Originally a euphemism for Princeton University’s Female Literary Tradition course in the 1980s, "chick lit" mutated from a movement in American women’s avant-garde fiction in the 1990s to become, by the turn of the century, a humorous subset of women’s literature, journalism, and advice manuals. Stephanie Harzewski examines such best sellers as Bridget Jones’s Diary The Devil Wears Prada, and Sex and the City as urban appropriations of and departures from the narrative traditions of the novel of manners, the popular romance, and the bildungsroman. Further, Harzewski uses chick lit as a lens through which to view gender relations in U.S. and British society in the 1990s. Chick Lit and Postfeminism is the first sustained historicization of this major pop-cultural phenomenon, and Harzewski successfully demonstrates how chick lit and the critical study of it yield social observations on upheavals in Anglo-American marriage and education patterns, heterosexual rituals, feminism, and postmodern values.
Stephanie Harzewski is Lecturer in the Department of English at the University of New Hampshire.Review:
"Chick Lit and Postfeminism is both extremely smart and extremely clear, an all-too rare combination in academia. Harzewski treats the subject seriously and in-depth, but also with a sense of humor, of lightness, recognizing both that the genre is massively popular and influential and also that it is ideologically complex."
--Robert A. Rushing, Associate Professor of Italian and Comparative Literature, University of Illinois, Urbana-Champaign, Author of Resisting Arrest: Detective Fiction and Popular Culture
The explosion of a new type of novel by and for women -- dubbed, for better or worse,'chick lit' -- has provoked much controversy in the mainstream press and in the literary world. Despite all the commotion over the works by the latest mob of 'damned scribbling women,' as Nathaniel Hawthorne called women writers of the nineteenth century, little scholarly attention has focused on these texts. Harzewski's is one of the first full-length studies devoted to chick lit, and the most wide-ranging to date. Chick Lit and Postfeminism is written in a clear, readable style and is a solid book that will be read with interest and no doubt taken up and debated.--Tania Modleski, University of Southern California, author of Feminism without Women: Culture and Criticism in a "Postfeminist" Age
Like Carrie Bradshaw in her Manolo Blahniks, Chick Lit and Postfeminism steps out in style. Smart, thoughtful, and well-written, it offers a historical understanding of this decidedly postfeminist genre, while offering insight into contemporary gender politics and femininity.--Janet McCabe, Birkbeck, University of London, and coeditor of Reading Sex and the City
Chick Lit and Postfeminism is a bold and fascinating exploration of the 'most culturally visible form of postfeminist fiction' -- chick lit. Demanding and sometimes dizzying in its range and readings, the book moors the genre in the commodified context of women's lives in the twenty-first century, refashioning our understanding of this irreverent, ubiquitous, and (contrary to popular belief) important genre of fiction.--Mary Bly Eloisa James, Fordham University, New York Times best-selling author
Descrizione libro University of Virginia Press, 2011. Hardcover. Condizione libro: New. book. Codice libro della libreria 813930715
Descrizione libro University of Virginia Press, 2011. Hardcover. Condizione libro: New. book. Codice libro della libreria 0813930715