Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity

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9780822342038: Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity

In this landmark collection, world-renowned theorists, artists, critics, and curators explore new ways of conceiving the present and understanding art and culture in relation to it. They revisit from fresh perspectives - key issues regarding modernity and post-modernity, including the relationship between art and broader social and political currents as well as important questions about temporality and change. They also reflect on whether or not broad categories and terms such as modernity, post-modernity, globalization, and decolonization are still relevant or useful. Including twenty essays and seventy-seven images, "Antinomies of Art and Culture" is a wide-ranging yet incisive inquiry into how to understand, describe, and represent what it is to live in the contemporary moment. In the volume's introduction the theorist Terry Smith argues that predictions that post-modernity would emerge as a global successor to modernity have not materialized as anticipated. Smith suggests that the various situations of decolonized Africa, post-Soviet Europe, contemporary China, the conflicted Middle East, and an uncertain United States might be better characterized in terms of their 'contemporaneity,' a concept which captures the frictions of the present while denying the inevitability of all currently competing universalisms. Essays range from Antonio Negri's analysis of contemporaneity in light of the concept of multitude to Okwui Enwezor argument that the entire world is now in a postcolonial constellation, and from Rosalind Krauss' defence of artistic modernism to Jonathan Hay's characterization of contemporary developments in terms of doubled and even para-modernities. The volume's centrepiece is a sequence of photographs from Zoe Leonard's Analogue project. Depicting used clothing, both as it is bundled for shipment in Brooklyn and as it is displayed for sale on the streets of Uganda, the sequence is part of a striking visual record of new cultural forms and economies emerging as others are left behind.

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Okwui Enwezor
Editore: Duke University Press (2009)
ISBN 10: 0822342030 ISBN 13: 9780822342038
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Descrizione libro Duke University Press, 2009. PAP. Condizione libro: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria IB-9780822342038

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Descrizione libro Duke University Press Books, 2009. Paperback. Condizione libro: New. New Book. Lightest of shelf/storage wear. SHIPS WITHIN 24 HOURS! Tracking Provided. DHL processing & USPS delivery for an average of 3-5 Day Standard & 2-3 Day Expedited! FREE INSURANCE! Fast & Personal Support! Careful Packaging. No Hassle, Full Refund Return Policy!. Codice libro della libreria mon0000574764

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Descrizione libro Duke University Press Books, 2009. Paperback. Condizione libro: New. Codice libro della libreria 0822342030

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Descrizione libro Duke University Press, United States, 2009. Paperback. Condizione libro: New. 234 x 155 mm. Language: English . Brand New Book. In this landmark collection, world-renowned theorists, artists, critics, and curators explore new ways of conceiving the present and understanding art and culture in relation to it. They revisit from fresh perspectives key issues regarding modernity and postmodernity, including the relationship between art and broader social and political currents, as well as important questions about temporality and change. They also reflect on whether or not broad categories and terms such as modernity, postmodernity, globalization, and decolonization are still relevant or useful. Including twenty essays and seventy-seven images, Antinomies of Art and Culture is a wide-ranging yet incisive inquiry into how to understand, describe, and represent what it is to live in the contemporary moment. In the volume s introduction the theorist Terry Smith argues that predictions that postmodernity would emerge as a global successor to modernity have not materialized as anticipated. Smith suggests that the various situations of decolonized Africa, post-Soviet Europe, contemporary China, the conflicted Middle East, and an uncertain United States might be better characterized in terms of their contemporaneity, a concept which captures the frictions of the present while denying the inevitability of all currently competing universalisms. Essays range from Antonio Negri s analysis of contemporaneity in light of the concept of multitude to Okwui Enwezor s argument that the entire world is now in a postcolonial constellation, and from Rosalind Krauss s defense of artistic modernism to Jonathan Hay s characterization of contemporary developments in terms of doubled and even para-modernities. The volume s centerpiece is a sequence of photographs from Zoe Leonard s Analogue project. Depicting used clothing, both as it is bundled for shipment in Brooklyn and as it is displayed for sale on the streets of Uganda, the sequence is part of a striking visual record of new cultural forms and economies emerging as others are left behind. Contributors: Monica Amor, Nancy Condee, Okwui Enwezor, Boris Groys, Jonathan Hay, Wu Hung, Geeta Kapur, Rosalind Krauss, Bruno Latour, Zoe Leonard, Lev Manovich, James Meyer, Gao Minglu, Helen Molesworth, Antonio Negri, Sylvester Okwunodu Ogbechie, Nikos Papastergiadis, Colin Richards, Suely Rolnik, Terry Smith, McKenzie Wark. Codice libro della libreria AAC9780822342038

