Tabula Picta: Painting and Writing in Medieval Law

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9780812241860: Tabula Picta: Painting and Writing in Medieval Law

To whom does a painted tablet-a tabula picta-belong? To the owner of the physical piece of wood on which an image is painted? Or to the person who made the painting on that piece of wood? By extension, one might ask, who is the owner of a text? Is it the person who has written the words, or the individual who possesses the piece of parchment or slab of stone on which those words are inscribed? In Tabula Picta Marta Madero turns to the extensive glosses and commentaries that medieval jurists dedicated to the above questions when articulating a notion of intellectual and artistic property radically different from our own. The most important goal for these legal thinkers, Madero argues, was to situate things-whatever they might be-within a logical framework that would allow for their description, categorization, and placement within a proper hierarchical order. Only juridical reasoning, they claimed, was capable of sorting out the individual elements that nature or human art had brought together in a single unit; by establishing sets of distinctions and taxonomies worthy of Borges, legal discourse sought to demonstrate that behind the deceptive immediacy of things, lie the concepts and arguments of what one might call the artifices of the concrete.

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Madero, Marta
Editore: University of Pennsylvania Press, United States (2009)
ISBN 10: 081224186X ISBN 13: 9780812241860
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Descrizione libro University of Pennsylvania Press, United States, 2009. Hardback. Condizione libro: New. 231 x 155 mm. Language: English . Brand New Book. To whom does a painted tablet-a tabula picta-belong? To the owner of the physical piece of wood on which an image is painted? Or to the person who made the painting on that piece of wood? By extension, one might ask, who is the owner of a text? Is it the person who has written the words, or the individual who possesses the piece of parchment or slab of stone on which those words are inscribed? In Tabula Picta Marta Madero turns to the extensive glosses and commentaries that medieval jurists dedicated to the above questions when articulating a notion of intellectual and artistic property radically different from our own. The most important goal for these legal thinkers, Madero argues, was to situate things-whatever they might be-within a logical framework that would allow for their description, categorization, and placement within a proper hierarchical order. Only juridical reasoning, they claimed, was capable of sorting out the individual elements that nature or human art had brought together in a single unit; by establishing sets of distinctions and taxonomies worthy of Borges, legal discourse sought to demonstrate that behind the deceptive immediacy of things, lie the concepts and arguments of what one might call the artifices of the concrete. Codice libro della libreria POW9780812241860

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Madero, Marta
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Descrizione libro University of Pennsylvania Press, 2009. Hardcover. Condizione libro: New. New, mint condition. Orders are despatched from our UK warehouse next working day. Codice libro della libreria 11814

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Madero, Marta
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Descrizione libro University of Pennsylvania Press, United States, 2009. Hardback. Condizione libro: New. 231 x 155 mm. Language: English . Brand New Book. To whom does a painted tablet-a tabula picta-belong? To the owner of the physical piece of wood on which an image is painted? Or to the person who made the painting on that piece of wood? By extension, one might ask, who is the owner of a text? Is it the person who has written the words, or the individual who possesses the piece of parchment or slab of stone on which those words are inscribed? In Tabula Picta Marta Madero turns to the extensive glosses and commentaries that medieval jurists dedicated to the above questions when articulating a notion of intellectual and artistic property radically different from our own. The most important goal for these legal thinkers, Madero argues, was to situate things-whatever they might be-within a logical framework that would allow for their description, categorization, and placement within a proper hierarchical order. Only juridical reasoning, they claimed, was capable of sorting out the individual elements that nature or human art had brought together in a single unit; by establishing sets of distinctions and taxonomies worthy of Borges, legal discourse sought to demonstrate that behind the deceptive immediacy of things, lie the concepts and arguments of what one might call the artifices of the concrete. Codice libro della libreria POW9780812241860

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Descrizione libro University of Pennsylvania Press, 2009. Hardcover. Condizione libro: New. book. Codice libro della libreria 081224186X

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Descrizione libro University of Pennsylvania Press, 2009. Hardcover. Condizione libro: New. Condizione sovraccoperta: New. First Edition. Brand new book and dust jacket. Unmarked. ; Material Texts; 9.10 X 6.10 X 0.70 inches; 160 pages. Codice libro della libreria 48881

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Descrizione libro University of Pennsylvania Press, 2009. Hardcover. Condizione libro: New. Codice libro della libreria DADAX081224186X

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Descrizione libro John Hopkins University Press. Condizione libro: New. Brand New. Codice libro della libreria 081224186X

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Descrizione libro University of Pennsylvania Press. Hardback. Condizione libro: new. BRAND NEW, Tabula Picta: Painting and Writing in Medieval Law, Marta Madero, Roger Chartier, David Valayre, Monique Dascha Inciarte, To whom does a painted tablet-a tabula picta-belong? To the owner of the physical piece of wood on which an image is painted? Or to the person who made the painting on that piece of wood? By extension, one might ask, who is the owner of a text? Is it the person who has written the words, or the individual who possesses the piece of parchment or slab of stone on which those words are inscribed? In Tabula Picta Marta Madero turns to the extensive glosses and commentaries that medieval jurists dedicated to the above questions when articulating a notion of intellectual and artistic property radically different from our own. The most important goal for these legal thinkers, Madero argues, was to situate things-whatever they might be-within a logical framework that would allow for their description, categorization, and placement within a proper hierarchical order. Only juridical reasoning, they claimed, was capable of sorting out the individual elements that nature or human art had brought together in a single unit; by establishing sets of distinctions and taxonomies worthy of Borges, legal discourse sought to demonstrate that behind the deceptive immediacy of things, lie the concepts and arguments of what one might call the artifices of the concrete. Codice libro della libreria B9780812241860

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Madero, Marta
Editore: University of Pennsylvania Press (2009)
ISBN 10: 081224186X ISBN 13: 9780812241860
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Descrizione libro University of Pennsylvania Press, 2009. Condizione libro: New. Who owns the tabula picta, the painted tablet? The owner of the tablet? Or to the person who painted it? This meticulous analysis of how medieval jurists responded to these questions is a major a contribution to the history of the proprietary rights to artistic works and to the history of ideas. Translator(s): Valayre, David; Inciarte, Monique Dascha. Series: Material Texts. Num Pages: 160 pages. BIC Classification: HBLC1. Category: (U) Tertiary Education (US: College). Dimension: 236 x 161 x 18. Weight in Grams: 394. . 2009. Hardcover. . . . . . Codice libro della libreria V9780812241860

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Descrizione libro University of Pennsylvania Press, 2009. HRD. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria CA-9780812241860

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