Black Sabbath's Master of Reality (33 1/3)

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9780826428998: Black Sabbath's Master of Reality (33 1/3)

Black Sabbath's Master of Reality has maintained remarkable historical status over several generations; it's a touchstone for the directionless, and common coin for young men and women who've felt excluded from the broader cultural economy. John Darnielle hears it through the ears of Roger Painter, a young adult locked in a southern California adolescent psychiatric center in 1985; deprived of his Walkman and hungry for comfort, he explains Black Sabbath as one might describe air to a fish, or love to an android, hoping to convince his captors to give him back his tapes.

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About the Author:

John Darnielle is the singer and songwriter otherwise known as the Mountain Goats.

Review:

Mention in Harp Magazine (Grayson Currin)

"[T]he focus of Darnielle's fans has always been on hislyrics and the stories contained within them. Now he's stepped off the stage and sat down at is typewriter to deliverMaster of Reality, his first novel and a stunning piece of rock criticism andappreciation.
Readers are likely to come to Master of Reality from avariety of backgrounds. Some will comeas Mountain Goats fans wanting to see Darnielle tackle a novel, others as BlackSabbath fans wanting to read about a favorite album. Some will simply be fans of the cult-popular33 1/3 series, which has now grown to dozens of books, yet kept its level ofquality very high. Hopefully, there willbe others who will pick it up as novel first, because it truly is a first-ratestory, full of moments that will pluck at your heartstrings as you're broughtback to the moment you first fell in love with a piece of music, when an albumprovided not just the soundtrack to your life but also the meaning behindit. If, by some strange chance, none ofthis happens, well, you're probably going to at least dust off your old Sabbathvinyl, and there's nothing wrong with that either." —NewPages.com
"[Darnielle] straightjackets the essence of Black Sabbathwhere 40 years of music musings and cultural damnation have failed." —Raoul Hernandez, Austin Chronicle (Raoul Hernandez)

"Total affection for, and strong identification with, musicis a cross-generational experience, and though the motivation behind the 33 1/3series meshes nicely with a post-Generation X obsession with the minutiae ofpersonal experience, it's also immediately accessible to anyone who's everwritten favorite lyrics on her algebra notebook. While nostalgia runs thick inDarnielle's book (the nature of the series essentially demands this), there's agreater point about music and memory to be found in Roger's story. Indulgencein the memory of intense feelings can be strangely comforting, and perhaps evennecessary. Or, as Roger puts it: 'It doesn't have to mean that to everybody, andit means more no matter what...'"— Thea Brown, The L Magazine (Thea Brown)

"Darnielle, singer and songwriter for the much-loved bandThe Mountain Goats, cuts right to the chase in his short novel, the blunt,direct tone of his adolescent protagonist Richard Painter perfectlyencapsulating the enduring appeal of metal's great progenitors. It's all aboutthe Mighty Riff when it comes to Sabbath; everything else is secondary, andwhile one could easily make a case for at least half a dozen albums thatdeserve the 33 1/3 treatment, the riffs that define this particular album are,to echo young Roger's sentiment, unfuckwithable." —Adrien Begrand, Popmatters.com
(Adrien Begrand)

"Mountain Goat John Darnielle's off-stage literaryproclivities are no secret, which makes us all the more excited for his firstnovel, a paean to Black Sabbath's Master of Reality. The book is the latest in Continuum's 33 1/3series ultrasmart series of elegant, pocket-size appreciations of rock albumsas diverse as the Beatles' Let it Be and My Bloody Valentine's Loveless. Darnielle unpacks the classic, riff-erificalbum as a scrabrous series of diary entries written by a teenager in a Southern California mental institution. Those curious tosee the budding rock critic off-stage or who are simply bonkers for Sabbath areadvised to check out this reading." —Tayt Harlin, New YorkMagazine
"With his short stories masquerading as songs, JohnDarnielle—founding member of the Mountain Goats—has crafted a wide range ofoff-kilter characters. He continues thistradition with Roger, a fifteen-year-old patient in a psychiatric hospital andthe protagonist of Darnielle's first book, a loving diary-style exploration ofBlack Sabbath's Master of Reality, part of Continuum's 33 1/3 series...Inspiredby his real-life experiences as a psychiatric nurse (and love of all thingsmetal), Darnielle's literary debut is a fast, addictive read that also tugs onthe heartstrings of sensitive Ozzy fans." —Exclaim magazine

Interviewed in Philadelphia Weekly

"The Mountain Goats' John Darnielle Is Good At Writing!
People love The Mountain Goats because all their songscontain SAT vocab words and are like little stories. So it's unsurprising that JohnDarnielle can also work up some music-free compositions, like his contributionto Continuum's 33 1/3 series of books inspired by classic albums, a novel aboutBlack Sabbath's 'Master of Reality.' He also recently wrapped up a stint of guest blogging atPowell's excellent blog, which is worth revisiting if you're curious about hisfeelings about heavy metal (he likes it! and is very knowledgable about it!).And if you live in New York,you can come to a reading of the Black Sabbath book next Saturday at HousingWorks and witness his non-singing talents in person." —MediaBistro's Galleycat
Interviewed by Gothamist

