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In U.S.A.
Descrizione libro Hardcover. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.7. Codice articolo G0912158220I3N10
Descrizione libro Hardcover. Condizione: Fair. No Jacket. Former library book; Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 1.7. Codice articolo G0912158220I5N11
Descrizione libro Paperback. Previous owner's name penned inside front cover. Worn signature between front cover and ffep. Edges of text worn. Cover is faded and worn on edges and corners with bent back bottom corner 557 pp. Codice articolo 727538
Descrizione libro Paperback. Condizione: Good. Clean pages except for a dark gray smudge on the right edge of the book; no owners' or text markings. Soft cover bears some surface scuffs and scratches on front and back and along the spine, creases across corners and along top rear, and chipping and rubbing around edges, but is overall sound. xviii, 558pp. incl. index. Codice articolo 077091
Descrizione libro Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good +. First Edition. Dust Jacket Condition: Very Good +. xviii, 558 pp, list of 164 b&w illustrations, preface, acknowledgments, introduction, Part I. Blake's Techniques of Relief Etching -- Sources and Experiments: from J. T. Smith, Nollekens and his Times (1828); from Alexander Gilchrist, Life of William Blake (1863); Geroge Cumberland, "New Mode of Painting" (1784); George Cumberland, Letter to His Brother (1784); from Abraham Rees, the Cyclopaedia (1819); from Robert Dossie, The Handmaid to the Arts (1764); Ruthven Todd, "The Techniques of William Blake's Illuminated Painting" (1948). Part II. Critical Essays on Blake's Art and Aesthetics: Laurence Binyon, "The Engravings of William Blake and Edward Calvert" (1917); Anthony Blunt, Blake's 'Ancient of Days': The Symbolism of the Compasses" (1938); Allan R. Brown, "Blake's Drawings for the Book of Enoch" (1940); C. H. Collins Baker, "The Sources of Blake's Pictorial Expression" (1941); Piloo Nanavutty, "A Title Page in Blake's Illustrated Genesis Manuscript" (1947); Northrop Frye, "Poetry and Design in William Blake" (1951); David V. Erdman, "The Dating of William Blake's Engravings" (1952); Hazaard Adams, "The Blakean Aesthetic' (1954); Albert S. Roe, "The Eidetic and the Borrowed Image of Blake's Theory and Practice of Art" (1964); Martin Butlin, "Blake's 'God Judging Adam' Rediscovered" (1965); Edward J. Rose, "'A Most Outrageous Demon': Blake's Case Against Rubens" (1969); W. J. T. Mitchell, "Poetic and Pictorial Imagination in Blake's The Book of Urizen" (1969); Thomas H. Helmstadter, "Blake's Night Thoughts: Interpretations of Edqard Young" (1970); John E. Grand, "Blake's Designs for L'Allegro and Il Penseroso" (1971); Judith Rhodes, "Blake's Designs for LAllegro and Il Penseroso: Thematic Relationships in Diagram" (1971); Robert Simmons and Janet Warner, "Blake's Arlington Court Picture; The Moment of Truth" (1971); John E. Grant, "Redemptive Action in Blake's Arlington Court Picture" (1971); Robert N. Essick, "Blake and the Traditions of Reproductive Engraving" (1972); Jenijoy LaBelle, "Words Graven with an Iron Pen: The Marginal Texts in Blake's Job" (1973; index. Edited with an Introduction by Robert N. Essick. First Edition, 1973. Not Price Clipped. Two chips 1/2" and 1/4" to bottom edge front panel dj with minor edge wear to same, else, Pristine, no wear. Clean, tight and strong binding with no underlining, highlighting or marginalia. Maroon cloth with gilt lettering to spine, and illustrated endpapers. Size: Large 8vo. Book. Codice articolo 004055