Kristine Stiles selected, edited, annotated, and wrote the introduction to the letters, assembling them so that readers can follow the development of Schneemann’s art, thought, and private and public relationships. The correspondence chronicles a history of energy and invention, joy and sorrow, and charged personal and artistic struggles. It sheds light on the internecine aesthetic politics and mundane activities that constitute the exasperating vicissitudes of making art, building an artistic reputation, and negotiating an industry as unpredictable and demanding as the art world in the mid- to late twentieth century.
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Kristine Stiles is Professor of Art, Art History, and Visual Studies at Duke University. She is the author of Marina Abramovic and States of Mind: Dan & Lia Perjovschi and co-editor of Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings.
Carolee Schneemann is a multidisciplinary artist whose painting, photography, film, video, performance art, and installation works have been shown at the Los Angeles Museum of Contemporary Art, the Whitney Museum of American Art, the Museum of Modern Art, the Centre Georges Pompidou (Paris), the National Film Theatre (London), and Anthology Film Archives. She is the recipient of a Lifetime Achievement Award from the College Art Association and the author of Imaging Her Erotics; More Than Meat Joy: Performance Works and Selected Writings; and Cezanne, She Was A Great Painter.
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