Francis Bacon: The Logic of Sensation

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9780816643424: Francis Bacon: The Logic of Sensation

Translated and with an Introduction by Daniel W. Smith
 Afterword by Tom Conley 

Gilles Deleuze had several paintings by Francis Bacon hanging in his Paris apartment, and the painter’s method and style as well as his motifs of seriality, difference, and repetition influenced Deleuze’s work. This first English translation shows us one of the most original and important French philosophers of the twentieth century in intimate confrontation with one of that century’s most original and important painters. 

In considering Bacon, Deleuze offers implicit and explicit insights into the origins and development of his own philosophical and aesthetic ideas, ideas that represent a turning point in his intellectual trajectory. First published in French in 1981, Francis Bacon has come to be recognized as one of Deleuze’s most significant texts in aesthetics. Anticipating his work on cinema, the baroque, and literary criticism, the book can be read not only as a study of Bacon’s paintings but also as a crucial text within Deleuze’s broader philosophy of art. 

In it, Deleuze creates a series of philosophical concepts, each of which relates to a particular aspect of Bacon’s paintings but at the same time finds a place in the “general logic of sensation.” Illuminating Bacon’s paintings, the nonrational logic of sensation, and the act of painting itself, this work—presented in lucid and nuanced translation—also points beyond painting toward connections with other arts such as music, cinema, and literature. Francis Bacon is an indispensable entry point into the conceptual proliferation of Deleuze’s philosophy as a whole. 

Gilles Deleuze (1925–1995) was professor of philosophy at the University of Paris, Vincennes–St. Denis. He coauthored Anti-Oedipus and A Thousand Plateaus with Félix Guattari. These works, as well as Cinema 1, Cinema 2, The Fold, Proust and Signs, and others, are published in English by Minnesota. 

Daniel W. Smith teaches in the Department of Philosophy at Purdue University.

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About the Author:

Gilles Deleuze (1925-1995) was Professor of Philosophy at the University of Paris VIII. He is a key figure in poststructuralism, and one of the most Influential philosophers of the twentieth century. Daniel W. Smith teaches in the Department of Philosophy at Purdue University.

Review:

"'A lively and systematic study of Bacon's work. The book is clearly organised, helping to make complicated arguments easier to follow'. Modern Painters; 'an entertaining read' Art Monthly; 'A path breaking work on the aesthetics of sensation, the philosophy of colour, on form, and on painting in general, Francis Bacon is one of the most important, if not the most crucial, of all of Deleuze's writings.' Tom Conley, Harvard University"

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Descrizione libro University of Chicago press. Condizione libro: New. Brand New. Codice libro della libreria 0816643423

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Descrizione libro 2005. PAP. Condizione libro: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria TX-9780816643424

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Descrizione libro University of Minnesota Press, United States, 2005. Paperback. Condizione libro: New. New edition. Language: English . Brand New Book. Translated and with an Introduction by Daniel W. Smith Afterword by Tom Conley Gilles Deleuze had several paintings by Francis Bacon hanging in his Paris apartment, and the painter s method and style as well as his motifs of seriality, difference, and repetition influenced Deleuze s work. This first English translation shows us one of the most original and important French philosophers of the twentieth century in intimate confrontation with one of that century s most original and important painters. In considering Bacon, Deleuze offers implicit and explicit insights into the origins and development of his own philosophical and aesthetic ideas, ideas that represent a turning point in his intellectual trajectory. First published in French in 1981, Francis Bacon has come to be recognized as one of Deleuze s most significant texts in aesthetics. Anticipating his work on cinema, the baroque, and literary criticism, the book can be read not only as a study of Bacon s paintings but also as a crucial text within Deleuze s broader philosophy of art. In it, Deleuze creates a series of philosophical concepts, each of which relates to a particular aspect of Bacon s paintings but at the same time finds a place in the general logic of sensation. Illuminating Bacon s paintings, the nonrational logic of sensation, and the act of painting itself, this work--presented in lucid and nuanced translation--also points beyond painting toward connections with other arts such as music, cinema, and literature. Francis Bacon is an indispensable entry point into the conceptual proliferation of Deleuze s philosophy as a whole. Gilles Deleuze (1925-1995) was professor of philosophy at the University of Paris, Vincennes-St. Denis. He coauthored Anti-Oedipus and A Thousand Plateaus with Felix Guattari. These works, as well as Cinema 1, Cinema 2, The Fold, Proust and Signs, and others, are published in English by Minnesota. Daniel W. Smith teaches in the Department of Philosophy at Purdue University. Codice libro della libreria AAS9780816643424

