Memory (Documents of Contemporary Art)

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9780854882045: Memory (Documents of Contemporary Art)

Investigations into the wide array of artistic relationships to memory, repetition and reappearance, and forgetting, in artworks from the late 1940s to the present.

This anthology investigates the turn in art not only towards archives and histories, the relics of modernities past, but toward the phenomena, in themselves, of "haunting" and the activation of memory. It looks at a wide array of artistic relationships to memory association, repetition and reappearance, as well as forms of "active" forgetting. Its discussions encompass artworks from the late 1940s onward, ranging from reperformances such as Marina Abramović's Seven Easy Pieces (embodied resurrections of decades-removed performance pieces by her contemporaries) to the inanimate trace of "memory" Robert Morris assigns to his free-form felt pieces, which "forget" in their present configurations their previous slides and falls. Contextualizing memory's role in visual theory and aesthetic politics--from Marcel Proust's optics to Bernard Stiegler's analysis of memory's "industrialization"--this collection also surveys the diversity of situations and registers in which contemporary artists explore memory. Art that engages with memory embodied in material and spatial conditions is examined beside works that reflect upon memory's effects through time, and yet others that enlist the agency of remembrance or forgetting to work through aspects of the numerous pasts by which the present is always haunted.

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About the Author:

Ian Farr is commissioning editor for Documents of Contemporary Art. He was formerly an editor of Phaidon's Contemporary Artists and Themes & Movements series.

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1.

Ian Farr
Editore: Whitechapel Gallery, United Kingdom (2012)
ISBN 10: 0854882049 ISBN 13: 9780854882045
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Descrizione libro Whitechapel Gallery, United Kingdom, 2012. Paperback. Condizione libro: New. Language: English . Brand New Book. This anthology investigates the turn in art not only towards archives and histories, the relics of modernities past, but toward the phenomena, in themselves, of haunting and the activation of memory. It looks at a wide array of artistic relationships to memory association, repetition and reappearance, as well as forms of active forgetting. Its discussions encompass artworks from the late 1940s onward, ranging from reperformances such as Marina Abramovic s Seven Easy Pieces (embodied resurrections of decades-removed performance pieces by her contemporaries) to the inanimate trace of memory Robert Morris assigns to his free-form felt pieces, which forget in their present configurations their previous slides and falls. Contextualizing memory s role in visual theory and aesthetic politics - from Marcel Proust s optics to Bernard Stiegler s analysis of memory s industrialization - this collection also surveys the diversity of situations and registers in which contemporary artists explore memory.Art that engages with memory embodied in material and spatial conditions is examined beside works that reflect upon memory s effects through time, and yet others that enlist the agency of remembrance or forgetting to work through aspects of the numerous pasts by which the present is always haunted. Artists surveyed include: Marina Abramovic, Eija-Liisa Ahtila, Kutlug Ataman, Uta Barth, Tom Burr, Sophie Calle, Joseph Cornell, Tacita Dean, Stan Douglas, Cheryl Dunye, Kota Ezawa, Hans-Peter Feldmann, Felix Gonzalez-Torres, Rodney Graham, Richard Hamilton, Sharon Hayes, Susan Hiller, Roni Horn, Pierre Huyghe, Amar Kanwar, William Kentridge, Idris Khan, Zoe Leonard, Ilan Lieberman, Glenn Ligon, Elizabeth Manchester, Robert Morris, Rabih Mroue, Uriel Orlow, Walid Raad, Anri Sala, Fazal Sheikh, Lorna Simpson, Vivan Sundaram, Jane and Louise Wilson. Writers include Gaston Bachelard, Daniel Birnbaum, Andre Breton, Nicolas Bourriaud, Victor Burgin, Johanna Burton, Tom Burr, Helene Cixous, Joseph Cornell, T.J.Demos, Gilles Deleuze, Ollivier Dyens Okwui Enwezor, Briony Fer, Hal Foster, Maurice Halbwachs, Richard Hamilton, Margaret Iversen, Martin Jay, Siegfried Kracauer, Abigail Levine, Tom McDonough, Roger Malbert, Robert Morris, Rabih Mroue, Michael Newman, Pierre Nora, Georges Perec, Peggy Phelan, Pil Galia Kollectiv, Megan Ratner, Hans Rudolf Reust, Paul Ricoeur, Lisa Saltzman, Lauren Sedofsky, Roger Shattuck, Michael Sheringham, Bernard Stiegler, Peter Suchin, Margaret Sundell and Jan Verwoert. Codice libro della libreria AAZ9780854882045

