As early as 1903 Dixon referred to Arizona as home. Although he spent most of his life in San Francisco, Dixon lamented to friends that he longed for Arizona and the solitude of the desert, and he frequently traversed the land’s varied expanses. In 1939 he made Tucson his winter home and spent his remaining years painting his beloved desert landscape. In the confluence of Arizona’s natural and cultural landscapes, Dixon would become one of the West’s most distinctive painters, creating a body of work that established his place among the vanguard of artists who portrayed western subjects.
Thomas Brent Smith explores Dixon’s remarkable departure from traditional depictions of human conflict in the “Old West” rendered by such predecessors as Frederic Remington, Charles M. Russell, and Charles Schreyvogel. Smith’s essay describes this shift in artistic ideology and analyzes the tranquil images that emerged on Dixon’s canvases. Donald J. Hagerty’s biographical essay highlights Dixon’s travels and his affinity for the people and landscape of Arizona.
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Descrizione libro Condizione: Fair. Buy with confidence! Book is in acceptable condition with wear to the pages, binding, and some marks within. Codice articolo bk0911611363xvz189zvxacp
Descrizione libro Hardcover. Condizione: As New. Condizione sovraccoperta: as new. Limited Edition No. 79 of 100 in white linen slipcase. 148 p. : ill. (chiefly col.) ; 27 cm. Published on the occasion of an exhibition held at the Tucson Museum of Art, Oct. 11, 2008-Feb. 15, 2009. Includes 2 essays "Evading Conflict: Interpreting Maynard Dixon's Arizona Subjects" by Thomas Brent Smith, and a biographical essay, "Sky and Sandstone: Maynard Dixon's Arizona Years" by Donald J. Hagerty. Codice articolo 0889999764