Crash: Cinema and the Politics of Speed and Stasis

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9780822347262: Crash: Cinema and the Politics of Speed and Stasis

Artists, writers, and filmmakers from Andy Warhol and J. G. Ballard to Alejandro Gonzalez Inarritu and Ousmane Sembene have repeatedly used representations of immobilized and crashed cars to wrestle with the conundrums of modernity. In Crash Karen Beckman argues that representations of the crash parallel the encounter of film with other media (particularly the still image of photography), and that these collisions between media offer useful ways to think about alterity. Examining the significance of automobile collisions in film genres including the "cinema of attractions," slapstick comedies, and industrial-safety movies, Beckman reveals how the car crash gives visual form to fantasies and anxieties regarding speed and stasis, risk and safety, immunity and contamination, and impermeability and penetration. Her reflections on the crash as the traumatic, uncertain moment of inertia that comes in the wake of speed and confidence challenge the tendency in cinema studies to privilege movement above film's other qualities. Ultimately, Beckman suggests, film studies is a hybrid field that cannot apprehend its object of study without acknowledging the ways that cinema's technology binds it to capitalism's industrial systems and a variety of other media, technologies, and disciplines.

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Beckman, Karen
Editore: Duke University Press Books (2010)
ISBN 10: 0822347261 ISBN 13: 9780822347262
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Descrizione libro Duke University Press Books, 2010. Condizione libro: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service!. Codice libro della libreria ABE_book_new_0822347261

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Beckman, Karen
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Descrizione libro Duke University Press, United States, 2010. Paperback. Condizione libro: New. 231 x 155 mm. Language: English . Brand New Book. Artists, writers, and filmmakers from Andy Warhol and J. G. Ballard to Alejandro Gonzalez Inarritu and Ousmane Sembene have repeatedly used representations of immobilized and crashed cars to wrestle with the conundrums of modernity. In Crash, Karen Beckman argues that representations of the crash parallel the encounter of film with other media, and that these collisions between media offer useful ways to think about alterity, politics, and desire. Examining the significance of automobile collisions in film genres including the cinema of attractions, slapstick comedies, and industrial-safety movies, Beckman reveals how the car crash gives visual form to fantasies and anxieties regarding speed and stasis, risk and safety, immunity and contamination, and impermeability and penetration. Her reflections on the crash as the traumatic, uncertain moment of inertia that comes in the wake of speed and confidence challenge the tendency in cinema studies to privilege movement above film s other qualities. Ultimately, Beckman suggests that film studies is a hybrid field that cannot apprehend its object of study without acknowledging the ways that cinema s technology binds it to capitalism s industrial systems and other media, technologies, and disciplines. Codice libro della libreria AAJ9780822347262

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Descrizione libro Duke University Press. Condizione libro: New. Brand New. Codice libro della libreria 0822347261

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Beckman, Karen
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Descrizione libro Duke University Press, United States, 2010. Paperback. Condizione libro: New. 231 x 155 mm. Language: English . Brand New Book. Artists, writers, and filmmakers from Andy Warhol and J. G. Ballard to Alejandro Gonzalez Inarritu and Ousmane Sembene have repeatedly used representations of immobilized and crashed cars to wrestle with the conundrums of modernity. In Crash, Karen Beckman argues that representations of the crash parallel the encounter of film with other media, and that these collisions between media offer useful ways to think about alterity, politics, and desire. Examining the significance of automobile collisions in film genres including the cinema of attractions, slapstick comedies, and industrial-safety movies, Beckman reveals how the car crash gives visual form to fantasies and anxieties regarding speed and stasis, risk and safety, immunity and contamination, and impermeability and penetration. Her reflections on the crash as the traumatic, uncertain moment of inertia that comes in the wake of speed and confidence challenge the tendency in cinema studies to privilege movement above film s other qualities. Ultimately, Beckman suggests that film studies is a hybrid field that cannot apprehend its object of study without acknowledging the ways that cinema s technology binds it to capitalism s industrial systems and other media, technologies, and disciplines. Codice libro della libreria AAJ9780822347262

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Descrizione libro Duke University Press, 2010. Paperback. Condizione libro: New. Next day dispatch. International delivery available. 1000's of satisfied customers! Please contact us with any enquiries. Codice libro della libreria mon0000173700

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Descrizione libro Duke University Press Books, 2010. Paperback. Condizione libro: New. Codice libro della libreria SONG0822347261

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Descrizione libro Duke University Press. Paperback. Condizione libro: new. BRAND NEW, Crash: Cinema and the Politics of Speed and Stasis, Karen Beckman, Artists, writers, and filmmakers from Andy Warhol and J. G. Ballard to Alejandro Gonzalez Inarritu and Ousmane Sembene have repeatedly used representations of immobilized and crashed cars to wrestle with the conundrums of modernity. In Crash Karen Beckman argues that representations of the crash parallel the encounter of film with other media (particularly the still image of photography), and that these collisions between media offer useful ways to think about alterity. Examining the significance of automobile collisions in film genres including the "cinema of attractions," slapstick comedies, and industrial-safety movies, Beckman reveals how the car crash gives visual form to fantasies and anxieties regarding speed and stasis, risk and safety, immunity and contamination, and impermeability and penetration. Her reflections on the crash as the traumatic, uncertain moment of inertia that comes in the wake of speed and confidence challenge the tendency in cinema studies to privilege movement above film's other qualities. Ultimately, Beckman suggests, film studies is a hybrid field that cannot apprehend its object of study without acknowledging the ways that cinema's technology binds it to capitalism's industrial systems and a variety of other media, technologies, and disciplines. Codice libro della libreria B9780822347262

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Descrizione libro Duke Univ. Condizione libro: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Codice libro della libreria 2333274

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Descrizione libro 2010. Paperback. Condizione libro: New. 155mm x 20mm x 231mm. Paperback. Artists, writers, and filmmakers from Andy Warhol and J. G. Ballard to Alejandro Gonzalez Inarritu and Ousmane Sembene have repeatedly used representations of immobilized and crashed cars .Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 305 pages. 0.454. Codice libro della libreria 9780822347262

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Beckman, Karen
Editore: Duke University Press Books (2010)
ISBN 10: 0822347261 ISBN 13: 9780822347262
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Descrizione libro Duke University Press Books, 2010. Paperback. Condizione libro: New. Codice libro della libreria DADAX0822347261

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