At thirty-two, Jenny Saville has had a career most artists twice her age would envy. In 1992, the year she completed her studies at Glasgow School of Art, her graduation exhibition sold out. Most notably, one painting was bought by Charles Saatchi and, since then, her international reputation has grown at a rapid and steady pace.Jenny Saville is described as a "New Old Master" for the technical proficiency of her oversize nudes that have earned her comparisons to Rubens and Lucian Freud and universal praise from critics and art historians alike. For the conceptual underpinnings of her work, she has been hailed as one of the most interesting artists of the last decade. Her work has been shown alongside that of Damien Hirst and the other Young British Artists in the acclaimed and seminal survey of new British art Sensation at the Royal Academy (London, 1997) and the Brooklyn Museum of Art (New York, 2000).This is the only monograph devoted to the critically acclaimed young artist and features all of Jenny Saville's paintings to date-including many previously unpublished. This volume is being published in association with the Gagosian Gallery in London. The power of her brilliant and relentless embodiment of our worst anxieties about our own corporeality and gender is what distinguishes Saville from other paint-obsessed representers of the naked human body. To my eye, no other artist in recent memory has combined empathy and distance with such visual and emotional impact. -Linda Nochlin, Art in America, March 2000
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For over thirty years, Gagosian Gallery has served as a global network with over a dozen exhibition spaces in the United States, Europe, and China, specializing in contemporary and modern art. Gagosian Gallery publishes academic exhibition catalogs, artist books, and more. Some of these published works include ZENG FANZHI: Paintings, Drawings, And Two Sculptures, Sprayed - Works from 1929 to 2015, Jenny Saville, John Currin, and In the Studio.From Publishers Weekly:
Starred Review. British painter Saville has had a charmed career. As a student at the Glasgow School of Art, she sold out her graduation exhibit. (One of the paintings was bought by no less than Charles Saatchi.) At 27, she was included in the acclaimed (and, in New York City, notorious) Sensation show. And now, at 35, she is widely chatted about as one of Britain's most important young artists. One look at this gorgeous monograph, Saville's first, proves that all this success is well earned.Arranged chronologically, with paintings from 1992 to 2005, the volume reveals that though Saville's subject matter has hardly changed, her use of paint has evolved by leaps and bounds. Like Lucian Freud, Saville's fascinated with the body and the pigmentation of flesh, but her visions of it are both darker and brighter than his. Many of her paintings feature bodies that have been manipulated or damaged—by gender-changing plastic surgery, say, or by burns—but her rendering of these states is brilliantly colored. And in the most recent paintings ("Stare," "Passage," "Torso 2") the subject is set against a background of warm, Mediterranean blue that heightens both the images' beauty and their capacity to unnerve.Schama's interview with Saville—the best of the texts included here—provides insight into the artist's methods and her ambition to keep improving technically ("I can barely look at the earlier paintings I made"), while the many photographs of her studio, drafts and source material show the ordinary-looking origins of her work, and the many close-shots record her expressionist use of paint. While no book can convey the power of Saville's oversize canvases, this well-composed volume provides an illuminating survey of her work. (Nov.)
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