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Descrizione libro University of Minnesota Press, United States, 2005. Paperback. Condizione libro: New. New edition. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Translated and with an Introduction by Daniel W. Smith Afterword by Tom Conley Gilles Deleuze had several paintings by Francis Bacon hanging in his Paris apartment, and the painter s method and style as well as his motifs of seriality, difference, and repetition influenced Deleuze s work. This first English translation shows us one of the most original and important French philosophers of the twentieth century in intimate confrontation with one of that century s most original and important painters. In considering Bacon, Deleuze offers implicit and explicit insights into the origins and development of his own philosophical and aesthetic ideas, ideas that represent a turning point in his intellectual trajectory. First published in French in 1981, Francis Bacon has come to be recognized as one of Deleuze s most significant texts in aesthetics. Anticipating his work on cinema, the baroque, and literary criticism, the book can be read not only as a study of Bacon s paintings but also as a crucial text within Deleuze s broader philosophy of art. In it, Deleuze creates a series of philosophical concepts, each of which relates to a particular aspect of Bacon s paintings but at the same time finds a place in the general logic of sensation. Illuminating Bacon s paintings, the nonrational logic of sensation, and the act of painting itself, this work--presented in lucid and nuanced translation--also points beyond painting toward connections with other arts such as music, cinema, and literature. Francis Bacon is an indispensable entry point into the conceptual proliferation of Deleuze s philosophy as a whole. Gilles Deleuze (1925-1995) was professor of philosophy at the University of Paris, Vincennes-St. Denis. He coauthored Anti-Oedipus and A Thousand Plateaus with Felix Guattari. These works, as well as Cinema 1, Cinema 2, The Fold, Proust and Signs, and others, are published in English by Minnesota. Daniel W. Smith teaches in the Department of Philosophy at Purdue University. Codice libro della libreria BTE9780816643424

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Descrizione libro University of Minnesota Press, United States, 2005. Paperback. Condizione libro: New. New edition. Language: English . Brand New Book. Translated and with an Introduction by Daniel W. Smith Afterword by Tom Conley Gilles Deleuze had several paintings by Francis Bacon hanging in his Paris apartment, and the painter s method and style as well as his motifs of seriality, difference, and repetition influenced Deleuze s work. This first English translation shows us one of the most original and important French philosophers of the twentieth century in intimate confrontation with one of that century s most original and important painters. In considering Bacon, Deleuze offers implicit and explicit insights into the origins and development of his own philosophical and aesthetic ideas, ideas that represent a turning point in his intellectual trajectory. First published in French in 1981, Francis Bacon has come to be recognized as one of Deleuze s most significant texts in aesthetics. Anticipating his work on cinema, the baroque, and literary criticism, the book can be read not only as a study of Bacon s paintings but also as a crucial text within Deleuze s broader philosophy of art. In it, Deleuze creates a series of philosophical concepts, each of which relates to a particular aspect of Bacon s paintings but at the same time finds a place in the general logic of sensation. Illuminating Bacon s paintings, the nonrational logic of sensation, and the act of painting itself, this work--presented in lucid and nuanced translation--also points beyond painting toward connections with other arts such as music, cinema, and literature. Francis Bacon is an indispensable entry point into the conceptual proliferation of Deleuze s philosophy as a whole. Gilles Deleuze (1925-1995) was professor of philosophy at the University of Paris, Vincennes-St. Denis. He coauthored Anti-Oedipus and A Thousand Plateaus with Felix Guattari. These works, as well as Cinema 1, Cinema 2, The Fold, Proust and Signs, and others, are published in English by Minnesota. Daniel W. Smith teaches in the Department of Philosophy at Purdue University. Codice libro della libreria AAS9780816643424

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Descrizione libro University of Minnesota Press 5/1/2005, 2005. Paperback or Softback. Condizione libro: New. Francis Bacon: The Logic of Sensation. Book. Codice libro della libreria BBS-9780816643424

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Descrizione libro Univ of Minnesota Pr 2005/05/25, 2005. Condizione libro: New. Brand new book, sourced directly from publisher. Dispatched within 2 working days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Codice libro della libreria NU-BNT-00507353

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Descrizione libro Univ Of Minnesota Press. Paperback. Condizione libro: New. Paperback. 224 pages. Dimensions: 8.4in. x 5.3in. x 0.8in.Translated and with an Introduction by Daniel W. SmithAfterword by Tom ConleyGilles Deleuze had several paintings by Francis Bacon hanging in his Paris apartment, and the painters method and style as well as his motifs of seriality, difference, and repetition influenced Deleuzes work. This first English translation shows us one of the most original and important French philosophers of the twentieth century in intimate confrontation with one of that centurys most original and important painters. In considering Bacon, Deleuze offers implicit and explicit insights into the origins and development of his own philosophical and aesthetic ideas, ideas that represent a turning point in his intellectual trajectory. First published in French in 1981, Francis Bacon has come to be recognized as one of Deleuzes most significant texts in aesthetics. Anticipating his work on cinema, the baroque, and literary criticism, the book can be read not only as a study of Bacons paintings but also as a crucial text within Deleuzes broader philosophy of art. In it, Deleuze creates a series of philosophical concepts, each of which relates to a particular aspect of Bacons paintings but at the same time finds a place in the general logic of sensation. Illuminating Bacons paintings, the nonrational logic of sensation, and the act of painting itself, this workpresented in lucid and nuanced translationalso points beyond painting toward connections with other arts such as music, cinema, and literature. Francis Bacon is an indispensable entry point into the conceptual proliferation of Deleuzes philosophy as a whole. Gilles Deleuze (19251995) was professor of philosophy at the University of Paris, VincennesSt. Denis. He coauthored Anti-Oedipus and A Thousand Plateaus with Flix Guattari. These works, as well as Cinema 1, Cinema 2, The Fold, Proust and Signs, and others, are published in English by Minnesota. Daniel W. Smith teaches in the Department of Philosophy at Purdue University. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Codice libro della libreria 9780816643424

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