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Sigmar Polke, 1963-2010: Alibis ISBN 13: 9780870708893

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9780870708893: Sigmar Polke, 1963-2010: Alibis
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Showcases the work of the experimental artist who worked across a range of mediums, including painting, photography, sculpture, and stained glass, exploring his engagement with Germany's past and his interest in the paranormal.

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Working across an unusually broad range of media, including painting, photography, film, drawing and sculpture, Sigmar Polke is widely regarded as one of the most influential and experimental artists of the post-war generation. His irreverent wit and promiscuous intelligence, coupled with his exceptional grasp of the properties of his materials, provided the foundation for his punishing critiques of the conventions of art history and social behavior. Experimenting wildly with materials and tools as varied as meteor dust and the xerox machine, Polke made work of both an intimate and monumental scale, drawn from sources as diverse as newspaper headlines and Durer prints. Polke avoided any one signature style, a fluid method best defined by the word "alibi," which means "in or at another place." This also is a reminder of the deflection of responsibility which shaped German behavior during the Nazi period, compelling Polke's generation to reinvent the role of the artist. Published in conjunction with "Alibis: Sigmar Polke 1963-2010," the first exhibition to encompass the artist's work across all media, this richly illustrated publication provides an overview of his cross-disciplinary innovations and career. Essays by Kathy Halbreich, Associate Director of The Museum of Modern Art; Mark Godfrey, Curator of International Art, Tate Modern; and a range of scholars and artists examine the full range of Polke's exceptionally inventive oeuvre and place his enormous skepticism of all social, political and artistic conventions against German history.Sigmar Polke (1941-2010) was born in Oels, in eastern Germany, now Olesnica in present-day Poland. At the end of World War II, Polke and his family fled to East Germany and, in 1953, escaped to Dusseldorf, where he was trained as a glass painter and subsequently studied at the Kunstakademie Dusseldorf. Since the late 1960s, Polke's work has been shown widely, including solo exhibitions at European and American museums. His last majo

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Descrizione libro Hardcover. Condizione: new. Hardcover. Working across an unusually broad range of media, including painting, photography, film, drawing and sculpture, Sigmar Polke (German, 1941-2010) is widely regarded as one of the most influential and experimental artists of the post-war generation. Published in conjunction with an exhibition at The Museum of Modern Art, this richly illustrated publication provides an overview of Polke's cross-disciplinary innovations and career. It features more than 500 illustrations and 18 contributions by scholars and artists that examine the full range of Polke's exceptionally inventive oeuvre. Authors such as exhibition curators Kathy Halbreich, Mark Godfrey and Lanka Tattersall, artists John Kelsey and Jutta Koether, and renowned professors Benjamin Buchloh and Christine Mehring discuss a wide range of topics that include Polke's engagement with German history, abstraction and the paranormal, his continuous questioning of conventional artistic disciplines and social norms, and his experiments with materials and tools as diverse as toxic pigments, patterned fabrics, images taken from a vast range of sources, and the Xerox machine. Four lead essays trace broad themes in Polke's work across mediums and across his career, while twelve shorter texts each focus on a single work or aspect of Polke's practice, which allows for a concentrated consideration of critical issues such as Polke's use of language or textiles that have never been discussed before in any depth. A richly illustrated chronology presents a cultural frame for Polke's work and an interview with Benjamin Buchloh offers insight on Polke's first retrospective, held in 1976. The catalogue includes contributions by a wide range of authors with great expertise, most of whom have never published on Polke before, thus broadening the scope of scholarship on Polke and offering new thinking about this chameleon-like artist. The first major publication on Polke since 1997, and the first ever to show Polke's work across all media. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780870708893

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Descrizione libro Condizione: New. Num Pages: 319 pages. BIC Classification: ACXJ; AGB; AGC. Category: (G) General (US: Trade). Dimension: 312 x 246 x 36. Weight in Grams: 2180. . 2014. y First edition. Hardcover. . . . . Books ship from the US and Ireland. Codice articolo V9780870708893

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Descrizione libro Hardcover. Condizione: new. Hardcover. Working across an unusually broad range of media, including painting, photography, film, drawing and sculpture, Sigmar Polke (German, 1941-2010) is widely regarded as one of the most influential and experimental artists of the post-war generation. Published in conjunction with an exhibition at The Museum of Modern Art, this richly illustrated publication provides an overview of Polke's cross-disciplinary innovations and career. It features more than 500 illustrations and 18 contributions by scholars and artists that examine the full range of Polke's exceptionally inventive oeuvre. Authors such as exhibition curators Kathy Halbreich, Mark Godfrey and Lanka Tattersall, artists John Kelsey and Jutta Koether, and renowned professors Benjamin Buchloh and Christine Mehring discuss a wide range of topics that include Polke's engagement with German history, abstraction and the paranormal, his continuous questioning of conventional artistic disciplines and social norms, and his experiments with materials and tools as diverse as toxic pigments, patterned fabrics, images taken from a vast range of sources, and the Xerox machine. Four lead essays trace broad themes in Polke's work across mediums and across his career, while twelve shorter texts each focus on a single work or aspect of Polke's practice, which allows for a concentrated consideration of critical issues such as Polke's use of language or textiles that have never been discussed before in any depth. A richly illustrated chronology presents a cultural frame for Polke's work and an interview with Benjamin Buchloh offers insight on Polke's first retrospective, held in 1976. The catalogue includes contributions by a wide range of authors with great expertise, most of whom have never published on Polke before, thus broadening the scope of scholarship on Polke and offering new thinking about this chameleon-like artist. The first major publication on Polke since 1997, and the first ever to show Polke's work across all media. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Codice articolo 9780870708893

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