From Postwar to Postmodern: Art in Japan 1945-1989: Primary Documents

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9780822353683: From Postwar to Postmodern: Art in Japan 1945-1989: Primary Documents

A trove of primary source materials, From Postwar to Postmodern, Art in Japan 1945-1989 is an invaluable scholarly resource for readers who wish to explore the fascinating subject of avant-garde art in post-war Japan. In this comprehensive anthology, an array of key documents, artist manifestos, critical essays, and roundtable discussions are translated into English for the first time. The pieces cover a broad range of artistic mediums - including photography, film, performance, architecture, and design - and illuminate their various points of convergence in the Japanese context. The collection is organized chronologically and thematically to highlight significant movements, works, and artistic phenomena, such as the pioneering artist collectives Gutai and Hi Red Center, the influential photography periodical Provoke, and the emergence of video art in the 1980s. Interspersed throughout the volume are more than twenty newly commissioned texts by contemporary scholars. Including Bert Winther-Tamaki on art and the Occupation, and Reiko Tomii on the Yomiuri Independent Exhibition, these pieces supplement and provide a historical framework for the primary source materials. From Postwar to Postmodern, Art in Japan 1945-1989 offers an unprecedented look at more than four decades of Japanese art - both as it unfolded and as it is seen from the perspective of the present day.

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Chong, Doryun
ISBN 10: 0822353687 ISBN 13: 9780822353683
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Descrizione libro 2012. PAP. Condizione libro: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria KB-9780822353683

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Descrizione libro Duke University Press. Condizione libro: New. Brand New. Codice libro della libreria 0822353687

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Descrizione libro Duke University Press, United States, 2012. Paperback. Condizione libro: New. New.. 246 x 163 mm. Language: English . Brand New Book. A trove of primary source materials, From Postwar to Postmodern, Art in Japan 1945-1989 is an invaluable scholarly resource for readers who wish to explore the fascinating subject of avant-garde art in postwar Japan. In this comprehensive anthology, an array of key documents, artist manifestos, critical essays, and roundtable discussions are translated into English for the first time. The pieces cover a broad range of artistic mediums-including photography, film, performance, architecture, and design-and illuminate their various points of convergence in the Japanese context. The collection is organized chronologically and thematically to highlight significant movements, works, and artistic phenomena, such as the pioneering artist collectives Gutai and Hi Red Center, the influential photography periodical Provoke, and the emergence of video art in the 1980s. Interspersed throughout the volume are more than twenty newly commissioned texts by contemporary scholars. Including Bert Winther-Tamaki on art and the Occupation and Reiko Tomii on the Yomiuri Independent Exhibition, these pieces supplement and provide a historical framework for the primary source materials.From Postwar to Postmodern, Art in Japan 1945-1989 offers an unprecedented look at over four decades of Japanese art-both as it unfolded and as it is seen from the perspective of the present day. Publication of The Museum of Modern Art. Codice libro della libreria AAS9780822353683

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Editore: Duke University Press, United States (2012)
ISBN 10: 0822353687 ISBN 13: 9780822353683
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Descrizione libro Duke University Press, United States, 2012. Paperback. Condizione libro: New. New.. 246 x 163 mm. Language: English . Brand New Book. A trove of primary source materials, From Postwar to Postmodern, Art in Japan 1945-1989 is an invaluable scholarly resource for readers who wish to explore the fascinating subject of avant-garde art in postwar Japan. In this comprehensive anthology, an array of key documents, artist manifestos, critical essays, and roundtable discussions are translated into English for the first time. The pieces cover a broad range of artistic mediums-including photography, film, performance, architecture, and design-and illuminate their various points of convergence in the Japanese context. The collection is organized chronologically and thematically to highlight significant movements, works, and artistic phenomena, such as the pioneering artist collectives Gutai and Hi Red Center, the influential photography periodical Provoke, and the emergence of video art in the 1980s. Interspersed throughout the volume are more than twenty newly commissioned texts by contemporary scholars. Including Bert Winther-Tamaki on art and the Occupation and Reiko Tomii on the Yomiuri Independent Exhibition, these pieces supplement and provide a historical framework for the primary source materials.From Postwar to Postmodern, Art in Japan 1945-1989 offers an unprecedented look at over four decades of Japanese art-both as it unfolded and as it is seen from the perspective of the present day. Publication of The Museum of Modern Art. Codice libro della libreria AAS9780822353683

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Doryun Chong
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Descrizione libro Duke University Press, 2012. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria CA-9780822353683

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Chong, Doryun (EDT)/ Hayashi, Michio (EDT)/ Kajiya, Kenji (EDT)/ Sumitomo, Fumihiko (EDT)
Editore: Duke University Press 2012-12-03, North Carolina (2012)
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Descrizione libro Duke University Press 2012-12-03, North Carolina, 2012. paperback. Condizione libro: New. Codice libro della libreria 9780822353683

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Doryun Chong, Michio Hayashi, Fumihiko Sumitomo
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Descrizione libro Duke University Press. Paperback. Condizione libro: new. BRAND NEW, From Postwar to Postmodern, Art in Japan 1945-1989: Primary Documents, Doryun Chong, Michio Hayashi, Fumihiko Sumitomo, A trove of primary source materials, From Postwar to Postmodern, Art in Japan 1945-1989 is an invaluable scholarly resource for readers who wish to explore the fascinating subject of avant-garde art in post-war Japan. In this comprehensive anthology, an array of key documents, artist manifestos, critical essays, and roundtable discussions are translated into English for the first time. The pieces cover a broad range of artistic mediums - including photography, film, performance, architecture, and design - and illuminate their various points of convergence in the Japanese context. The collection is organized chronologically and thematically to highlight significant movements, works, and artistic phenomena, such as the pioneering artist collectives Gutai and Hi Red Center, the influential photography periodical Provoke, and the emergence of video art in the 1980s. Interspersed throughout the volume are more than twenty newly commissioned texts by contemporary scholars. Including Bert Winther-Tamaki on art and the Occupation, and Reiko Tomii on the Yomiuri Independent Exhibition, these pieces supplement and provide a historical framework for the primary source materials. From Postwar to Postmodern, Art in Japan 1945-1989 offers an unprecedented look at more than four decades of Japanese art - both as it unfolded and as it is seen from the perspective of the present day. Codice libro della libreria B9780822353683

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Chong, Doryun (Editor)/ Hayashi, Michio (Editor)/ Kajiya, Kenji (Editor)/ Sumitomo, Fumikho (Editor)
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Descrizione libro Duke Univ Pr, 2012. Paperback. Condizione libro: Brand New. 464 pages. 9.70x6.40x1.20 inches. In Stock. Codice libro della libreria z-0822353687

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