Our Musicals, Ourselves: A Social History of the American Musical Theater

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9780874519044: Our Musicals, Ourselves: A Social History of the American Musical Theater

Our Musicals, Ourselves is the first full-scale social history of the American musical theater from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. While many aficionados of the Broadway musical associate it with wonderful, diversionary shows like The Music Man or My Fair Lady, John Bush Jones instead selects musicals for their social relevance and the extent to which they engage, directly or metaphorically, contemporary politics and culture. Organized chronologically, with some liberties taken to keep together similarly themed musicals, Jones examines dozens of Broadway shows from the beginning of the twentieth century to the present that demonstrate numerous links between what played on Broadway and what played on newspapers' front pages across our nation. He reviews the productions, lyrics, staging, and casts from the lesser-known early musicals (the "gunboat" musicals of the Teddy Roosevelt era and the "Cinderella shows" and "leisure time musicals" of the 1920s) and continues his analysis with better-known shows including Showboat, Porgy and Bess, Oklahoma, South Pacific, West Side Story, Cabaret, Hair, Company, A Chorus Line, and many others. While most examinations of the American musical focus on specific shows or emphasize the development of the musical as an art form, Jones's book uses musicals as a way of illuminating broader social and cultural themes of the times. With six appendixes detailing the long-running diversionary musicals and a foreword by Sheldon Harnick, the lyricist of Fiddler on the Roof, Jones's comprehensive social history will appeal to both students and fans of Broadway.

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Jones, John Bush
Editore: Brandeis
ISBN 10: 0874519047 ISBN 13: 9780874519044
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Descrizione libro Brandeis. PAPERBACK. Condizione libro: New. 0874519047 Brand New Book. Ships from the United States. 30 Day Satisfaction Guarantee!. Codice libro della libreria 4977077

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John Bush Jones
Editore: University Press of New England, United States (2004)
ISBN 10: 0874519047 ISBN 13: 9780874519044
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Descrizione libro University Press of New England, United States, 2004. Paperback. Condizione libro: New. New edition. 231 x 152 mm. Language: English . Brand New Book. Our Musicals, Ourselves is the first full-scale social history of the American musical theater from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. While many aficionados of the Broadway musical associate it with wonderful, diversionary shows like The Music Man or My Fair Lady, John Bush Jones instead selects musicals for their social relevance and the extent to which they engage, directly or metaphorically, contemporary politics and culture. Organized chronologically, with some liberties taken to keep together similarly themed musicals, Jones examines dozens of Broadway shows from the beginning of the twentieth century to the present that demonstrate numerous links between what played on Broadway and what played on newspapers front pages across our nation. He reviews the productions, lyrics, staging, and casts from the lesser-known early musicals (the gunboat musicals of the Teddy Roosevelt era and the Cinderella shows and leisure time musicals of the 1920s) and continues his analysis with better-known shows including Showboat, Porgy and Bess, Oklahoma, South Pacific, West Side Story, Cabaret, Hair, Company, A Chorus Line, and many others. While most examinations of the American musical focus on specific shows or emphasize the development of the musical as an art form, Jones s book uses musicals as a way of illuminating broader social and cultural themes of the times. With six appendixes detailing the long-running diversionary musicals and a foreword by Sheldon Harnick, the lyricist of Fiddler on the Roof, Jones s comprehensive social history will appeal to both students and fans of Broadway. Codice libro della libreria AAS9780874519044

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John Bush Jones
Editore: University Press of New England, United States (2004)
ISBN 10: 0874519047 ISBN 13: 9780874519044
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Descrizione libro University Press of New England, United States, 2004. Paperback. Condizione libro: New. New edition. 231 x 152 mm. Language: English . Brand New Book. Our Musicals, Ourselves is the first full-scale social history of the American musical theater from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. While many aficionados of the Broadway musical associate it with wonderful, diversionary shows like The Music Man or My Fair Lady, John Bush Jones instead selects musicals for their social relevance and the extent to which they engage, directly or metaphorically, contemporary politics and culture. Organized chronologically, with some liberties taken to keep together similarly themed musicals, Jones examines dozens of Broadway shows from the beginning of the twentieth century to the present that demonstrate numerous links between what played on Broadway and what played on newspapers front pages across our nation. He reviews the productions, lyrics, staging, and casts from the lesser-known early musicals (the gunboat musicals of the Teddy Roosevelt era and the Cinderella shows and leisure time musicals of the 1920s) and continues his analysis with better-known shows including Showboat, Porgy and Bess, Oklahoma, South Pacific, West Side Story, Cabaret, Hair, Company, A Chorus Line, and many others. While most examinations of the American musical focus on specific shows or emphasize the development of the musical as an art form, Jones s book uses musicals as a way of illuminating broader social and cultural themes of the times. With six appendixes detailing the long-running diversionary musicals and a foreword by Sheldon Harnick, the lyricist of Fiddler on the Roof, Jones s comprehensive social history will appeal to both students and fans of Broadway. Codice libro della libreria AAS9780874519044

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Jones, John Bush
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ISBN 10: 0874519047 ISBN 13: 9780874519044
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Descrizione libro Brandeis, 2004. Paperback. Condizione libro: New. Codice libro della libreria 0874519047

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Descrizione libro University Press of New England, 2004. PAP. Condizione libro: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria IB-9780874519044