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Descrizione libro Whitechapel Art Gallery 2012-09-09, 2012. Paperback. Condizione libro: New. Codice libro della libreria NU-GRD-04919186

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Descrizione libro Condizione libro: New. Codice libro della libreria 17846842-n

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Ian Farr
Editore: Whitechapel Gallery, United Kingdom (2012)
ISBN 10: 0854882049 ISBN 13: 9780854882045
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Descrizione libro Whitechapel Gallery, United Kingdom, 2012. Paperback. Condizione libro: New. Language: English . Brand New Book. This anthology investigates the turn in art not only towards archives and histories, the relics of modernities past, but toward the phenomena, in themselves, of haunting and the activation of memory. It looks at a wide array of artistic relationships to memory association, repetition and reappearance, as well as forms of active forgetting. Its discussions encompass artworks from the late 1940s onward, ranging from reperformances such as Marina Abramovic s Seven Easy Pieces (embodied resurrections of decades-removed performance pieces by her contemporaries) to the inanimate trace of memory Robert Morris assigns to his free-form felt pieces, which forget in their present configurations their previous slides and falls. Contextualizing memory s role in visual theory and aesthetic politics - from Marcel Proust s optics to Bernard Stiegler s analysis of memory s industrialization - this collection also surveys the diversity of situations and registers in which contemporary artists explore memory.Art that engages with memory embodied in material and spatial conditions is examined beside works that reflect upon memory s effects through time, and yet others that enlist the agency of remembrance or forgetting to work through aspects of the numerous pasts by which the present is always haunted. Artists surveyed include: Marina Abramovic, Eija-Liisa Ahtila, Kutlug Ataman, Uta Barth, Tom Burr, Sophie Calle, Joseph Cornell, Tacita Dean, Stan Douglas, Cheryl Dunye, Kota Ezawa, Hans-Peter Feldmann, Felix Gonzalez-Torres, Rodney Graham, Richard Hamilton, Sharon Hayes, Susan Hiller, Roni Horn, Pierre Huyghe, Amar Kanwar, William Kentridge, Idris Khan, Zoe Leonard, Ilan Lieberman, Glenn Ligon, Elizabeth Manchester, Robert Morris, Rabih Mroue, Uriel Orlow, Walid Raad, Anri Sala, Fazal Sheikh, Lorna Simpson, Vivan Sundaram, Jane and Louise Wilson. Writers include Gaston Bachelard, Daniel Birnbaum, Andre Breton, Nicolas Bourriaud, Victor Burgin, Johanna Burton, Tom Burr, Helene Cixous, Joseph Cornell, T.J.Demos, Gilles Deleuze, Ollivier Dyens Okwui Enwezor, Briony Fer, Hal Foster, Maurice Halbwachs, Richard Hamilton, Margaret Iversen, Martin Jay, Siegfried Kracauer, Abigail Levine, Tom McDonough, Roger Malbert, Robert Morris, Rabih Mroue, Michael Newman, Pierre Nora, Georges Perec, Peggy Phelan, Pil Galia Kollectiv, Megan Ratner, Hans Rudolf Reust, Paul Ricoeur, Lisa Saltzman, Lauren Sedofsky, Roger Shattuck, Michael Sheringham, Bernard Stiegler, Peter Suchin, Margaret Sundell and Jan Verwoert. Codice libro della libreria AAZ9780854882045

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Descrizione libro Whitechapel Art Gallery, 2012. Condizione libro: New. Codice libro della libreria EH9780854882045

