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Viewing African Cinema in the Twenty-First Century: Art Films and the Nollywood Video Revolution - Brossura
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African cinema in the 1960s originated mainly from Francophone countries. It resembled the art cinema of contemporary Europe and relied on support from the French film industry and the French state. Beginning in1969 the biennial Festival panafricain du cinéma et de la télévision de Ouagadougou (FESPACO), held in Burkina Faso, became the major showcase for these films. But since the early 1990s, a new phenomenon has come to dominate the African cinema world: mass-marketed films shot on less expensive video cameras. These “Nollywood” films, so named because many originate in southern Nigeria, are a thriving industry dominating the world of African cinema.
Viewing African Cinema in the Twenty-first Century is the first book to bring together a set of essays offering a unique comparison of these two main African cinema modes.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Informazioni sull?autore
Mahir Şaul is a professor of anthropology at the University of Illinois, Urbana-Champaign. He is coauthor of African Challenge to Empire: Culture and History in the Volta-Bani Anticolonial War and author of many articles on West African anthropology and social and economic history.
Ralph A. Austen is a professor emeritus of African history at the University of Chicago. He is the author of African Economic History and Trans-Saharan Africa in World History; coauthor of Middlemen of the Cameroon Rivers: The Duala and Their Hinterland, ca. 1600&;ca. 1960; and editor of In Search of Sunjata: The Mande Epic as History, Literature and Performance.
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Viewing African Cinema in the Twenty-first Century: Art Films and the Nollywood Video Revolution
Editore:
Ohio University Press, 2010
ISBN 10: 0821419315
ISBN 13: 9780821419311
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Viewing African Cinema in the Twenty-First Century: Art Films and the Nollywood Video Revolution
Editore:
Ohio University Press, 2010
ISBN 10: 0821419315
ISBN 13: 9780821419311
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Condizione: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780821419311. Codice articolo 8670428
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Viewing African Cinema in the Twenty-First Century: Art Films and the Nollywood Video Revolution
Editore:
Ohio University Press, 2010
ISBN 10: 0821419315
ISBN 13: 9780821419311
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Paperback
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Viewing African Cinema in the Twenty-First Century: Art Films and the Nollywood Video Revolution
Editore:
Ohio University Press, 2010
ISBN 10: 0821419315
ISBN 13: 9780821419311
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Paperback
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Viewing African Cinema in the Twenty-First Century: Art Films and the Nollywood Video Revolution
Editore:
Ohio University Press, 2010
ISBN 10: 0821419315
ISBN 13: 9780821419311
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Da: Anybook.com, Lincoln, Regno Unito
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Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780821419311. Codice articolo 9248292
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Viewing African Cinema in the Twenty-First Century
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Ohio University Press, USA, 2020
ISBN 10: 0821419315
ISBN 13: 9780821419311
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Viewing African Cinema in the Twenty-first Century
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Paperback. Condizione: New. African cinema in the 1960s originated mainly from Francophone countries. It resembled the art cinema of contemporary Europe and relied on support from the French film industry and the French state. Beginning in 1969 the biennial Festival panafricain du cinéma et de la télévision de Ouagadougou (FESPACO), held in Burkina Faso, became the major showcase for these films. But since the early 1990s, a new phenomenon has come to dominate the African cinema world: mass-marketed films shot on less expensive video cameras. These "Nollywood" films, so named because many originate in southern Nigeria, are a thriving industry dominating the world of African cinema. Viewing African Cinema in the Twenty-first Century is the first book to bring together a set of essays offering a comparison of these two main African cinema modes. Contributors: Ralph A. Austen and Mahir Saul, Jonathan Haynes, Onookome Okome, Birgit Meyer, Abdalla Uba Adamu, Matthias Krings, Vincent Bouchard, Laura Fair, Jane Bryce, Peter Rist, Stefan Sereda, Lindsey Green-Simms, and Cornelius Moore. Codice articolo LU-9780821419311
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Viewing African Cinema in the Twenty-First Century: Art Films and the Nollywood Video Revolution
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Condizione: New. 2010. 0th Edition. Paperback. . . . . . Codice articolo V9780821419311
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Viewing African Cinema in the Twenty-first Century: Art Films and the Nollywood Video Revolution
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Ohio University Press, 2010
ISBN 10: 0821419315
ISBN 13: 9780821419311
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