Experimental Ethnography: The Work of Film in the Age of Video

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9780822323198: Experimental Ethnography: The Work of Film in the Age of Video

Experimental film and ethnographic film have long been considered separate, autonomous practices on the margins of mainstream cinema. By exploring the interplay between the two forms, Catherine Russell throws new light on both the avant-garde and visual anthropology. Russell provides detailed analyses of more than thirty-five films and videos from the 1890s to the 1990s and discusses a wide range of film and videomakers, including Georges M Elis, Maya Deren, Peter Kubelka, Ray Birdwhistell, Jean Rouch, Su Friedrich, Bill Viola, Kidlat Tahimik, Margaret Mead, Tracey Moffatt, and Chantal Akerman. Combining cultural critique with aesthetic analysis, she explores the dynamics of historical interruption, recovery, and re-evaluation. As disciplinary boundaries dissolve, Russell contends, ethnography is a means of renewing the avant-gardism of "experimental" film, of mobilising its play with language and form for historical ends. "Ethnography" likewise becomes an expansive term in which culture is represented from many different fragmented perspectives. Experimental Ethnography will appeal to visual anthropologists, as well as film scholars interested in experimental and documentary practices.

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Catherine Russell
Editore: Duke University Press
ISBN 10: 0822323192 ISBN 13: 9780822323198
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Descrizione libro Duke University Press. Condizione libro: New. Brand New. Codice libro della libreria 0822323192

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Catherine Russell
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Descrizione libro Duke University Press, United States, 1999. Paperback. Condizione libro: New. 232 x 154 mm. Language: English . Brand New Book. Experimental film and ethnographic film have long been considered separate, autonomous practices on the margins of mainstream cinema. By exploring the interplay between the two forms, Catherine Russell throws new light on both the avant-garde and visual anthropology. Russell provides detailed analyses of more than thirty-five films and videos from the 1890s to the 1990s and discusses a wide range of film and videomakers, including Georges Melies, Maya Deren, Peter Kubelka, Ray Birdwhistell, Jean Rouch, Su Friedrich, Bill Viola, Kidlat Tahimik, Margaret Mead, Tracey Moffatt, and Chantal Akerman. Arguing that video enables us to see film differently-not as a vanishing culture but as bodies inscripted in technology, Russell maps the slow fade from modernism to postmodern practices. Combining cultural critique with aesthetic analysis, she explores the dynamics of historical interruption, recovery, and reevaluation. As disciplinary boundaries dissolve, Russell contends, ethnography is a means of renewing the avant-gardism of experimental film, of mobilizing its play with language and form for historical ends. Ethnography likewise becomes an expansive term in which culture is represented from many different and fragmented perspectives. Original in both its choice of subject and its theoretical and methodological approaches, Experimental Ethnography will appeal to visual anthropologists, as well as film scholars interested in experimental and documentary practices. Codice libro della libreria AAZ9780822323198

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Catherine Russell
Editore: Duke University Press, United States (1999)
ISBN 10: 0822323192 ISBN 13: 9780822323198
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Descrizione libro Duke University Press, United States, 1999. Paperback. Condizione libro: New. 232 x 154 mm. Language: English . Brand New Book. Experimental film and ethnographic film have long been considered separate, autonomous practices on the margins of mainstream cinema. By exploring the interplay between the two forms, Catherine Russell throws new light on both the avant-garde and visual anthropology. Russell provides detailed analyses of more than thirty-five films and videos from the 1890s to the 1990s and discusses a wide range of film and videomakers, including Georges Melies, Maya Deren, Peter Kubelka, Ray Birdwhistell, Jean Rouch, Su Friedrich, Bill Viola, Kidlat Tahimik, Margaret Mead, Tracey Moffatt, and Chantal Akerman. Arguing that video enables us to see film differently-not as a vanishing culture but as bodies inscripted in technology, Russell maps the slow fade from modernism to postmodern practices. Combining cultural critique with aesthetic analysis, she explores the dynamics of historical interruption, recovery, and reevaluation. As disciplinary boundaries dissolve, Russell contends, ethnography is a means of renewing the avant-gardism of experimental film, of mobilizing its play with language and form for historical ends. Ethnography likewise becomes an expansive term in which culture is represented from many different and fragmented perspectives. Original in both its choice of subject and its theoretical and methodological approaches, Experimental Ethnography will appeal to visual anthropologists, as well as film scholars interested in experimental and documentary practices. Codice libro della libreria AAZ9780822323198

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Catherine Russell
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ISBN 10: 0822323192 ISBN 13: 9780822323198
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Descrizione libro Duke University Press 1999-05-12|NU-GRD-05222016, 1999. Paperback. Condizione libro: New. 9780822323198. Codice libro della libreria NU-GRD-05222016