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Ian Farr
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Descrizione libro Whitechapel Gallery. Paperback. Condizione libro: new. BRAND NEW, Memory, Ian Farr, This anthology investigates the turn in art not only towards archives and histories, the relics of modernities past, but toward the phenomena, in themselves, of "haunting" and the activation of memory. It looks at a wide array of artistic relationships to memory association, repetition and reappearance, as well as forms of "active" forgetting. Its discussions encompass artworks from the late 1940s onward, ranging from reperformances such as Marina Abramovic's Seven Easy Pieces (embodied resurrections of decades-removed performance pieces by her contemporaries) to the inanimate trace of "memory" Robert Morris assigns to his free-form felt pieces, which "forget" in their present configurations their previous slides and falls. Contextualizing memory's role in visual theory and aesthetic politics - from Marcel Proust's optics to Bernard Stiegler's analysis of memory's "industrialization" - this collection also surveys the diversity of situations and registers in which contemporary artists explore memory. Art that engages with memory embodied in material and spatial conditions is examined beside works that reflect upon memory's effects through time, and yet others that enlist the agency of remembrance or forgetting to work through aspects of the numerous pasts by which the present is always haunted. Artists surveyed include: Marina Abramovic, Eija-Liisa Ahtila, Kutlug Ataman, Uta Barth, Tom Burr, Sophie Calle, Joseph Cornell, Tacita Dean, Stan Douglas, Cheryl Dunye, Kota Ezawa, Hans-Peter Feldmann, Felix Gonzalez-Torres, Rodney Graham, Richard Hamilton, Sharon Hayes, Susan Hiller, Roni Horn, Pierre Huyghe, Amar Kanwar, William Kentridge, Idris Khan, Zoe Leonard, Ilan Lieberman, Glenn Ligon, Elizabeth Manchester, Robert Morris, Rabih Mroue, Uriel Orlow, Walid Raad, Anri Sala, Fazal Sheikh, Lorna Simpson, Vivan Sundaram, Jane and Louise Wilson. Writers include Gaston Bachelard, Daniel Birnbaum, Andre Breton, Nicolas Bourriaud, Victor Burgin, Johanna Burton, Tom Burr, Helene Cixous, Joseph Cornell, T.J. Demos, Gilles Deleuze, Ollivier Dyens Okwui Enwezor, Briony Fer, Hal Foster, Maurice Halbwachs, Richard Hamilton, Margaret Iversen, Martin Jay, Siegfried Kracauer, Abigail Levine, Tom McDonough, Roger Malbert, Robert Morris, Rabih Mroue, Michael Newman, Pierre Nora, Georges Perec, Peggy Phelan, Pil & Galia Kollectiv, Megan Ratner, Hans Rudolf Reust, Paul Ricoeur, Lisa Saltzman, Lauren Sedofsky, Roger Shattuck, Michael Sheringham, Bernard Stiegler, Peter Suchin, Margaret Sundell and Jan Verwoert. Codice libro della libreria B9780854882045

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Descrizione libro Whitechapel Art Gallery, 2012. Condizione libro: New. 2012. Paperback. This anthology traces the central and diverse roles of memory activation and the memory-image in aesthetic theory and art practice from early modernism to the present. Editor(s): Farr, Ian. Series: Documents of Contemporary Art. Num Pages: 240 pages. BIC Classification: ACX. Category: (P) Professional & Vocational; (UA) A / AS level; (UF) Further/Higher Education; (UP) Postgraduate, Research & Scholarly. Dimension: 152 x 209 x 24. Weight in Grams: 564. . . . . . . Codice libro della libreria V9780854882045

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Descrizione libro Whitechapel Gallery, 2012. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria BB-9780854882045

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Ian Farr, Whitechapel Art Gallery
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Descrizione libro Whitechapel Art Gallery 2012-09-09, London, 2012. paperback. Condizione libro: New. Codice libro della libreria 9780854882045

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Ian Farr
Editore: Whitechapel Art Gallery
ISBN 10: 0854882049 ISBN 13: 9780854882045
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Descrizione libro Whitechapel Art Gallery. Condizione libro: New. 2012. Paperback. This anthology traces the central and diverse roles of memory activation and the memory-image in aesthetic theory and art practice from early modernism to the present. Editor(s): Farr, Ian. Series: Documents of Contemporary Art. Num Pages: 240 pages. BIC Classification: ACX. Category: (P) Professional & Vocational; (UA) A / AS level; (UF) Further/Higher Education; (UP) Postgraduate, Research & Scholarly. Dimension: 152 x 209 x 24. Weight in Grams: 564. . . . . . Books ship from the US and Ireland. Codice libro della libreria V9780854882045

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