What is contemporary curatorial thought? Current discourse on the topic is heating up with a new cocktail of bold ideas and ethical imperatives. These include: cooperative curating, especially with artists; the reimagination of museums; curating as knowledge production; the historicization of exhibition-making; and commitment to extra-artworld participatory activism. Less obvious, but increasingly of concern, are issues such as rethinking spectatorship, engaging viewers as co-curators and the challenge of curating contemporaneity itself. In these five essays, art historian and theorist Terry Smith surveys the international landscape of current thinking by curators; explores a number of exhibitions that show contemporaneity in recent, present and past art; describes the enormous growth world wide of exhibition infrastructure and the instability that haunts it; re-examines the contribution of artist-curators and questions the rise of curators utilizing artistic strategies; and, finally, assesses a number of key tendencies in curating as responses to contemporary conditions. Thinking Contemporary Curating is the first book to comprehensively chart the variety of practices of curating undertaken today, and to think through, systematically, what is distinctive about contemporary curatorial thought.
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Terry Smith served as an infantryman for 30 years in the Army Reserve. This included three and a half years on full time duty in the Regular Army, from 1970 to 1973, after volunteering for service in South Vietnam. Following training as a tropical warfare adviser, he arrived in South Vietnam on 1 July 1972 where he joined the Australian Army Training Team Vietnam. In Vietnam, he served with the Phuoc Tuy Training Battalion of the United States Army Vietnam Forces Armee Nationale Khmer (FANK) Training Command, until the completion of that programme in November 1972 and thereafter, with the Jungle Warfare Training Centre at Van Kiep. Following the withdrawal of the Australian Army Training Team Vietnam from South Vietnam on 18 December 1972, he completed his full time military service with the 5th Battalion the Royal Australian Regiment, before returning to civilian life in December 1973. He was appointed a Member of the Military Division of the Order of the British Empire in 1977 and a Member in the General Division of the Order of Australia in 2010.Review:
Smith's book... considers the issue of what it means to curate "the contemporary". It draws on his broad knowledge and lengthy experience in the field to produce an account that is global in scope and that considers a remarkable range of exhibitions, institutions and practices. [It] tellingly describe[s] the increasingly professional, institutional, academic, theorized, and historically informed character of curating. (Julian Stallabrass Artforum)
Concisely informative (for academic texts), [it offers]. at least for this reader, a long-needed overview of the professionals who-- even more than artists, dealers and collectors, and way more than critics-- run the art world today. (Peter Plagens Art in America)
Art critics, art historians, the general public, and even artists don’t pay sufficient attention to the curatorial thought behind exhibitions. They tend to assume that it is the same kind of thinking that they do. Thinking Contemporary Curating tries to distinguish what is distinctive about how curators think and what they do, yet also identify what they share with other artworld actors. (Orit Gat Modern Painters)
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Descrizione libro Independent Curators International (ICI), 2012. Paperback. Condizione libro: New. book. Codice libro della libreria M0916365867
Descrizione libro Paperback Oct 31, 2012. Condizione libro: New. Codice libro della libreria 16088
Descrizione libro Independent Curators Internati, 2012. Paperback. Condizione libro: New. Never used!. Codice libro della libreria P110916365867