Japanoise: Music at the Edge of Circulation

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9780822353928: Japanoise: Music at the Edge of Circulation

Noise, an underground music genre made through an amalgam of feedback, distortion, and electronic effects, first emerged in the 1980s, circulating on cassette tapes traded between fans in Japan, Europe and North America. With its cultivated obscurity, ear-shattering sound, and over-the-top performances, Noise has captured the imagination of a small but passionate transnational audience. For its scattered listeners, Noise always seems to be new, and to come from somewhere else: in North America, it was "Japanoise." But does Noise really belong to Japan? Is it even music at all? And why has Noise become such a compelling metaphor for the complexities of globalization and participatory media at the turn of the millennium? In Japanoise, David Novak draws on more than a decade of research in Japan and the United States to trace the "cultural feedback" that generates and sustains Noise. He provides a rich ethnographic account of live performances, the circulation of recordings, and the lives and creative practices of musicians and listeners. He explores the technologies of Noise, and the productive distortions of its networks. Capturing the textures of feedback - its sonic and cultural layers and vibrations - Novak describes musical circulation through sound and listening, recording and performance, international exchange, and social interpretations of media.

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David Novak
Editore: Duke University Press, United States (2013)
ISBN 10: 082235392X ISBN 13: 9780822353928
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Descrizione libro Duke University Press, United States, 2013. Paperback. Condizione libro: New. 234 x 155 mm. Language: English . Brand New Book. Noise, an underground music made through an amalgam of feedback, distortion, and electronic effects, first emerged as a genre in the 1980s, circulating on cassette tapes traded between fans in Japan, Europe, and North America. With its cultivated obscurity, ear-shattering sound, and over-the-top performances, Noise has captured the imagination of a small but passionate transnational audience. For its scattered listeners, Noise always seems to be new and to come from somewhere else: in North America, it was called Japanoise. But does Noise really belong to Japan? Is it even music at all? And why has Noise become such a compelling metaphor for the complexities of globalization and participatory media at the turn of the millennium? In Japanoise, David Novak draws on more than a decade of research in Japan and the United States to trace the cultural feedback that generates and sustains Noise. He provides a rich ethnographic account of live performances, the circulation of recordings, and the lives and creative practices of musicians and listeners. He explores the technologies of Noise and the productive distortions of its networks. Capturing the textures of feedback-its sonic and cultural layers and vibrations-Novak describes musical circulation through sound and listening, recording and performance, international exchange, and the social interpretations of media. Codice libro della libreria AAJ9780822353928

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David Novak
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Descrizione libro Duke University Press, United States, 2013. Paperback. Condizione libro: New. 234 x 155 mm. Language: English . Brand New Book. Noise, an underground music made through an amalgam of feedback, distortion, and electronic effects, first emerged as a genre in the 1980s, circulating on cassette tapes traded between fans in Japan, Europe, and North America. With its cultivated obscurity, ear-shattering sound, and over-the-top performances, Noise has captured the imagination of a small but passionate transnational audience. For its scattered listeners, Noise always seems to be new and to come from somewhere else: in North America, it was called Japanoise. But does Noise really belong to Japan? Is it even music at all? And why has Noise become such a compelling metaphor for the complexities of globalization and participatory media at the turn of the millennium? In Japanoise, David Novak draws on more than a decade of research in Japan and the United States to trace the cultural feedback that generates and sustains Noise. He provides a rich ethnographic account of live performances, the circulation of recordings, and the lives and creative practices of musicians and listeners. He explores the technologies of Noise and the productive distortions of its networks. Capturing the textures of feedback-its sonic and cultural layers and vibrations-Novak describes musical circulation through sound and listening, recording and performance, international exchange, and the social interpretations of media. Codice libro della libreria AAJ9780822353928

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Descrizione libro Condizione libro: New. Codice libro della libreria 19268139-n

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Descrizione libro Condizione libro: New. Depending on your location, this item may ship from the US or UK. Codice libro della libreria 97808223539280000000

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Descrizione libro Duke University Press 2013-07-25, 2013. Paperback. Condizione libro: New. Codice libro della libreria NU-MAR-00035423

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Descrizione libro Duke University Press. Paperback. Condizione libro: new. BRAND NEW, Japanoise: Music at the Edge of Circulation, David Novak, Noise, an underground music genre made through an amalgam of feedback, distortion, and electronic effects, first emerged in the 1980s, circulating on cassette tapes traded between fans in Japan, Europe and North America. With its cultivated obscurity, ear-shattering sound, and over-the-top performances, Noise has captured the imagination of a small but passionate transnational audience. For its scattered listeners, Noise always seems to be new, and to come from somewhere else: in North America, it was "Japanoise." But does Noise really belong to Japan? Is it even music at all? And why has Noise become such a compelling metaphor for the complexities of globalization and participatory media at the turn of the millennium? In Japanoise, David Novak draws on more than a decade of research in Japan and the United States to trace the "cultural feedback" that generates and sustains Noise. He provides a rich ethnographic account of live performances, the circulation of recordings, and the lives and creative practices of musicians and listeners. He explores the technologies of Noise, and the productive distortions of its networks. Capturing the textures of feedback - its sonic and cultural layers and vibrations - Novak describes musical circulation through sound and listening, recording and performance, international exchange, and social interpretations of media. Codice libro della libreria B9780822353928

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Descrizione libro 2013. Paperback. Condizione libro: New. 155mm x 18mm x 234mm. Paperback. In Japanoise, David Novak draws on more than a decade of research in Japan and the United States to trace the cultural feedback that generates and sustains Noise.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 304 pages. 0.454. Codice libro della libreria 9780822353928

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Descrizione libro Paperback. Condizione libro: New. Not Signed; Noise, an underground music made through an amalgam of feedback, distortion, and electronic effects, first emerged as a genre in the 1980s, circulating on cassette tapes traded between fans in Japan, Europe, and North America. With its cultivated obscurity, ear-shattering sound, and over-the-top per. book. Codice libro della libreria ria9780822353928_rkm

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