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John Bush Jones
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Descrizione libro Brandeis. Paperback. Condizione libro: New. Paperback. 426 pages. Dimensions: 9.1in. x 6.0in. x 1.1in.Our Musicals, Ourselves is the first full-scale social history of the American musical theater from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. While many aficionados of the Broadway musical associate it with wonderful, diversionary shows like The Music Man or My Fair Lady, John Bush Jones instead selects musicals for their social relevance and the extent to which they engage, directly or metaphorically, contemporary politics and culture. Organized chronologically, with some liberties taken to keep together similarly themed musicals, Jones examines dozens of Broadway shows from the beginning of the twentieth century to the present that demonstrate numerous links between what played on Broadway and what played on newspapers front pages across our nation. He reviews the productions, lyrics, staging, and casts from the lesser-known early musicals (the gunboat musicals of the Teddy Roosevelt era and the Cinderella shows and leisure time musicals of the 1920s) and continues his analysis with better-known shows including Showboat, Porgy and Bess, Oklahoma, South Pacific, West Side Story, Cabaret, Hair, Company, A Chorus Line, and many others. While most examinations of the American musical focus on specific shows or emphasize the development of the musical as an art form, Joness book uses musicals as a way of illuminating broader social and cultural themes of the times. With six appendixes detailing the long-running diversionary musicals and a foreword by Sheldon Harnick, the lyricist of Fiddler on the Roof, Joness comprehensive social history will appeal to both students and fans of Broadway. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Codice libro della libreria 9780874519044

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Jones, John Bush
Editore: Brandeis University Press 2004-01-01 (2004)
ISBN 10: 0874519047 ISBN 13: 9780874519044
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Descrizione libro Brandeis University Press 2004-01-01, 2004. Condizione libro: New. Brand new book, sourced directly from publisher. Dispatched within 2 working days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Codice libro della libreria NU-ING-00490431

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Jones, John Bush
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Descrizione libro Brandeis. PAPERBACK. Condizione libro: New. 0874519047. Codice libro della libreria Z0874519047ZN

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John Bush Jones
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Descrizione libro Paperback. Condizione libro: New. New edition. 156mm x 26mm x 231mm. Paperback. Our Musicals, Ourselves is the first full-scale social history of the American musical theater from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such re.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 426 pages. 0.599. Codice libro della libreria 9780874519044

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Jones, John Bush.
Editore: Brandeis University Press, Waltham (2003)
ISBN 10: 0874519047 ISBN 13: 9780874519044
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Descrizione libro Brandeis University Press, Waltham, 2003. Softcover. Condizione libro: New. 426 pages. Softcover. New book. MUSIC. The first comprehensive social history of the American musical theater. Our Musicals, Ourselves is the first full-scale social history of the American musical theater from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. While many aficionados of the Broadway musical associate it with wonderful, diversionary shows like The Music Man or My Fair Lady, John Bush Jones instead selects musicals for their social relevance and the extent to which they engage, directly or metaphorically, contemporary politics and culture. Organized chronologically, with some liberties taken to keep together similarly themed musicals, Jones examines dozens of Broadway shows from the beginning of the twentieth century to the present that demonstrate numerous links between what played on Broadway and what played on newspapers' front pages across our nation. He reviews the productions, lyrics, staging, and casts from the lesser-known early musicals (the "gunboat" musicals of the Teddy Roosevelt era and the "Cinderella shows" and "leisure time musicals" of the 1920s) and continues his analysis with better-known shows including Showboat, Porgy and Bess, Oklahoma, South Pacific, West Side Story, Cabaret, Hair, Company, A Chorus Line, and many others. While most examinations of the American musical focus on specific shows or emphasize the development of the musical as an art form, Jones's book uses musicals as a way of illuminating broader social and cultural themes of the times. With six appendixes detailing the long-running diversionary musicals and a foreword by Sheldon Harnick, the lyricist of Fiddler on the Roof, Jones's comprehensive social history will appeal to both students and fans of Broadway. The Table of Contents of this Book is as follows: Foreword ix * Acknowledgements xi * Introduction 1 * 1. Patriotism, Xenophobia, and World War I 12 * 2. The Musicals of the Roaring Twenties 52 * 3. Coping with Depression 79 * 4. World War II and the Rodgers and Hammerstein Years 123 * 5. From Isolationism to Idealism in the Cold War years 161 * 6. Black and Jewish Musicals since the 1960s 202 * 7. Issue-Driven Musicals of the Turbulent Years 235 * 8. Fragmented Society, Fragmented Musicals 269 * 9. "A Recycled Culture," Nostalgia and Spectacle 305 *10. New Voices, New Perspectives 331 * Appendices -- Appendix A: Broadway Musical Production, 1919-1929 360 -- Appendix B: Long-Running Diversionary Musicals. 1929-1938 362 -- Appendix C: Long-Running Diversionary Musicals, 1939-1945 364 -- Appendix D: Long-Running Diversionary Musicals, 1946-1960 366 -- Appendix E: Long-Running Diversionary Musicals, 1960-1969 369 -- Appendix F: Long-Running Diversionary Musicals, 1969-1979 371 -- Appendix G: Long-Running Diversionary Musicals, 1979-2000 372 * Sources Cited 375 * Index 391. "The strength of this sweeping thesis is its scope. It seeks to demonstrate and analyze how Broadway and Off-Broadway have held up a mirror to political and social currents in American society at large. But the fun comes from showing how events and trends in widely separated decades all sprang from similar currents of thought. By looking at the entire continuum of musicals as a single ongoing dialog between Broadway and America, the book serves up fresh insights and eyebrow-raising parallels on each page. It starts in the 19th century and runs right up 2001's Urinetown, from which it concludes that the political musical remains alive and well." ÑPlaybill (Key Words: American Musical Theater, Musicals, Music, John Bush Jones, The Producers, Urinetown, Broadway Musical,The Music Man, My Fair Lady, Showboat, Porgy and Bess, Oklahoma, South Pacific, West Side Story, Cabaret, Hair, Company, A Chorus Line. book. Codice libro della libreria 29856X1

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