Entry on Brooklyn Vegan about reading

"Just like Black Sabbath throws big rocks at subtlety andRoger's manifesto-journal channels anger towards the mental healthestablishment, Darnielle's book obliterates the sterility of music criticism. Iimagine him reading reviews of his work and building up all of this disdain,deciding finally that he's going to do it better. Ultimately, Master of Realitycritiques criticism itself, an institution that encourages us to thrash apartthe art of others — without offering any blood of our own." — Tiny Mix Tapes
Normal 0 false false false MicrosoftInternetExplorer4 "John Darnielle is the single constant behind the group theMountain Goats and arguably the most rewarding lyricist working today. Takinginto account his prolific wordsmithery ("Laugh lines on our faces / scalemaps of the ocean floor") and affinity for horror both cinematic andliterary ("Heretic Pride," the most recent Mountain Goats album, hassong titles naming Fu Manchu creator Sax Rohmer and H.P. Lovecraft), itshouldn't come as a surprise that he'd contribute to Continuum's "331/3" series of short books pegged to iconic albums. But "Master ofReality" departs brilliantly from the typical "33 1/3" format,not just by choosing fiction over criticism or recording history, but in itsstructural gambits and unwavering sense of purpose." —Los Angeles Times (Ed Parks)

Normal 0 false false false MicrosoftInternetExplorer4 "I'd like to give a special shout-out to John Darnielle'sbook about Black Sabbath's Master of Reality, published as part of Continuum's33 1/3 series of album-themed books...If you like the band,you'll like this book. If you like intense young-adult takes like The Perks ofBeing a Wallflower, you'll like this book. No matter what, by the end, you'llbe racing to purchase Master of Reality, which is a beautiful thing." —USA Today,PopCandy
Normal 0 false false false MicrosoftInternetExplorer4 "Forget the other 33 1/3s, this belongs next to The Catcherin the Rye." —DecibelMagazine

"Darnielle's novella is not only a touchstone in the series,it is a powerful and potent book in its own right. Utterly compelling."-Community Care, UK

(David Hemingway)

Normal 0 false false false MicrosoftInternetExplorer4

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1.

John Darnielle
Editore: Bloomsbury Publishing PLC, United Kingdom (2008)
ISBN 10: 0826428991 ISBN 13: 9780826428998
Nuovi Paperback Quantità: 1
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Descrizione libro Bloomsbury Publishing PLC, United Kingdom, 2008. Paperback. Condizione libro: New. Language: English . Brand New Book. John Darnielle describes Master of Reality through a fictional character, a fifteen-year-old boy being held in an adolescent psychiatric centre in southern California in 1985.John Darnielle describes Master of Reality in the voice of a fifteen-year-old boy being held in an adolescent psychiatric centre in southern California in 1985. Adolescents in treatment are often required to keep a journal, and they write letters by the dozens: to their parents, to their friends on the outside, to the nurses who confiscate their belongings, to the teachers back at school who ve offered them an outlet for their creativity. Our narrator has arrived in treatment with a Walkman and some tapes that are precious to him, only to have them taken away on the ground that their content is part of his greater problem.His various writings, aimed mainly at getting his tapes and Walkman back, will explain how Black Sabbath differs from their Satan-worshipping popular image, and how Master of Reality is an overtly Christian album, which it is. Our narrator will try to explain Black Sabbath like an emissary from an alien race describing his culture to his captors: passionately, patiently, and lovingly.This album has a genuinely remarkable historical status: as a touchstone for the directionless, and as a common coin for young men and women who felt shut out of the broader cultural economy.It d be hard to overstate Ozzy Osbourne s totemic status among adolescents in the early eighties. His public image, cobbled together by his audience from occasional mainstream press mentions and niche magazine coverage, made him a nearly perfect sponge for the aggressive feelings of frustrated young men around the world. To this audience, who continue to occupy a an enormous if ghostly position on the margins, the early Black Sabbath albums were accepted classics in a genre whose lack of real status only served to indicate its true value.This, for me, is one of the places where the music does its most interesting work: when it becomes a tool in the hands of its listeners, and when the process of explaining it becomes part of its essence. This was never truer than in the mainstream metal subcultures of the eighties, where album titles served as passwords to a more accepting world. Master of Reality , from its Christian heart right down to its ultimately incomprehensible title, is the perfect candidate for illuminating these undersung passageways. 33 1/3 is a series of short books about a wide variety of albums, by artists ranging from James Brown to the Beastie Boys. Launched in September 2003, the series now contains over 50 titles and is acclaimed and loved by fans, musicians and scholars alike. Codice libro della libreria AAS9780826428998

