Apocalypse-Cinema: 2012 And Other Ends of the World - Brossura

Szendy, Peter

Brossura

ISBN 10: 0823264815 ISBN 13: 9780823264810

Casa editrice: Fordham Univ Pr, 2015

Riassunto

Apocalypse-cinema is not only the end of time that has so often been staged as spectacle in films like 2012, The Day After Tomorrow, and The Terminator. By looking at blockbusters that play with general annihilation while also paying close attention to films like Melancholia, Cloverfield, Blade Runner, and Twelve Monkeys, this book suggests that in the apocalyptic genre, film gnaws at its own limit.

Apocalypse-cinema is, at the same time and with the same double blow, the end of the world and the end of the film. It is the consummation and the (self-)consumption of cinema, in the form of an acinema that Lyotard evoked as the nihilistic horizon of filmic economy. The innumerable countdowns, dazzling radiations, freeze-overs, and seismic cracks and crevices are but other names and pretexts for staging film itself, with its economy of time and its rewinds, its overexposed images and fades to white, its freeze-frames and digital touch-ups.

The apocalyptic genre is not just one genre among others: It plays with the very conditions of possibility of cinema. And it bears witness to the fact that, every time, in each and every film, what Jean-Luc Nancy called the cine-world is exposed on the verge of disappearing.

In a Postface specially written for the English edition, Szendy extends his argument into a debate with speculative materialism. Apocalypse-cinema, he argues, announces itself as cinders that question the “ultratestimonial” structure of the filmic gaze. The cine-eye, he argues, eludes the correlationism and anthropomorphic structure that speculative materialists have placed under critique, allowing only the ashes it bears to be heard.

Su questo libro

L'autore:

Peter Szendy is Professor of Philosophy at Paris Ouest Nanterre and musicological adviser for the concert programs at the Cité de la musique. His books to have been translated into English (all from Fordham) are Kant in the Land of Extraterrestrials, Hits: Philosophy in the Jukebox, Prophecies of Leviathan: Reading Past Melville, and Listen: A History of Our Ears.

Will Bishop received his doctorate in French Literature from the University of California Berkeley. He lives in Paris, where he teaches and translates.

Samuel Weber is Avalon Professor of Comparative Literature at Northwestern University and Director of Northwestern's Paris Program in Critical Theory. He is the author of numerous books, including The Legend of Freud, Institution and Interpretation, Mass Medianras: Form, Technics, Media, Theatricality as Medium, and Targets of Opportunity: On the Militarization of Thinking. (Fordham)

Su questa edizione

• Editore: Fordham Univ Pr
• Data di pubblicazione: 2015
• ISBN 10: 0823264815
• ISBN 13: 9780823264810
• Rilegatura: Copertina flessibile
• Numero di pagine: 159