Rumba Rules: The Politics of Dance Music in Mobutu's Zaire

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9780822340911: Rumba Rules: The Politics of Dance Music in Mobutu's Zaire

Mobutu Sese Seko, who ruled Zaire (now the Democratic Republic Congo) from 1965 until 1997, was fond of saying "happy are those who sing and dance," and his regime energetically promoted the notion of culture as a national resource. During this period Zairian popular dance music (often referred to as la rumba zairoise) became a sort of musica franca in many parts of sub-Saharan Africa. But how did this privileged form of cultural expression flourish in one of the continent's most brutal authoritarian regimes? In Rumba Rules, the first ethnography of popular music in the Democratic Republic of Congo, Bob W. White examines not only the economic and political conditions that brought this powerful music industry to its knees, but also the ways that popular musicians sought to remain socially relevant in a time of increasing insecurity. Drawing partly on his experiences as a member of a local dance band in the country's capital city Kinshasa, White offers extraordinarily vivid accounts of the live music scene, including practices such as libanga, the relatively recent phenomenon of "throwing," or shouting, the names of wealthy or powerful people during performances in exchange for financial support or protection. With dynamic descriptions of how bands practiced, performed, and splintered, White highlights how the ways that power was sought and understood in Kinshasa's popular music scene mirrored the charismatic authoritarianism of Mobutu's rule. In Rumba Rules, Congolese speak candidly about political leadership, social mobility, and what it meant to be a bon chef (good leader) in Mobutu's Zaire.

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Descrizione libro Duke University Press, United States, 2008. Hardback. Condizione libro: New. 236 x 157 mm. Language: English . Brand New Book. Mobutu Sese Seko, who ruled Zaire (now the Democratic Republic of Congo) from 1965 until 1997, was fond of saying happy are those who sing and dance, and his regime energetically promoted the notion of culture as a national resource. During this period Zairian popular dance music (often referred to as la rumba zairoise) became a sort of musica franca in many parts of sub-Saharan Africa. But how did this privileged form of cultural expression, one primarily known for a sound of sweetness and joy, flourish under one of the continent s most brutal authoritarian regimes? In Rumba Rules, the first ethnography of popular music in the Democratic Republic of Congo, Bob W. White examines not only the economic and political conditions that brought this powerful music industry to its knees, but also the ways that popular musicians sought to remain socially relevant in a time of increasing insecurity. Drawing partly on his experiences as a member of a local dance band in the country s capital city Kinshasa, White offers extraordinarily vivid accounts of the live music scene, including the relatively recent phenomenon of libanga, which involves shouting the names of wealthy or powerful people during performances in exchange for financial support or protection. With dynamic descriptions of how bands practiced, performed, and splintered, White highlights how the ways that power was sought and understood in Kinshasa s popular music scene mirrored the charismatic authoritarianism of Mobutu s rule. In Rumba Rules, Congolese speak candidly about political leadership, social mobility, and what it meant to be a bon chef (good leader) in Mobutu s Zaire. Codice libro della libreria AAJ9780822340911

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Descrizione libro Duke University Press, United States, 2008. Hardback. Condizione libro: New. 236 x 157 mm. Language: English . Brand New Book. Mobutu Sese Seko, who ruled Zaire (now the Democratic Republic of Congo) from 1965 until 1997, was fond of saying happy are those who sing and dance, and his regime energetically promoted the notion of culture as a national resource. During this period Zairian popular dance music (often referred to as la rumba zairoise) became a sort of musica franca in many parts of sub-Saharan Africa. But how did this privileged form of cultural expression, one primarily known for a sound of sweetness and joy, flourish under one of the continent s most brutal authoritarian regimes? In Rumba Rules, the first ethnography of popular music in the Democratic Republic of Congo, Bob W. White examines not only the economic and political conditions that brought this powerful music industry to its knees, but also the ways that popular musicians sought to remain socially relevant in a time of increasing insecurity. Drawing partly on his experiences as a member of a local dance band in the country s capital city Kinshasa, White offers extraordinarily vivid accounts of the live music scene, including the relatively recent phenomenon of libanga, which involves shouting the names of wealthy or powerful people during performances in exchange for financial support or protection. With dynamic descriptions of how bands practiced, performed, and splintered, White highlights how the ways that power was sought and understood in Kinshasa s popular music scene mirrored the charismatic authoritarianism of Mobutu s rule. In Rumba Rules, Congolese speak candidly about political leadership, social mobility, and what it meant to be a bon chef (good leader) in Mobutu s Zaire. Codice libro della libreria AAJ9780822340911

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Descrizione libro Duke University Press, 2008. HRD. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria CA-9780822340911

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Descrizione libro Duke University Press. Hardback. Condizione libro: new. BRAND NEW, Rumba Rules: The Politics of Dance Music in Mobutu's Zaire, Bob W. White, Mobutu Sese Seko, who ruled Zaire (now the Democratic Republic Congo) from 1965 until 1997, was fond of saying "happy are those who sing and dance," and his regime energetically promoted the notion of culture as a national resource. During this period Zairian popular dance music (often referred to as la rumba zairoise) became a sort of musica franca in many parts of sub-Saharan Africa. But how did this privileged form of cultural expression flourish in one of the continent's most brutal authoritarian regimes? In Rumba Rules, the first ethnography of popular music in the Democratic Republic of Congo, Bob W. White examines not only the economic and political conditions that brought this powerful music industry to its knees, but also the ways that popular musicians sought to remain socially relevant in a time of increasing insecurity. Drawing partly on his experiences as a member of a local dance band in the country's capital city Kinshasa, White offers extraordinarily vivid accounts of the live music scene, including practices such as libanga, the relatively recent phenomenon of "throwing," or shouting, the names of wealthy or powerful people during performances in exchange for financial support or protection. With dynamic descriptions of how bands practiced, performed, and splintered, White highlights how the ways that power was sought and understood in Kinshasa's popular music scene mirrored the charismatic authoritarianism of Mobutu's rule. In Rumba Rules, Congolese speak candidly about political leadership, social mobility, and what it meant to be a bon chef (good leader) in Mobutu's Zaire. Codice libro della libreria B9780822340911

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Descrizione libro Duke University Press Books. Hardcover. Condizione libro: New. 0822340917 Brand New Book. Ships from the United States. 30 Day Satisfaction Guarantee!. Codice libro della libreria 4936223

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Descrizione libro 2008. Hardcover. Condizione libro: New. 160mm x 25mm x 236mm. Hardcover. Mobutu Sese Seko, who ruled Zaire (now the Democratic Republic Congo) from 1965 until 1997, was fond of saying happy are those who sing and dance, and his regime energetically promoted the.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 300 pages. 0.612. Codice libro della libreria 9780822340911

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