Bio/Pics: How Hollywood Constructed Public History (Studies)

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9780813517551: Bio/Pics: How Hollywood Constructed Public History (Studies)

Enhanced by charts, appendixes, notes, and references to approximately 300 movies from 1927 to 1960 (with additional material on the biopics' absorption by contemporary television), this volume analyzes biographical film production, distribution, and exhibition under the constraints of censorship, libel law, producer proclivities, and casting. Custen (communications, CUNY) explains why biographies of entertainers proliferated after World War II, how studio moguls fostered biographical narratives similar to their own rags-to-riches stories, and to what extent research departments affected veracity. A good addition to a scant literature that includes Michael Pitts's Hollywood and American History (McFarland & Co., 1984) and George MacDonald Fraser's The Hollywood History of the World ( LJ 9/15/88). Essential for comprehensive film collections. Movie Entertainment Book Club selection.

"Helps us to understand how Hollywood films shaped public consciousness about the past by constructing a very specific, ideologically charged version of that past. . . . A fresh and important contribution to film history and cultural studies."--Daniel Czitrom, Mount Holyoke College

Bio/Pics is the first comprehensive study of a once important film genre, the biographical film. Using previously unavailable archival materials from Twentieth Century-Fox, Warner Bros., MGM, and RKO studios, as well as censorship files from the Production Code Administration, George Custen argues that, through these films, Hollywood manufactured a nearly monochromatic view of history that was systematically distorted in regard to race, gender, nationality, and profession.Utilizing a carefully selected sample of over 100 films produced during the Studio Era (1927-1960), Custen maintains that the biopic constructed a Hollywood code of history out of a tightly controlled reference system, glamorizing the producers' own personal visions of what constituted a great life. Custen's examination of production practices reveals that the machinery of public history operating through these films was fueled by difference sources. His analysis of the roles played by star personae, legal considerations, censorship practices, and the producers' own ideologies brings the world of biopic alive, even into the age of the made-for-TV movie.

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From the Back Cover:

Bio/Pics is the first comprehensive study of a once important film genre, the biographical film. Using previously unavailable archival materials from Twentieth Century-Fox, Warner Bros., MGM, and RKO studios, as well as censorship files from the Production Code Administration, George Custen argues that, through these films, Hollywood manufactured a nearly monochromatic view of history that was systematically distorted in regard to race, gender, nationality, and profession. Employing a carefully selected sample of over one hundred films produced during the studio era (1927-1960), Custen maintains that the biopic constructed a Hollywood code of history out of a tightly controlled reference system, glamorizing the producers' own personal visions of what constituted a great life. Custen's examination of production practices reveals that the machinery of public history operating through these films was fueled by different textual and intertextual sources; Hollywood's model of history was derived from recycled plots played out on its back lots and sound stages, and not from the world outside the studio walls. His analysis of the roles played by star personae, legal considerations, censorship practices, and the producers' own ideologies brings the world of the biopic alive, even into the age of the made-for-TV movie.

About the Author:

George F. Custen is associate professor of communications in the department of performing and creative arts at the City University of New York, The College of Staten Island.

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George F. Custen
Editore: Rutgers University Press, United States (1992)
ISBN 10: 0813517559 ISBN 13: 9780813517551
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Descrizione libro Rutgers University Press, United States, 1992. Paperback. Condizione libro: New. New.. Language: English . Brand New Book. Bio/Pics is the first comprehensive study of a once important film genre, the biographical film. Using previously unavailable archival materials from Twentieth Century-Fox, Warner Bros., MGM, and RKO studios, as well as censorship files from the Production Code Administration, George Custen argues that, through these films, Hollywood manufactured a nearly monochromatic view of history that was systematically distorted in regard to race, gender, nationality, and profession. Employing a carefully selected sample of over one hundred films produced during the studio era (1927-1960), Custen maintains that the biopic constructed a Hollywood code of history out of a tightly controlled reference system, glamorizing the producers own personal visions of what constituted a great life. Custen s examination of production practices reveals that the machinery of public history operating through these films was fueled by different textual and intertextual sources; Hollywood s model of history was derived from recycled plots played out on its back lots and sound stages, and not from the world outside the studio walls. His analysis of the roles played by star personae, legal considerations, censorship practices, and the producers own ideologies brings the world of the biopic alive, even into the age of the made-for-TV movie. Codice libro della libreria AAN9780813517551

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George F. Custen
Editore: Rutgers University Press, United States (1992)
ISBN 10: 0813517559 ISBN 13: 9780813517551
Nuovi Paperback Quantità: 1
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Descrizione libro Rutgers University Press, United States, 1992. Paperback. Condizione libro: New. New.. Language: English . Brand New Book. Bio/Pics is the first comprehensive study of a once important film genre, the biographical film. Using previously unavailable archival materials from Twentieth Century-Fox, Warner Bros., MGM, and RKO studios, as well as censorship files from the Production Code Administration, George Custen argues that, through these films, Hollywood manufactured a nearly monochromatic view of history that was systematically distorted in regard to race, gender, nationality, and profession. Employing a carefully selected sample of over one hundred films produced during the studio era (1927-1960), Custen maintains that the biopic constructed a Hollywood code of history out of a tightly controlled reference system, glamorizing the producers own personal visions of what constituted a great life. Custen s examination of production practices reveals that the machinery of public history operating through these films was fueled by different textual and intertextual sources; Hollywood s model of history was derived from recycled plots played out on its back lots and sound stages, and not from the world outside the studio walls. His analysis of the roles played by star personae, legal considerations, censorship practices, and the producers own ideologies brings the world of the biopic alive, even into the age of the made-for-TV movie. Codice libro della libreria AAN9780813517551

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Descrizione libro Rutgers University Press, 1992. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria CE-9780813517551

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Descrizione libro Rutgers University Press, 1992. Paperback. Condizione libro: New. nice cover, tight binding, clean pages thanx!. Codice libro della libreria 007-0371

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Descrizione libro Rutgers University Press, 1992. Paperback. Condizione libro: New. Codice libro della libreria DADAX0813517559

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Descrizione libro Rutgers Univ Pr, 1992. Paperback. Condizione libro: Brand New. first paperback edition edition. 326 pages. 9.25x6.25x0.75 inches. In Stock. Codice libro della libreria __0813517559

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Descrizione libro Rutgers University Press, 1992. Paperback. Condizione libro: New. Never used!. Codice libro della libreria P110813517559

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