Articoli correlati a "Parade": Cubism as Theatre
- EditoreGarland Publishing
- Data di pubblicazione1979
- ISBN 10 0824039505
- ISBN 13 9780824039509
- RilegaturaCopertina rigida
- Numero di pagine363
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Condizioni: molto buonoShips from the UK. Former library... Scopri di più su questo articolo
EUR 15,91
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EUR 9,32
Da: Regno Unito a: U.S.A.
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Parade : Cubism As Theater
Editore:
Garland Publishing, Incorporated
(1979)
ISBN 10: 0824039505
ISBN 13: 9780824039509
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Descrizione libro Condizione: Very Good. 0th Edition. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. Codice articolo 46492066-75
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PARADE CUBISM THEATER
Editore:
Education-Garla
(1979)
ISBN 10: 0824039505
ISBN 13: 9780824039509
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Descrizione libro Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Codice articolo Z1-T-027-00786
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Parade" : Cubism as Theater
Editore:
Garland Publishing, New York
(1979)
ISBN 10: 0824039505
ISBN 13: 9780824039509
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Quantità: 1
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Descrizione libro Hardcover. Condizione: Good+. Condizione sovraccoperta: No Dust Jacket. Library stamps/marks/labels/pocket peel on rear paste-down/slip, pencil LINING and notes, shelfwear, otherwise light wear. Solid hardcover.; Critical analysis of the Ballets Russes ballet "Parade", an avant-garde Cubist work first performed in Paris in 1917. "Parade" was Jean Cocteau's first theater piece, with score by Erik Satie, choreography by Leonide Massine, and costume and scenery by Pablo Picasso. "Parade was one of the first distinguished experimental theater pieces of the twentieth century and submitted a notion of theater which opposed traditional western drama. To ask the question why Parade was ostracized from histories of modern theater is to expose a basic assumption of western theater. . In this dissertation the critically balanced overview was not meant to be the major thrust or goal. There have been four critical entrances to Parade - literary, musical, scenic and choreographic. What has been sorely missing in the critical literature of each frame of reference is the wareness not only of the four contributions, but of how the four dimensions of Parade worked in ensemble. . The relationship of the parts was the crucial aspect of Parade to be uncovered." - Introduction. ; Outstanding Dissertations In The Fine Arts; Ex-Library; xiv, 363 pages. Codice articolo 15232
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