittedly) ripped off by Mike Myers in Austin Powers: International Man of Mystery. --Jim Emerson
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