Since the birth of cinema, movie-makers have created stunning special effects by combining still "matte" paintings with live-action film. Matte painting techniques were closely guarded secrets that never left the studio lot. In this unprecedented retrospective, Mark Cotta Vaz and Craig Barron reveal the history of a visual effect that has defined movies as we know them-from Gone with the Wind and Citizen Kane to Star Wars and Titanic. Lavishly illustrated, The Invisible Art showcases the finest examples of now-rare matte paintings and unveils a century s worth of fascinating stories, legendary personalities, and cunning movie craft. Including a foreword by George Lucas and a CD-ROM that brings to life these moving pictures, this volume is packed with exclusive interviews and a narrative that time travels from the first pioneering "glass shots" to the dawn of digital technology. The definitive book for the consummate movie fan, The Invisible Art conjures a never-before-told story of film wizardry.
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Mark Cotta Vaz recently completed his 19th book, a biography of Merian C. Cooper, creator of King Kong which is scheduled to be published by Random House in 2005. Vaz's books on movie history include Industrial Light + Magic: Into the Digital Realm , which
Craig Barron has been an innovator in the cinematic technique of matte painting for the last two decades, playing a key role in the effects for films from The Empire Strikes Back to The Last Samurai. A veteran of George Lucas's effects company, Industrial Light + Magic, Barron now heads Matte World Digital. He is currently creating the visual effects for an Imax film on the Universe for professor Stephen Hawking. Barron lives in Marin County, California.
"The beauty of a matte shot is that you can become God," Alfred Hitchcock said, and it's a fitting epigram to this remarkable study of a little-known facet of Hollywood illusion-the art of painting background scenery on glass. Captured by the camera and merged with live action, a distant galaxy, a lost empire or an impossible landscape can look undeniably real. And yet, among all the masters of filmic art's smoke and mirrors-the fashioners of masks and prosthetic limbs, the pyrotechnic wizards behind giant, slow motion explosions-matte painters remain some of the least appreciated artisans. (It is, note the authors, their very genius that keeps them "unsung": audiences often don't even know that what they're seeing isn't real.) This book represents the first sustained look at the art and technology of matte painting. Featuring over 400 images, plus interviews with many of the greatest matte painters themselves, it tells a story of wildly inventive artifice and myriad man-hours, offering a peek inside a guild of genuine movie magicians. As a feast of technical information and an alternative history of movies themselves, from their frontier days to the global system as it exists today, this book is a labor of both love and intelligence.
Copyright 2002 Reed Business Information, Inc.
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Descrizione libro Chronicle Books, 2002. Hardcover. Condizione libro: New. Never used!. Codice libro della libreria P110811831361
Descrizione libro Chronicle Books 2002-11-01, 2002. Hardcover. Condizione libro: New. 0811831361 We guarantee all of our items - customer service and satisfaction are our top priorities. Please allow 4 - 14 business days for Standard shipping, within the US. Codice libro della libreria TM-0811831361