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Descrizione libro Duke Univ. Condizione libro: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Codice libro della libreria 2379104

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Descrizione libro Duke University Press. Paperback. Condizione libro: new. BRAND NEW, Experimental Ethnography: The Work of Film in the Age of Video, Catherine Russell, Experimental film and ethnographic film have long been considered separate, autonomous practices on the margins of mainstream cinema. By exploring the interplay between the two forms, Catherine Russell throws new light on both the avant-garde and visual anthropology. Russell provides detailed analyses of more than thirty-five films and videos from the 1890s to the 1990s and discusses a wide range of film and videomakers, including Georges M Elis, Maya Deren, Peter Kubelka, Ray Birdwhistell, Jean Rouch, Su Friedrich, Bill Viola, Kidlat Tahimik, Margaret Mead, Tracey Moffatt, and Chantal Akerman. Combining cultural critique with aesthetic analysis, she explores the dynamics of historical interruption, recovery, and re-evaluation. As disciplinary boundaries dissolve, Russell contends, ethnography is a means of renewing the avant-gardism of "experimental" film, of mobilising its play with language and form for historical ends. "Ethnography" likewise becomes an expansive term in which culture is represented from many different fragmented perspectives. Experimental Ethnography will appeal to visual anthropologists, as well as film scholars interested in experimental and documentary practices. Codice libro della libreria B9780822323198

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Catherine Russell
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Descrizione libro Duke University Press 1999-05-12, 1999. Condizione libro: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Codice libro della libreria NU-MAR-00021789

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Descrizione libro Condizione libro: New. Depending on your location, this item may ship from the US or UK. Codice libro della libreria 97808223231980000000

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Catherine Russell
Editore: Duke University Press 1999-04-01, North Carolina (1999)
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Descrizione libro Duke University Press 1999-04-01, North Carolina, 1999. paperback. Condizione libro: New. Codice libro della libreria 9780822323198

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Russell, Catherine.
Editore: Duke University Press, Durham and London (1999)
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Descrizione libro Duke University Press, Durham and London, 1999. Softcover. Condizione libro: New. First Printing (Unstated).. 416 pages. Softcover. New book. FILM. Experimental film and ethnographic film have long been considered separate, autonomous practices on the margins of mainstream cinema. By exploring the interplay between the two forms, Catherine Russell throws new light on both the avant-garde and visual anthropology. Russell provides detailed analyses of more than thirty-five films and videos from the 1890s to the 1990s and discusses a wide range of film and videomakers, including Georges MŽlis, Maya Deren, Peter Kubelka, Ray Birdwhistell, Jean Rouch, Su Friedrich, Bill Viola, Kidlat Tahimik, Margaret Mead, Tracey Moffatt, and Chantal Akerman. Arguing that video enables us to see film differentlyÑnot as a vanishing culture but as bodies inscripted in technology, Russell maps the slow fade from modernism to postmodern practices. Combining cultural critique with aesthetic analysis, she explores the dynamics of historical interruption, recovery, and reevaluation. As disciplinary boundaries dissolve, Russell contends, ethnography is a means of renewing the avant-gardism of "experimental" film, of mobilizing its play with language and form for historical ends. "Ethnography" likewise becomes an expansive term in which culture is represented from many different and fragmented perspectives. Original in both its choice of subject and its theoretical and methodological approaches, Experimental Ethnography will appeal to visual anthropologists, as well as film scholars interested in experimental and documentary practices. Catherine Russell is Associate Professor of Cinema at Concordia University and the author of Narrative Mortality: Death, Closure, and New Wave Cinemas. Catherine Russell is Associate Professor of Cinema at Concordia University and the author of Narrative Mortality: Death, Closure, and New Wave Cinemas."This is an extremely important and innovative book. Russell brings together two distinct fields from film studies that have previously remained separateÑthe avant-garde and ethnographic filmÑand reconstructs their relationship in such a way that both fields are significantly transformed."ÑDavid E. James, author of Power Misses: Essays Across (Un)Popular Culture "The breadth and range of this book is fantastic. Russell tackles many interesting problematics and she does so through an eclectic choice of examples. This will stand out as a major and unique redefinition of the fields of experimental cinema and visual anthropology."ÑIvone Margulies, author of Nothing Happens: Chantal Akerman's Hyperrealist Everyday (Key Words: Anthropology, Ethnography, Film Television Studies, Art History, Catherine Russell, Georges MŽlis, Maya Deren, Peter Kubelka, Ray Birdwhistell, Jean Rouch, Su Friedrich, Bill Viola, Kidlat Tahimik, Margaret Mead, Tracey Moffatt, Chantal Akerman). book. Codice libro della libreria 68395X2

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