Will Barnet: Painting Without Illusion: the Genesis of Four Works from the 1960's

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9780911209594: Will Barnet: Painting Without Illusion: the Genesis of Four Works from the 1960's

'My interest has been in developing further the plastic convictions that have been evolving in my abstract paintings; so that a portrait, while remaining a portrait, becomes in this sense an abstraction: the idea of a person in its most intense and essential aspect' - Will Barnet, 1962. Will Barnet (1911), much like Chuck Close and Alex Katz, has approached painting through sustained exploration of the relationship between abstract, geometric forms and the processes of perception. In this book, which accompanied an exhibition of the same name at the Palmer Museum of Art and the Alexandre Gallery, Patrick J. McGrady examines the paintings, drawings, and prints Barnet made in the 1960s, the decade when Barnet portrayed his family and renegotiated his commitment to pure abstraction. As McGrady traces work during this decisive period in Barnet's career, he shows how drawing became increasingly important in the evolution of such major paintings as "Mother and Child", "The Blue Robe", and "Eden". In addition, McGrady provides a richly documented discussion of critics' responses to the profound changes in Barnet's art and Barnet's own commentary on his goals as an abstract artist. Will Barnet illustrates many of the forty-nine works in the 2003 exhibition and includes a checklist of the exhibition as well as reproductions of comparative works. Patrick J. McGrady is Charles V. Hallman Curator at the Palmer Museum of Art and Affiliate Assistant Professor of Art History at Penn State University.

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McGrady, Patrick J.
Editore: Palmer Museum of Art (2004)
ISBN 10: 091120959X ISBN 13: 9780911209594
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Descrizione libro Palmer Museum of Art, 2004. Paperback. Condizione libro: New. Slender exhibition catalog with no title to spine. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal. Codice libro della libreria 63890

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Patrick J. McGrady
Editore: Pennsylvania State University Press, United States (2004)
ISBN 10: 091120959X ISBN 13: 9780911209594
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Descrizione libro Pennsylvania State University Press, United States, 2004. Paperback. Condizione libro: New. New.. 274 x 211 mm. Language: English . Brand New Book. My interest has been in developing further the plastic convictions that have been evolving in my abstract paintings; so that a portrait, while remaining a portrait, becomes in this sense an abstraction: the idea of a person in its most intense and essential aspect. --Will Barnet, 1962 Will Barnet (1911-), much like Chuck Close and Alex Katz, has approached painting through sustained exploration of the relationship between abstract, geometric forms and the processes of perception. In this book, which accompanied an exhibition of the same name at the Palmer Museum of Art and the Alexandre Gallery, Patrick J. McGrady examines the paintings, drawings, and prints Barnet made in the 1960s, the decade when Barnet portrayed his family and renegotiated his commitment to pure abstraction. As McGrady traces work during this decisive period in Barnet s career, he shows how drawing became increasingly important in the evolution of such major paintings as Mother and Child, The Blue Robe, and Eden. In addition, McGrady provides a richly documented discussion of critics responses to the profound changes in Barnet s art and Barnet s own commentary on his goals as an abstract artist. Will Barnet illustrates many of the forty-nine works in the 2003 exhibition and includes a checklist of the exhibition as well as reproductions of comparative works. Codice libro della libreria AAB9780911209594

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Patrick J. McGrady
Editore: Pennsylvania State University Press, United States (2004)
ISBN 10: 091120959X ISBN 13: 9780911209594
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Descrizione libro Pennsylvania State University Press, United States, 2004. Paperback. Condizione libro: New. New.. 274 x 211 mm. Language: English . Brand New Book. My interest has been in developing further the plastic convictions that have been evolving in my abstract paintings; so that a portrait, while remaining a portrait, becomes in this sense an abstraction: the idea of a person in its most intense and essential aspect. --Will Barnet, 1962 Will Barnet (1911-), much like Chuck Close and Alex Katz, has approached painting through sustained exploration of the relationship between abstract, geometric forms and the processes of perception. In this book, which accompanied an exhibition of the same name at the Palmer Museum of Art and the Alexandre Gallery, Patrick J. McGrady examines the paintings, drawings, and prints Barnet made in the 1960s, the decade when Barnet portrayed his family and renegotiated his commitment to pure abstraction. As McGrady traces work during this decisive period in Barnet s career, he shows how drawing became increasingly important in the evolution of such major paintings as Mother and Child, The Blue Robe, and Eden. In addition, McGrady provides a richly documented discussion of critics responses to the profound changes in Barnet s art and Barnet s own commentary on his goals as an abstract artist. Will Barnet illustrates many of the forty-nine works in the 2003 exhibition and includes a checklist of the exhibition as well as reproductions of comparative works. Codice libro della libreria AAB9780911209594

