This book argues that time travel fiction is a narrative “laboratory,” a setting for thought experiments in which essential theoretical questions about storytelling—and, by extension, about the philosophy of temporality, history, and subjectivity—are represented in the form of literal devices and plots.
Drawing on physics, philosophy, narrative theory, psychoanalysis, and film theory, the book links innovations in time travel fiction to specific shifts in the popularization of science, from evolutionary biology in the late 1800s, through relativity and quantum physics in the mid–20th century, to more recent “multiverse” cosmologies. Wittenberg shows how increasing awareness of new scientific models leads to surprising innovations in the literary “time machine,” which evolves from a “vehicle” used chiefly for sociopolitical commentary into a psychological and narratological device capable of exploring with great sophistication the temporal structure and significance of subjects, viewpoints, and historical events.
The book covers work by well-known time travel writers such as H. G. Wells, Edward Bellamy, Robert Heinlein, Samuel Delany, and Harlan Ellison, as well as pulp fiction writers of the 1920s through the 1940s, popular and avant-garde postwar science fiction, television shows such as “The Twilight Zone” and “Star Trek,” and
current cinema. Literature, film, and TV are read alongside theoretical work ranging from Einstein, Schrödinger, and Stephen Hawking to Gérard Genette, David Lewis, and Gilles Deleuze. Wittenberg argues that even the most mainstream audiences of popular time travel fiction and cinema are vigorously engaged with many of the same questions about temporality, identity, and history that concern literary theorists, media and film scholars, and philosophers.
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Descrizione libro Hardcover. Condizione: new. This item is printed on demand. Codice articolo 9780823249961
Descrizione libro Condizione: New. Codice articolo ABLING22Oct1916240264370
Descrizione libro Condizione: New. Argues that time travel fiction is a narrative "laboratory," a setting for thought experiments in which essential theoretical questions about storytelling are represented in the form of literal devices and plots Num Pages: 320 pages, 16 b/w illustrations. BIC Classification: APFA; DSK; PDA. Category: (P) Professional & Vocational. Dimension: 3895 x 5830 x 23. Weight in Grams: 567. . 2012. Hardback. . . . . Codice articolo V9780823249961
Descrizione libro Condizione: New. pp. 320. Codice articolo 2637437310
Descrizione libro Gebunden. Condizione: New. Time Travel: The Popular Philosophy of Narrative argues that time travel fiction is a narrative laboratory, in which essential theoretical questions about storytelling, and by extension about the philosophy of temporality, history, and subjectivity, are r. Codice articolo 867679524
Descrizione libro Condizione: New. Argues that time travel fiction is a narrative "laboratory," a setting for thought experiments in which essential theoretical questions about storytelling are represented in the form of literal devices and plots Num Pages: 320 pages, 16 b/w illustrations. BIC Classification: APFA; DSK; PDA. Category: (P) Professional & Vocational. Dimension: 3895 x 5830 x 23. Weight in Grams: 567. . 2012. Hardback. . . . . Books ship from the US and Ireland. Codice articolo V9780823249961
Descrizione libro Hardcover. Condizione: new. Hardcover. This book argues that time travel fiction is a narrative laboratory, a setting for thought experiments in which essential theoretical questions about storytellingand, by extension, about the philosophy of temporality, history, and subjectivityare represented in the form of literal devices and plots.Drawing on physics, philosophy, narrative theory, psychoanalysis, and film theory, the book links innovations in time travel fiction to specific shifts in the popularization of science, from evolutionary biology in the late 1800s, through relativity and quantum physics in the mid20th century, to more recent multiverse cosmologies. Wittenberg shows how increasing awareness of new scientific models leads to surprising innovations in the literary time machine, which evolves from a vehicle used chiefly for sociopolitical commentary into a psychological and narratological device capable of exploring with great sophistication the temporal structure and significance of subjects, viewpoints, and historical events.The book covers work by well-known time travel writers such as H. G. Wells, Edward Bellamy, Robert Heinlein, Samuel Delany, and Harlan Ellison, as well as pulp fiction writers of the 1920s through the 1940s, popular and avant-garde postwar science fiction, television shows such as The Twilight Zone and Star Trek, andcurrent cinema. Literature, film, and TV are read alongside theoretical work ranging from Einstein, Schroedinger, and Stephen Hawking to Gerard Genette, David Lewis, and Gilles Deleuze. Wittenberg argues that even the most mainstream audiences of popular time travel fiction and cinema are vigorously engaged with many of the same questions about temporality, identity, and history that concern literary theorists, media and film scholars, and philosophers. Time Travel: The Popular Philosophy of Narrative argues that time travel fiction is a narrative "laboratory," in which essential theoretical questions about storytelling, and by extension about the philosophy of temporality, history, and subjectivity, are represented in the form of literal devices and plots. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Codice articolo 9780823249961
Descrizione libro Condizione: New. Print on Demand pp. 320 16 Illus. Codice articolo 38568097