Literature and the Creative Economy

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9780804789486: Literature and the Creative Economy
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This book contends that mainstream considerations of the economic and social force of culture, including theories of the creative class and of cognitive and immaterial labor, are indebted to historic conceptions of the art of literary authorship. It shows how contemporary literature has been involved in and has responded to creative-economy phenomena, including the presentation of artists as models of contentedly flexible and self-managed work, the treatment of training in and exposure to art as a pathway to social inclusion, the use of culture and cultural institutions to increase property values, and support for cultural diversity as a means of growing cultural markets. Contemporary writers have tended to explore how their own critical capacities have become compatible with or even essential to a neoliberal economy that has embraced art's autonomous gestures as proof that authentic self-articulation and social engagement can and should occur within capitalism. Taking a sociological approach to literary criticism, Sarah Brouillette interprets major works of contemporary fiction by Monica Ali, Aravind Adiga, Daljit Nagra, and Ian McEwan alongside government policy, social science, and theoretical explorations of creative work and immaterial labor.

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L'autore:

Sarah Brouillette is Associate Professor of English at Carleton University. She is the author of Postcolonial Writers and the Global Literary Marketplace (2007).

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Altre edizioni note dello stesso titolo

9781503602809: Literature and the Creative Economy

Edizione in evidenza

ISBN 10:  150360280X ISBN 13:  9781503602809
Casa editrice: Stanford Univ Pr, 2017
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Sarah Brouillette
Editore: Stanford University Press, United States (2014)
ISBN 10: 0804789487 ISBN 13: 9780804789486
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Descrizione libro Stanford University Press, United States, 2014. Hardback. Condizione: New. New. Language: English. Brand new Book. This book contends that mainstream considerations of the economic and social force of culture, including theories of the creative class and of cognitive and immaterial labor, are indebted to historic conceptions of the art of literary authorship. It shows how contemporary literature has been involved in and has responded to creative-economy phenomena, including the presentation of artists as models of contentedly flexible and self-managed work, the treatment of training in and exposure to art as a pathway to social inclusion, the use of culture and cultural institutions to increase property values, and support for cultural diversity as a means of growing cultural markets. Contemporary writers have tended to explore how their own critical capacities have become compatible with or even essential to a neoliberal economy that has embraced art's autonomous gestures as proof that authentic self-articulation and social engagement can and should occur within capitalism. Taking a sociological approach to literary criticism, Sarah Brouillette interprets major works of contemporary fiction by Monica Ali, Aravind Adiga, Daljit Nagra, and Ian McEwan alongside government policy, social science, and theoretical explorations of creative work and immaterial labor. Codice articolo AAJ9780804789486

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Descrizione libro Stanford University Press. Hardback. Condizione: New. New copy - Usually dispatched within 2 working days. Codice articolo B9780804789486

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Descrizione libro Stanford University Press, United States, 2014. Hardback. Condizione: New. New. Language: English. Brand new Book. This book contends that mainstream considerations of the economic and social force of culture, including theories of the creative class and of cognitive and immaterial labor, are indebted to historic conceptions of the art of literary authorship. It shows how contemporary literature has been involved in and has responded to creative-economy phenomena, including the presentation of artists as models of contentedly flexible and self-managed work, the treatment of training in and exposure to art as a pathway to social inclusion, the use of culture and cultural institutions to increase property values, and support for cultural diversity as a means of growing cultural markets. Contemporary writers have tended to explore how their own critical capacities have become compatible with or even essential to a neoliberal economy that has embraced art's autonomous gestures as proof that authentic self-articulation and social engagement can and should occur within capitalism. Taking a sociological approach to literary criticism, Sarah Brouillette interprets major works of contemporary fiction by Monica Ali, Aravind Adiga, Daljit Nagra, and Ian McEwan alongside government policy, social science, and theoretical explorations of creative work and immaterial labor. Codice articolo AAJ9780804789486

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Descrizione libro Stanford University Press, 2014. HRD. Condizione: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice articolo CA-9780804789486

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Descrizione libro Stanford University Press, 2014. HRD. Condizione: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice articolo IQ-9780804789486

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Descrizione libro Stanford University Press 4/15/2014, 2014. Hardback or Cased Book. Condizione: New. Literature and the Creative Economy. Book. Codice articolo BBS-9780804789486

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Descrizione libro Stanford University Press. Condizione: New. pp. 248. Codice articolo 95956025

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Descrizione libro Stanford University Press, 2018. Hardcover. Condizione: New. Never used! This item is printed on demand. Codice articolo 0804789487

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Descrizione libro Stanford University Press, United States, 2014. Hardback. Condizione: New. New. Language: English. Brand new Book. This book contends that mainstream considerations of the economic and social force of culture, including theories of the creative class and of cognitive and immaterial labor, are indebted to historic conceptions of the art of literary authorship. It shows how contemporary literature has been involved in and has responded to creative-economy phenomena, including the presentation of artists as models of contentedly flexible and self-managed work, the treatment of training in and exposure to art as a pathway to social inclusion, the use of culture and cultural institutions to increase property values, and support for cultural diversity as a means of growing cultural markets. Contemporary writers have tended to explore how their own critical capacities have become compatible with or even essential to a neoliberal economy that has embraced art's autonomous gestures as proof that authentic self-articulation and social engagement can and should occur within capitalism. Taking a sociological approach to literary criticism, Sarah Brouillette interprets major works of contemporary fiction by Monica Ali, Aravind Adiga, Daljit Nagra, and Ian McEwan alongside government policy, social science, and theoretical explorations of creative work and immaterial labor. Codice articolo BTE9780804789486

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