Disguise in George Sand’s Novels (Currents in Comparative Romance Languages and Literatures)

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9780820449326: Disguise in George Sand’s Novels (Currents in Comparative Romance Languages and Literatures)

Sandian heroines swirl around men in their sororal and sartorial disguises like moths around candle flames. However, as Disguise in George Sand’s Novels illustrates, the disguise is not an instrument to seduce men but rather to assert the heroines’ true selves. The portrayal of female and androgynous protagonists in Rose et Blanche (1831), Indiana (1832), Lélia (1833/39), Gabriel (1839), Consuelo (1842), and La Comtesse de Rudolstadt (1844) is a metaphor to demonstrate the continuity of identities before and after the disguise as George Sand stipulates in her theory of the ménechme. Disguise in George Sand’s Novels explores the maturation process of Romantic and artistically inclined heroines and highlights the spiritual meaning of the disguise as a rite of passage for the birth of a new type of protagonist: spiritual, self-assertive, and dedicated to erasing gender inequality and helping the poor.

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About the Author:

The Author: Françoise Ghillebaert is Associate Professor of French at The University of Puerto Rico, Río Piedras campus. She received her Ph.D. in French literature from The University of Texas at Austin. She is the founder and chief editor of the electronic journal Crisolenguas for the Department of Foreign Languages at The University of Puerto Rico. She served as guest editor of a special issue of Postscript: Essays in Films and the Humanities dedicated to the Double in Movies (2003). Ghillebaert has received grants from the Fondo Institucional para la Investigación and from the Programa de Estudios de la Mujer y el Género awarded by The University of Puerto Rico, Río Piedras campus.

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Francoise Ghillebaert
Editore: Peter Lang Publishing Inc, United States (2009)
ISBN 10: 0820449326 ISBN 13: 9780820449326
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Descrizione libro Peter Lang Publishing Inc, United States, 2009. Hardback. Condizione libro: New. New edition. Language: English . Brand New Book. Sandian heroines swirl around men in their sororal and sartorial disguises like moths around candle flames. However, as Disguise in George Sand s Novels illustrates, the disguise is not an instrument to seduce men but rather to assert the heroines true selves. The portrayal of female and androgynous protagonists in Rose et Blanche (1831), Indiana (1832), Lelia (1833/39), Gabriel (1839), Consuelo (1842), and La Comtesse de Rudolstadt (1844) is a metaphor to demonstrate the continuity of identities before and after the disguise as George Sand stipulates in her theory of the menechme. Disguise in George Sand s Novels explores the maturation process of Romantic and artistically inclined heroines and highlights the spiritual meaning of the disguise as a rite of passage for the birth of a new type of protagonist: spiritual, self-assertive, and dedicated to erasing gender inequality and helping the poor. Codice libro della libreria LIB9780820449326

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Ghillebaert, Françoise
Editore: New York, Bern, Berlin, Bruxelles, Frankfurt am Main, Oxford, Wien, 2009. XIV, 281 pp., num. ill. (2009)
ISBN 10: 0820449326 ISBN 13: 9780820449326
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Descrizione libro New York, Bern, Berlin, Bruxelles, Frankfurt am Main, Oxford, Wien, 2009. XIV, 281 pp., num. ill., 2009. Condizione libro: New. Sandian heroines swirl around men in their sororal and sartorial disguises like moths around candle flames. However, as Disguise in George Sand?s Novels illustrates, the disguise is not an instrument to seduce men but rather to assert the heroines? true selves. The portrayal of female and androgynous protagonists in Rose et Blanche (1831), Indiana (1832), Lélia (1833/39), Gabriel (1839), Consuelo (1842), and La Comtesse de Rudolstadt (1844) is a metaphor to demonstrate the continuity of identities before and after the disguise as George Sand stipulates in her theory of the ménechme. Disguise in George Sand?s Novels explores the maturation process of Romantic and artistically inclined heroines and highlights the spiritual meaning of the disguise as a rite of passage for the birth of a new type of protagonist: spiritual, self-assertive, and dedicated to erasing gender inequality and helping the poor. Codice libro della libreria 64932

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Françoise Ghillebaert
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Descrizione libro Peter Lang Inc., International Academic Publishers 2009-10-16, New York, 2009. hardback. Condizione libro: New. Codice libro della libreria 9780820449326

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Francoise Ghillebaert
Editore: Peter Lang Publishing Inc, United States (2009)
ISBN 10: 0820449326 ISBN 13: 9780820449326
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Descrizione libro Peter Lang Publishing Inc, United States, 2009. Hardback. Condizione libro: New. New edition. Language: English . Brand New Book. Sandian heroines swirl around men in their sororal and sartorial disguises like moths around candle flames. However, as Disguise in George Sand s Novels illustrates, the disguise is not an instrument to seduce men but rather to assert the heroines true selves. The portrayal of female and androgynous protagonists in Rose et Blanche (1831), Indiana (1832), Lelia (1833/39), Gabriel (1839), Consuelo (1842), and La Comtesse de Rudolstadt (1844) is a metaphor to demonstrate the continuity of identities before and after the disguise as George Sand stipulates in her theory of the menechme. Disguise in George Sand s Novels explores the maturation process of Romantic and artistically inclined heroines and highlights the spiritual meaning of the disguise as a rite of passage for the birth of a new type of protagonist: spiritual, self-assertive, and dedicated to erasing gender inequality and helping the poor. Codice libro della libreria LIB9780820449326

