Any Sound You Can Imagine: Making Music / Consuming Technology

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9780819563095: Any Sound You Can Imagine: Making Music / Consuming Technology

Winner of the International Association for the Study of Popular Music (IASPM) Book Award (1997)

Recent innovations in musical instrument design are not simply a response to the needs of musicians, writes Paul Théberge; they also have become "a driving force with which musicians must contend." He argues that digital synthesizers, samplers, and sequencers in studio production and in the home have caused musicians to rely increasingly on manufacturers for both the instruments themselves as well as the very sounds and musical patterns that they use to make music.

Musical practices have thus become allied with a new type of consumer practice that is altogether different from earlier relationships between musicians and their instruments as a means of production. Théberge places these developments within a broad social and historical perspective that examines the development of the musical instrument industry, particularly the piano industry, the economic and cultural role of musicians' magazines and computer networks, and the fundamental relationships between musical concepts, styles, and technology.

Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.

From the Publisher:

6 x 9 trim. 11 illus. Table. LC 97-5418

From the Back Cover:

Theberge places recent technological developments within a broad social and historical perspective to illuminate the changing relationships between musical concepts, styles, and technology.

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Theberge, Paul
ISBN 10: 0819563099 ISBN 13: 9780819563095
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Descrizione libro 1997. PAP. Condizione libro: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria IB-9780819563095

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Paul Theberge
Editore: University Press of New England, United States (1997)
ISBN 10: 0819563099 ISBN 13: 9780819563095
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Descrizione libro University Press of New England, United States, 1997. Paperback. Condizione libro: New. Language: English . Brand New Book. Winner of the International Association for the Study of Popular Music (IASPM) Book Award (1997) Recent innovations in musical instrument design are not simply a response to the needs of musicians, writes Paul Theberge; they also have become a driving force with which musicians must contend. He argues that digital synthesizers, samplers, and sequencers in studio production and in the home have caused musicians to rely increasingly on manufacturers for both the instruments themselves as well as the very sounds and musical patterns that they use to make music. Musical practices have thus become allied with a new type of consumer practice that is altogether different from earlier relationships between musicians and their instruments as a means of production. Theberge places these developments within a broad social and historical perspective that examines the development of the musical instrument industry, particularly the piano industry, the economic and cultural role of musicians magazines and computer networks, and the fundamental relationships between musical concepts, styles, and technology. Codice libro della libreria AAC9780819563095

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Paul Theberge
Editore: University Press of New England, United States (1997)
ISBN 10: 0819563099 ISBN 13: 9780819563095
Nuovi Paperback Quantità: 1
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Descrizione libro University Press of New England, United States, 1997. Paperback. Condizione libro: New. Language: English . Brand New Book. Winner of the International Association for the Study of Popular Music (IASPM) Book Award (1997) Recent innovations in musical instrument design are not simply a response to the needs of musicians, writes Paul Theberge; they also have become a driving force with which musicians must contend. He argues that digital synthesizers, samplers, and sequencers in studio production and in the home have caused musicians to rely increasingly on manufacturers for both the instruments themselves as well as the very sounds and musical patterns that they use to make music. Musical practices have thus become allied with a new type of consumer practice that is altogether different from earlier relationships between musicians and their instruments as a means of production. Theberge places these developments within a broad social and historical perspective that examines the development of the musical instrument industry, particularly the piano industry, the economic and cultural role of musicians magazines and computer networks, and the fundamental relationships between musical concepts, styles, and technology. Codice libro della libreria AAC9780819563095

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Théberge, Paul
Editore: Wesleyan University Press (1997)
ISBN 10: 0819563099 ISBN 13: 9780819563095
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Descrizione libro Wesleyan University Press, 1997. Paperback. Condizione libro: New. Never used!. Codice libro della libreria 0819563099

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Paul Theberge
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Descrizione libro Wesleyan. Paperback. Condizione libro: New. Paperback. 303 pages. Dimensions: 9.0in. x 6.0in. x 0.8in.Recent innovations in musical instrument design are not simply a response to the needs of musicians, writes Paul Thberge; they also have become a driving force with which musicians must contend. He argues that digital synthesizers, samplers, and sequencers in studio production and in the home have caused musicians to rely increasingly on manufacturers for both the instruments themselves as well as the very sounds and musical patterns that they use to make music. Musical practices have thus become allied with a new type of consumer practice that is altogether different from earlier relationships between musicians and their instruments as a means of production. Thberge places these developments within a broad social and historical perspective that examines the development of the musical instrument industry, particularly the piano industry, the economic and cultural role of musicians magazines and computer networks, and the fundamental relationships between musical concepts, styles, and technology. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Codice libro della libreria 9780819563095

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Théberge, Paul
Editore: Wesleyan
ISBN 10: 0819563099 ISBN 13: 9780819563095
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Descrizione libro Wesleyan. Condizione libro: BRAND NEW. BRAND NEW Softcover - Describes digital musical instruments, industries that supply and promote them, and the meanings they have for musicians. A Brand New Quality Book from a Full-Time Veteran Owned Bookshop in business since 1992!. Codice libro della libreria 2567483

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Paul Theberge
ISBN 10: 0819563099 ISBN 13: 9780819563095
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Descrizione libro Paperback. Condizione libro: New. Paperback. Recent innovations in musical instrument design are not simply a response to the needs of musicians, writes Paul Theberge; they also have become "a driving force with which musicians .Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 303 pages. 0.454. Codice libro della libreria 9780819563095

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Theberge, Paul
Editore: University Press of New England (1997)
ISBN 10: 0819563099 ISBN 13: 9780819563095
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Descrizione libro University Press of New England, 1997. PAP. Condizione libro: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria IB-9780819563095

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Paul Théberge
Editore: Wesleyan University Press 1997-07-23, Middletown, Connecticut (1997)
ISBN 10: 0819563099 ISBN 13: 9780819563095
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Descrizione libro Wesleyan University Press 1997-07-23, Middletown, Connecticut, 1997. paperback. Condizione libro: New. Codice libro della libreria 9780819563095

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Paul Theberge
Editore: University Press of New England
ISBN 10: 0819563099 ISBN 13: 9780819563095
Nuovi Paperback Quantità: 2
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Descrizione libro University Press of New England. Paperback. Condizione libro: new. BRAND NEW, Any Sound You Can Imagine: Making Music/Consuming Technology, Paul Theberge, Recent innovations in musical instrument design are not simply a response to the needs of musicians, writes Paul ThEberge; they also have become "a driving force with which musicians must contend." He argues that digital synthesizers, samplers, and sequencers in studio production and in the home have caused musicians to rely increasingly on manufacturers for both the instruments themselves as well as the very sounds and musical patterns that they use to make music. Musical practices have thus become allied with a new type of consumer practice that is altogether different from earlier relationships between musicians and their instruments as a means of production. ThEberge places these developments within a broad social and historical perspective that examines the development of the musical instrument industry, particularly the piano industry, the economic and cultural role of musicians' magazines and computer networks, and the fundamental relationships between musical concepts, styles, and technology. Codice libro della libreria B9780819563095

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