During the 1970s and 1980s the discourse surrounding aesthetics largely disappeared from the study of art history, theory, and cultural studies. Claims for the aesthetic value of artworks were thought elitist and politically regressive. The 1990s witnessed a return to aesthetics, but one that stressed the independent claims of beauty in reaction to its perceived suppression by ethical and political imperatives. Beauty, however, is just one aspect of the aesthetic. In recent years, increasing attention has been paid to the ways in which aesthetics and ethics are intertwined. In The Life and Death of Images some of the world's leading cultural thinkers engage in dialogue with one another concerning this "new" aesthetics. In provocative and accessible fashion, they demonstrate its relevance to a range of disciplines including analytic and continental philosophy, art history, theory and practice, cultural history and visual culture, rhetoric and comparative literature. While the focus is primarily on artworks, contributors also consider other forms of imagery that raise questions about the boundaries between art and non-art, about beauty, and about the ethics of aesthetics.
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"The Life and Death of Images is a well-conceived intervention in one of the principal impasses in contemporary theories of the image: the question, broadly put, of what comes after the opposition of the aesthetic and the anti-aesthetic. For almost three decades now, that question has been surfacing in various forms-as institutional critique, as relational aesthetics, as a return to beauty-but almost no interesting work has been done on the underlying issues. Costello and Willsdon conceive the problem in terms of aesthetics and ethics, and they enlist a number of the foremost writers in and around images in a series of exchanges. The format is innovative, and generates the kind of real interdisciplinary friction that is so often missing from ordinary edited volumes. The book's insights and hopes are an accurate reflection of the state of conceptualization of the image." -James Elkins, School of the Art Institute of ChicagoAbout the Author:
Diarmuid Costello is Senior Lecturer in Art Theory at Oxford Brookes University.
Dominic Willsdon is the Leanne and George Roberts Curator of Education and Public Programs at the San Francisco Museum of Modern Art.
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Descrizione libro Cornell University Press. Hardcover. Condizione libro: Very Good. 0801446988 Crisp, clean, unread hardcover with light shelfwear and edgewear with a publisher' s mark to one edge - Nice!. Codice libro della libreria Z0801446988Z2
Descrizione libro Cornell University Press, 2008. Condizione libro: Very Good. Ships from the UK. Great condition for a used book! Minimal wear. Codice libro della libreria GRP96036674
Descrizione libro Cornell University Press, 2008. Hardcover. Condizione libro: Good. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. Buy with confidence, excellent customer service!. Codice libro della libreria 0801446988