Shot on Location: Postwar American Cinema and the Exploration of Real Place

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9780813564081: Shot on Location: Postwar American Cinema and the Exploration of Real Place

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Palmer, R. Barton, Prof.
ISBN 10: 0813564085 ISBN 13: 9780813564081
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Descrizione libro 2016. PAP. Condizione libro: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria IB-9780813564081

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Palmer, R. Barton
ISBN 10: 0813564085 ISBN 13: 9780813564081
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Descrizione libro Condizione libro: New. Codice libro della libreria 24062985-n

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R. Barton Palmer
Editore: Rutgers University Press, United States (2016)
ISBN 10: 0813564085 ISBN 13: 9780813564081
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Descrizione libro Rutgers University Press, United States, 2016. Paperback. Condizione libro: New. 235 x 156 mm. Language: English . Brand New Book. In the early days of filmmaking, before many of Hollywood s elaborate sets and soundstages had been built, it was common for movies to be shot on location. Decades later, Hollywood filmmakers rediscovered the practice of using real locations and documentary footage in their narrative features. Why did this happen? What caused this sudden change? Renowned film scholar R. Barton Palmer answers this question in Shot on Location by exploring the historical, ideological, economic, and technological developments that led Hollywood to head back outside in order to capture footage of real places. His groundbreaking research reveals that wartime newsreels had a massive influence on postwar Hollywood film, although there are key distinctions to be made between these movies and their closest contemporaries, Italian neorealist films. Considering how these practices were used in everything from war movies like Twelve O Clock High to westerns like The Searchers, Palmer explores how the blurring of the formal boundaries between cinematic journalism and fiction lent a reality effect to otherwise implausible stories. Shot on Location describes how the period s greatest directors, from Alfred Hitchcock to Billy Wilder, increasingly moved beyond the confines of the studio. At the same time, the book acknowledges the collaborative nature of moviemaking, identifying key roles that screenwriters, art designers, location scouts, and editors played in incorporating actual geographical locales and social milieus within a fictional framework. Palmer thus offers a fascinating behind-the-scenes look at how Hollywood transformed the way we view real spaces. Codice libro della libreria AAN9780813564081

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R. Barton Palmer
Editore: Rutgers University Press, United States (2016)
ISBN 10: 0813564085 ISBN 13: 9780813564081
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Descrizione libro Rutgers University Press, United States, 2016. Paperback. Condizione libro: New. 235 x 156 mm. Language: English . Brand New Book. In the early days of filmmaking, before many of Hollywood s elaborate sets and soundstages had been built, it was common for movies to be shot on location. Decades later, Hollywood filmmakers rediscovered the practice of using real locations and documentary footage in their narrative features. Why did this happen? What caused this sudden change? Renowned film scholar R. Barton Palmer answers this question in Shot on Location by exploring the historical, ideological, economic, and technological developments that led Hollywood to head back outside in order to capture footage of real places. His groundbreaking research reveals that wartime newsreels had a massive influence on postwar Hollywood film, although there are key distinctions to be made between these movies and their closest contemporaries, Italian neorealist films. Considering how these practices were used in everything from war movies like Twelve O Clock High to westerns like The Searchers, Palmer explores how the blurring of the formal boundaries between cinematic journalism and fiction lent a reality effect to otherwise implausible stories. Shot on Location describes how the period s greatest directors, from Alfred Hitchcock to Billy Wilder, increasingly moved beyond the confines of the studio. At the same time, the book acknowledges the collaborative nature of moviemaking, identifying key roles that screenwriters, art designers, location scouts, and editors played in incorporating actual geographical locales and social milieus within a fictional framework. Palmer thus offers a fascinating behind-the-scenes look at how Hollywood transformed the way we view real spaces. Codice libro della libreria AAN9780813564081

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Palmer, R. Barton, Prof.
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Descrizione libro Condizione libro: New. Depending on your location, this item may ship from the US or UK. Codice libro della libreria 97808135640810000000

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Descrizione libro Rutgers University Press. Condizione libro: New. Brand New. Codice libro della libreria 0813564085

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R. Barton Palmer
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Descrizione libro Rutgers University Press. Paperback. Condizione libro: new. BRAND NEW, Shot on Location: Postwar Hollywood's Exploration of Real Place, R. Barton Palmer, In the early days of filmmaking, before many of Hollywood's elaborate sets and soundstages had been built, it was common for movies to be shot on location. Decades later, Hollywood filmmakers rediscovered the practice of using real locations and documentary footage in their narrative features. Why did this happen? What caused this sudden change? Renowned film scholar R. Barton Palmer answers this question in Shot on Location by exploring the historical, ideological, economic, and technological developments that led Hollywood to head back outside in order to capture footage of real places. His groundbreaking research reveals that wartime newsreels had a massive influence on postwar Hollywood film, although there are key distinctions to be made between these movies and their closest contemporaries, Italian neorealist films. Considering how these practices were used in everything from war movies like Twelve O'Clock High to westerns like The Searchers, Palmer explores how the blurring of the formal boundaries between cinematic journalism and fiction lent a "reality effect" to otherwise implausible stories. Shot on Location describes how the period's greatest directors, from Alfred Hitchcock to Billy Wilder, increasingly moved beyond the confines of the studio. At the same time, the book acknowledges the collaborative nature of moviemaking, identifying key roles that screenwriters, art designers, location scouts, and editors played in incorporating actual geographical locales and social milieus within a fictional framework. Palmer thus offers a fascinating behind-the-scenes look at how Hollywood transformed the way we view real spaces. Codice libro della libreria B9780813564081

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R. Barton Palmer
Editore: Rutgers University Press (2015)
ISBN 10: 0813564085 ISBN 13: 9780813564081
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Descrizione libro Rutgers University Press, 2015. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria CE-9780813564081

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R. Barton Palmer
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Descrizione libro Rutgers University Press, 2015. PAP. Condizione libro: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria IB-9780813564081

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R. Barton Palmer
Editore: Rutgers University Press
ISBN 10: 0813564085 ISBN 13: 9780813564081
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Descrizione libro Rutgers University Press. Paperback. Condizione libro: New. Paperback. Dimensions: 0.0in. x 0.0in. x 0.0in.In the early days of filmmaking, before many of Hollywoods elaborate sets and soundstages had been built, it was common for movies to be shot on location. Decades later, Hollywood filmmakers rediscovered the practice of using real locations and documentary footage in their narrative features. Why did this happen What caused this sudden change Renowned film scholar R. Barton Palmer answers this question in Shot on Location by exploring the historical, ideological, economic, and technological developments that led Hollywood to head back outside in order to capture footage of real places. His groundbreaking research reveals that wartime newsreels had a massive influence on postwar Hollywood film, although there are key distinctions to be made between these movies and their closest contemporaries, Italian neorealist films. Considering how these practices were used in everything from war movies like Twelve OClock High to westerns like The Searchers, Palmer explores how the blurring of the formal boundaries between cinematic journalism and fiction lent a reality effect to otherwise implausible stories. Shot on Location describes how the periods greatest directors, from Alfred Hitchcock to Billy Wilder, increasingly moved beyond the confines of the studio. At the same time, the book acknowledges the collaborative nature of moviemaking, identifying key roles that screenwriters, art designers, location scouts, and editors played in incorporating actual geographical locales and social milieus within a fictional framework. Palmer thus offers a fascinating behind-the-scenes look at how Hollywood transformed the way we view real spaces. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Codice libro della libreria 9780813564081

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