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Nancy Condee
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Descrizione libro Duke University Press, United States, 2009. Paperback. Condizione libro: New. 234 x 155 mm. Language: English . Brand New Book. In this landmark collection, world-renowned theorists, artists, critics, and curators explore new ways of conceiving the present and understanding art and culture in relation to it. They revisit from fresh perspectives key issues regarding modernity and postmodernity, including the relationship between art and broader social and political currents, as well as important questions about temporality and change. They also reflect on whether or not broad categories and terms such as modernity, postmodernity, globalization, and decolonization are still relevant or useful. Including twenty essays and seventy-seven images, Antinomies of Art and Culture is a wide-ranging yet incisive inquiry into how to understand, describe, and represent what it is to live in the contemporary moment. In the volume s introduction the theorist Terry Smith argues that predictions that postmodernity would emerge as a global successor to modernity have not materialized as anticipated. Smith suggests that the various situations of decolonized Africa, post-Soviet Europe, contemporary China, the conflicted Middle East, and an uncertain United States might be better characterized in terms of their contemporaneity, a concept which captures the frictions of the present while denying the inevitability of all currently competing universalisms. Essays range from Antonio Negri s analysis of contemporaneity in light of the concept of multitude to Okwui Enwezor s argument that the entire world is now in a postcolonial constellation, and from Rosalind Krauss s defense of artistic modernism to Jonathan Hay s characterization of contemporary developments in terms of doubled and even para-modernities. The volume s centerpiece is a sequence of photographs from Zoe Leonard s Analogue project. Depicting used clothing, both as it is bundled for shipment in Brooklyn and as it is displayed for sale on the streets of Uganda, the sequence is part of a striking visual record of new cultural forms and economies emerging as others are left behind. Contributors: Monica Amor, Nancy Condee, Okwui Enwezor, Boris Groys, Jonathan Hay, Wu Hung, Geeta Kapur, Rosalind Krauss, Bruno Latour, Zoe Leonard, Lev Manovich, James Meyer, Gao Minglu, Helen Molesworth, Antonio Negri, Sylvester Okwunodu Ogbechie, Nikos Papastergiadis, Colin Richards, Suely Rolnik, Terry Smith, McKenzie Wark. Codice libro della libreria AAC9780822342038

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Descrizione libro Duke University Press Books. PAPERBACK. Condizione libro: New. 0822342030 Brand New Book. Ships from the United States. 30 Day Satisfaction Guarantee!. Codice libro della libreria 4936684

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Descrizione libro Duke University Press. Condizione libro: New. Brand New. Codice libro della libreria 0822342030

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Descrizione libro Duke University Press Books. Paperback. Condizione libro: New. Paperback. 456 pages. Dimensions: 9.2in. x 6.1in. x 1.2in.In this landmark collection, world-renowned theorists, artists, critics, and curators explore new ways of conceiving the present and understanding art and culture in relation to it. They revisit from fresh perspectives key issues regarding modernity and postmodernity, including the relationship between art and broader social and political currents, as well as important questions about temporality and change. They also reflect on whether or not broad categories and terms such as modernity, postmodernity, globalization, and decolonization are still relevant or useful. Including twenty essays and seventy-seven images, Antinomies of Art and Culture is a wide-ranging yet incisive inquiry into how to understand, describe, and represent what it is to live in the contemporary moment. In the volumes introduction the theorist Terry Smith argues that predictions that postmodernity would emerge as a global successor to modernity have not materialized as anticipated. Smith suggests that the various situations of decolonized Africa, post-Soviet Europe, contemporary China, the conflicted Middle East, and an uncertain United States might be better characterized in terms of their contemporaneity, a concept which captures the frictions of the present while denying the inevitability of all currently competing universalisms. Essays range from Antonio Negris analysis of contemporaneity in light of the concept of multitude to Okwui Enwezors argument that the entire world is now in a postcolonial constellation, and from Rosalind Krausss defense of artistic modernism to Jonathan Hays characterization of contemporary developments in terms of doubled and even para-modernities. The volumes centerpiece is a sequence of photographs from Zoe Leonards Analogue project. Depicting used clothing, both as it is bundled for shipment in Brooklyn and as it is displayed for sale on the streets of Uganda, the sequence is part of a striking visual record of new cultural forms and economies emerging as others are left behind. Contributors: Monica Amor, Nancy Condee, Okwui Enwezor, Boris Groys, Jonathan Hay, Wu Hung, Geeta Kapur, Rosalind Krauss, Bruno Latour, Zoe Leonard, Lev Manovich, James Meyer, Gao Minglu, Helen Molesworth, Antonio Negri, Sylvester Okwunodu Ogbechie, Nikos Papastergiadis, Colin Richards, Suely Rolnik, Terry Smith, McKenzie Wark This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Codice libro della libreria 9780822342038

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Nancy Condee
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Descrizione libro Paperback. Condizione libro: New. 155mm x 28mm x 231mm. Paperback. In this landmark collection, world-renowned theorists, artists, critics, and curators explore new ways of conceiving the present and understanding art and culture in relation to it. They r.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 437 pages. 0.658. Codice libro della libreria 9780822342038

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Okwui Enwezor
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Descrizione libro Duke Univ. Condizione libro: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Codice libro della libreria 2376031

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