Spese di spedizione:
EUR 5,14
In U.S.A.
Descrizione libro Hardcover. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. First American Edition. Very Good condition, no DJ. First American Edition, first printing. No marks of personal identification or prior ownership.; 4to - over 9¾ - 12" tall. Codice articolo 45394
Descrizione libro HARDBACK BLUE. Condizione: VG. Silver lettering on spine, rubbed boards and spine, foxed page edges DATE PUBLISHED: 1970 EDITION: 128. Codice articolo 121735
Descrizione libro Hardcover. Condizione: Very Good. Hardcover and dust jacket. Good binding and cover. Minor shelf wear. Light toning. Clean, unmarked pages. Bridget Riley began painting figure subjects in a semi-impressionist manner, then changed to pointillism around 1958, mainly producing landscapes. In 1960 she evolved a style in which she explored the dynamic potentialities of optical phenomena. These so-called 'Op-art' pieces, such as Fall, 1963 (Tate Gallery T00616), produce a disorienting physical effect on the eye. Codice articolo 2108120066
Descrizione libro Hardcover. Condizione: Good. New York Graphic Society January 1970 Binding: Hardcover. Codice articolo 109169
Descrizione libro Soft cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Dust jacket a little discoloured with small nicks to corners. Codice articolo 013782
Descrizione libro Hardcover. Condizione: Very Good. ***please read*** no marks - dj is very good and a small tear on the back top edges are curled-up a little - my shelf location k-27-c. Codice articolo 190701001
Descrizione libro Condizione: Good. Greenwich, CT: New York Graphic Society, 1970. 1st edition. Sm 4to hardcover. 128pp. Illustrations. Good book. Fair dust jacket. (Optical Art, Exhibition Catalogs) Inquire if you need further information. Codice articolo MA11O-00064