No Wave is the first book to visually chronicle the collision of art and punk in the New York underground of 1976 to 1980. This in depth look at punk rock, new wave, experimental music, and the avant-garde art movement of the 70s and 80s focuses on the true architects of No Wave from James Chance to Lydia Lunch to Glenn Branca, as well as the luminaries that intersected the scene, such as David Byrne, Debbie Harry, Brian Eno, Iggy Pop, and Richard Hell.
This rarely documented scene was the creative stomping ground of young artists and filmmakers from Jean-Michel Basquiat to Jim Jarmusch as well as the musical genesis for the post-punk explosions of Sonic Youth and is here revealed for a new generation of fans and collectors.
Thurston Moore and Byron Coley have selected 150 unforgettable images, most of which have never been published previously, and compiled hundreds of hours of personal interviews to create an oral history of the movement, providing a never-seen-before exploration and celebration of No Wave.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Thurston Moore is one of the founding members of the iconic band Sonic Youth and the author of Mix Tape.
Byron Coley is an esteemed music writer and editor, who has contributed to numerous publications, including Forced Exposure and Spin.
*Starred Review* In 1977, when New York City was still a place where young artists could survive on nothing but their wits, a group of disparate nihilist geeks and renegades coalesced in the vacuum of the postpunk era to test the boundaries of rock music. It was only later that their collective projects would be ascribed under the umbrella of the No Wave “movement.” If the punk rock of the Ramones and Blondie was a reaction against corporate stadium rock and disco that took rock back to its roots, the No Wave movement was a total break from traditions and conventions that blurred the lines between music, noise, and performance art. Foremost among the progenitors of the angry, acerbic sound was the unlikely pair of Lydia Lunch and James Chance, both featured prominently in photographs and interviews. Four of the bands (the Contortions, Teenage Jesus and the Jerks, Mars, and DNA) were documented on Brian Eno’s seminal No New York album; others (Blinding Headache, the Gynecologists, and Theoretical Girls) just faded into obscurity. Author Moore (of Sonic Youth) has gifted a treasure trove of rare photographs and oral history of a fleeting moment of New York underground that continues to reverberate 30 years later. --David Siegfried
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
Descrizione libro Abrams Image, 2008. Hardcover. Condizione libro: New. Codice libro della libreria P110810995433
Descrizione libro Abrams Image, 2008. Hardcover. Condizione libro: New. book. Codice libro della libreria 0810995433