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John Darnielle
Editore: Bloomsbury Publishing PLC, United Kingdom (2008)
ISBN 10: 0826428991 ISBN 13: 9780826428998
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Descrizione libro Bloomsbury Publishing PLC, United Kingdom, 2008. Paperback. Condizione libro: New. Language: English . Brand New Book. John Darnielle describes Master of Reality through a fictional character, a fifteen-year-old boy being held in an adolescent psychiatric centre in southern California in 1985.John Darnielle describes Master of Reality in the voice of a fifteen-year-old boy being held in an adolescent psychiatric centre in southern California in 1985. Adolescents in treatment are often required to keep a journal, and they write letters by the dozens: to their parents, to their friends on the outside, to the nurses who confiscate their belongings, to the teachers back at school who ve offered them an outlet for their creativity. Our narrator has arrived in treatment with a Walkman and some tapes that are precious to him, only to have them taken away on the ground that their content is part of his greater problem.His various writings, aimed mainly at getting his tapes and Walkman back, will explain how Black Sabbath differs from their Satan-worshipping popular image, and how Master of Reality is an overtly Christian album, which it is. Our narrator will try to explain Black Sabbath like an emissary from an alien race describing his culture to his captors: passionately, patiently, and lovingly.This album has a genuinely remarkable historical status: as a touchstone for the directionless, and as a common coin for young men and women who felt shut out of the broader cultural economy.It d be hard to overstate Ozzy Osbourne s totemic status among adolescents in the early eighties. His public image, cobbled together by his audience from occasional mainstream press mentions and niche magazine coverage, made him a nearly perfect sponge for the aggressive feelings of frustrated young men around the world. To this audience, who continue to occupy a an enormous if ghostly position on the margins, the early Black Sabbath albums were accepted classics in a genre whose lack of real status only served to indicate its true value.This, for me, is one of the places where the music does its most interesting work: when it becomes a tool in the hands of its listeners, and when the process of explaining it becomes part of its essence. This was never truer than in the mainstream metal subcultures of the eighties, where album titles served as passwords to a more accepting world. Master of Reality , from its Christian heart right down to its ultimately incomprehensible title, is the perfect candidate for illuminating these undersung passageways. 33 1/3 is a series of short books about a wide variety of albums, by artists ranging from James Brown to the Beastie Boys. Launched in September 2003, the series now contains over 50 titles and is acclaimed and loved by fans, musicians and scholars alike. Codice libro della libreria AAS9780826428998

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John Darnielle
Editore: Bloomsbury Publishing PLC, United Kingdom (2008)
ISBN 10: 0826428991 ISBN 13: 9780826428998
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Descrizione libro Bloomsbury Publishing PLC, United Kingdom, 2008. Paperback. Condizione libro: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. John Darnielle describes Master of Reality through a fictional character, a fifteen-year-old boy being held in an adolescent psychiatric centre in southern California in 1985.John Darnielle describes Master of Reality in the voice of a fifteen-year-old boy being held in an adolescent psychiatric centre in southern California in 1985. Adolescents in treatment are often required to keep a journal, and they write letters by the dozens: to their parents, to their friends on the outside, to the nurses who confiscate their belongings, to the teachers back at school who ve offered them an outlet for their creativity. Our narrator has arrived in treatment with a Walkman and some tapes that are precious to him, only to have them taken away on the ground that their content is part of his greater problem.His various writings, aimed mainly at getting his tapes and Walkman back, will explain how Black Sabbath differs from their Satan-worshipping popular image, and how Master of Reality is an overtly Christian album, which it is. Our narrator will try to explain Black Sabbath like an emissary from an alien race describing his culture to his captors: passionately, patiently, and lovingly.This album has a genuinely remarkable historical status: as a touchstone for the directionless, and as a common coin for young men and women who felt shut out of the broader cultural economy.It d be hard to overstate Ozzy Osbourne s totemic status among adolescents in the early eighties. His public image, cobbled together by his audience from occasional mainstream press mentions and niche magazine coverage, made him a nearly perfect sponge for the aggressive feelings of frustrated young men around the world. To this audience, who continue to occupy a an enormous if ghostly position on the margins, the early Black Sabbath albums were accepted classics in a genre whose lack of real status only served to indicate its true value.This, for me, is one of the places where the music does its most interesting work: when it becomes a tool in the hands of its listeners, and when the process of explaining it becomes part of its essence. This was never truer than in the mainstream metal subcultures of the eighties, where album titles served as passwords to a more accepting world. Master of Reality , from its Christian heart right down to its ultimately incomprehensible title, is the perfect candidate for illuminating these undersung passageways. 33 1/3 is a series of short books about a wide variety of albums, by artists ranging from James Brown to the Beastie Boys. Launched in September 2003, the series now contains over 50 titles and is acclaimed and loved by fans, musicians and scholars alike. Codice libro della libreria BTE9780826428998

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Descrizione libro Continuum International Publishing Group Ltd. 2008-06-05, 2008. Paperback. Condizione libro: New. Codice libro della libreria NU-GRD-00441442

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Descrizione libro Continuum International Publishi, 2008. Paperback. Condizione libro: New. BRAND NEW ** SUPER FAST SHIPPING FROM UK WAREHOUSE ** 30 DAY MONEY BACK GUARANTEE. Codice libro della libreria mon0000310315

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