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Descrizione libro Pennsylvania State University Press, 2004. PAP. Condizione libro: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria IB-9780911209594

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Descrizione libro Pennsylvania State Univ Pr. Condizione libro: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Codice libro della libreria 2025054

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Descrizione libro Palmer Museum of Art, 2004. Paperback. Condizione libro: New. book. Codice libro della libreria 091120959X

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Descrizione libro Palmer Museum of Art. PAPERBACK. Condizione libro: New. 091120959X Brand New Book. Ships from the United States. 30 Day Satisfaction Guarantee!. Codice libro della libreria 14832405

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Descrizione libro Pennsylvania State University Press. Paperback. Condizione libro: new. BRAND NEW, Will Barnet: Painting without Illusion - The Genesis of Four Works from the 1960s, Patrick J. McGrady, 'My interest has been in developing further the plastic convictions that have been evolving in my abstract paintings; so that a portrait, while remaining a portrait, becomes in this sense an abstraction: the idea of a person in its most intense and essential aspect' - Will Barnet, 1962. Will Barnet (1911), much like Chuck Close and Alex Katz, has approached painting through sustained exploration of the relationship between abstract, geometric forms and the processes of perception. In this book, which accompanied an exhibition of the same name at the Palmer Museum of Art and the Alexandre Gallery, Patrick J. McGrady examines the paintings, drawings, and prints Barnet made in the 1960s, the decade when Barnet portrayed his family and renegotiated his commitment to pure abstraction. As McGrady traces work during this decisive period in Barnet's career, he shows how drawing became increasingly important in the evolution of such major paintings as "Mother and Child", "The Blue Robe", and "Eden". In addition, McGrady provides a richly documented discussion of critics' responses to the profound changes in Barnet's art and Barnet's own commentary on his goals as an abstract artist. Will Barnet illustrates many of the forty-nine works in the 2003 exhibition and includes a checklist of the exhibition as well as reproductions of comparative works. Patrick J. McGrady is Charles V. Hallman Curator at the Palmer Museum of Art and Affiliate Assistant Professor of Art History at Penn State University. Codice libro della libreria B9780911209594

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Will Barnet
ISBN 10: 091120959X ISBN 13: 9780911209594
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Descrizione libro Paperback. Condizione libro: New. 215mm x 5mm x 276mm. Paperback. Will Barnet (1911-), much like Chuck Close and Alex Katz, has approached painting through sustained exploration of the relationship between abstract, geometric forms and the processes of p.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 32 pages. 0.299. Codice libro della libreria 9780911209594

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Patrick J. McGrady
Editore: Palmer Museum of Art
ISBN 10: 091120959X ISBN 13: 9780911209594
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Descrizione libro Palmer Museum of Art. Paperback. Condizione libro: New. Paperback. 32 pages. Dimensions: 10.8in. x 8.3in. x 0.2in.My interest has been in developing further the plastic convictions that have been evolving in my abstract paintings; so that a portrait, while remaining a portrait, becomes in this sense an abstraction: the idea of a person in its most intense and essential aspect. Will Barnet, 1962 Will Barnet (1911), much like Chuck Close and Alex Katz, has approached painting through sustained exploration of the relationship between abstract, geometric forms and the processes of perception. In this book, which accompanied an exhibition of the same name at the Palmer Museum of Art and the Alexandre Gallery, Patrick J. McGrady examines the paintings, drawings, and prints Barnet made in the 1960s, the decade when Barnet portrayed his family and renegotiated his commitment to pure abstraction. As McGrady traces work during this decisive period in Barnets career, he shows how drawing became increasingly important in the evolution of such major paintings as Mother and Child, The Blue Robe, and Eden. In addition, McGrady provides a richly documented discussion of critics responses to the profound changes in Barnets art and Barnets own commentary on his goals as an abstract artist. Will Barnet illustrates many of the forty-nine works in the 2003 exhibition and includes a checklist of the exhibition as well as reproductions of comparative works. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Codice libro della libreria 9780911209594

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