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Françoise Ghillebaert
Editore: Peter Lang Okt 2009 (2009)
ISBN 10: 0820449326 ISBN 13: 9780820449326
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Descrizione libro Peter Lang Okt 2009, 2009. Buch. Condizione libro: Neu. Neuware - Sandian heroines swirl around men in their sororal and sartorial disguises like moths around candle flames. However, as Disguise in George Sand's Novels illustrates, the disguise is not an instrument to seduce men but rather to assert the heroines' true selves. The portrayal of female and androgynous protagonists in Rose et Blanche (1831), Indiana (1832), Lélia (1833/39), Gabriel (1839), Consuelo (1842), and La Comtesse de Rudolstadt (1844) is a metaphor to demonstrate the continuity of identities before and after the disguise as George Sand stipulates in her theory of the ménechme. Disguise in George Sand's Novels explores the maturation process of Romantic and artistically inclined heroines and highlights the spiritual meaning of the disguise as a rite of passage for the birth of a new type of protagonist: spiritual, self-assertive, and dedicated to erasing gender inequality and helping the poor. 281 pp. Englisch. Codice libro della libreria 9780820449326

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Françoise Ghillebaert
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Descrizione libro Peter Lang Okt 2009, 2009. Buch. Condizione libro: Neu. Neuware - Sandian heroines swirl around men in their sororal and sartorial disguises like moths around candle flames. However, as Disguise in George Sand's Novels illustrates, the disguise is not an instrument to seduce men but rather to assert the heroines' true selves. The portrayal of female and androgynous protagonists in Rose et Blanche (1831), Indiana (1832), Lélia (1833/39), Gabriel (1839), Consuelo (1842), and La Comtesse de Rudolstadt (1844) is a metaphor to demonstrate the continuity of identities before and after the disguise as George Sand stipulates in her theory of the ménechme. Disguise in George Sand's Novels explores the maturation process of Romantic and artistically inclined heroines and highlights the spiritual meaning of the disguise as a rite of passage for the birth of a new type of protagonist: spiritual, self-assertive, and dedicated to erasing gender inequality and helping the poor. 281 pp. Englisch. Codice libro della libreria 9780820449326

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Françoise Ghillebaert
Editore: Peter Lang Okt 2009 (2009)
ISBN 10: 0820449326 ISBN 13: 9780820449326
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Descrizione libro Peter Lang Okt 2009, 2009. Buch. Condizione libro: Neu. Neuware - Sandian heroines swirl around men in their sororal and sartorial disguises like moths around candle flames. However, as Disguise in George Sand's Novels illustrates, the disguise is not an instrument to seduce men but rather to assert the heroines' true selves. The portrayal of female and androgynous protagonists in Rose et Blanche (1831), Indiana (1832), Lélia (1833/39), Gabriel (1839), Consuelo (1842), and La Comtesse de Rudolstadt (1844) is a metaphor to demonstrate the continuity of identities before and after the disguise as George Sand stipulates in her theory of the ménechme. Disguise in George Sand's Novels explores the maturation process of Romantic and artistically inclined heroines and highlights the spiritual meaning of the disguise as a rite of passage for the birth of a new type of protagonist: spiritual, self-assertive, and dedicated to erasing gender inequality and helping the poor. 281 pp. Englisch. Codice libro della libreria 9780820449326

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Francoise Ghillebaert
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Descrizione libro Peter Lang Pub Inc, 2009. Hardcover. Condizione libro: Brand New. 1st edition. 281 pages. 9.40x6.00x0.90 inches. In Stock. Codice libro della libreria __0820449326

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Descrizione libro Peter Lang Inc., International Academic Publishers, 2009. Hardcover. Condizione libro: New. book. Codice libro della libreria M0820449326

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Françoise Ghillebaert
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ISBN 10: 0820449326 ISBN 13: 9780820449326
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Descrizione libro Peter Lang Okt 2009, 2009. Buch. Condizione libro: Neu. Neuware - Sandian heroines swirl around men in their sororal and sartorial disguises like moths around candle flames. However, as Disguise in George Sand's Novels illustrates, the disguise is not an instrument to seduce men but rather to assert the heroines' true selves. The portrayal of female and androgynous protagonists in Rose et Blanche (1831), Indiana (1832), Lélia (1833/39), Gabriel (1839), Consuelo (1842), and La Comtesse de Rudolstadt (1844) is a metaphor to demonstrate the continuity of identities before and after the disguise as George Sand stipulates in her theory of the ménechme. Disguise in George Sand's Novels explores the maturation process of Romantic and artistically inclined heroines and highlights the spiritual meaning of the disguise as a rite of passage for the birth of a new type of protagonist: spiritual, self-assertive, and dedicated to erasing gender inequality and helping the poor. 281 pp. Englisch. Codice libro della libreria 9780820449326

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