Contributors. Srinivas Aravamudan, Jennifer A. González, Pedro Lasch, Arnaud Maillet, Walter Mignolo, Pete Sigal
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Pedro Lasch is an assistant research professor in the Department of Art, Art History, and Visual Studies at Duke University. He has shown his work in many venues, including the Queens Museum of Art, the Walker Arts Center in Minneapolis, the Royal College of Art (London), Centro Nacional de las Artes (Mexico City), the Singapore Art Museum, and the Gwangju Biennale (South Korea).
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
Spese di spedizione:
EUR 3,70
In U.S.A.
Descrizione libro Hardcover. Condizione: new. New. Fast Shipping and good customer service. Codice articolo Holz_New_0938989340
Descrizione libro Hardcover. Condizione: new. Brand New Copy. Codice articolo BBB_new0938989340
Descrizione libro Hardcover. Condizione: New. Condizione sovraccoperta: No DJ. First Edition. This is a new hardcover first edition copy, no DJ, black spine. Codice articolo 088105
Descrizione libro Condizione: New. Codice articolo 9954026-n
Descrizione libro Condizione: New. Buy with confidence! Book is in new, never-used condition 1.8. Codice articolo bk0938989340xvz189zvxnew
Descrizione libro Condizione: New. New! This book is in the same immaculate condition as when it was published 1.8. Codice articolo 353-0938989340-new
Descrizione libro Hardcover. Condizione: New. Bilingual. The provocative three-part project Black Mirror/Espejo Negro by the artist Pedro Lasch encompasses a museum installation, photographs of the installation, and this bilingual book, including many of the photos, the artists statement, and critical commentaries. The project began as an installation commissioned by the Nasher Museum of Art at Duke University to accompany the exhibition El Greco to Velázquez: Art during the Reign of Philip III. In a gallery adjacent to the exhibit of Spanish Golden Age masterpieces, Lasch placed black rectangular mirrors on the walls, each with an image of a Spanish Renaissance painting behind it. Pre-Columbian stone and ceramic figures, chosen by Lasch from the museums permanent collection of Meso-American art, stood on pedestals facing toward each mirror and away from visitors entering the room. Viewers were drawn into a meditation on colonialism and spectatorship when, on looking into the black mirrors, they saw the pre-Columbian figures, seventeenth and eighteenth-century Spanish priests and conquistadores, themselves, and the contemporary gallery environment. The book Black Mirror/Espejo Negro includes full-color reproductions of thirty-nine photographs of the installation, as well as the text that Lasch wrote to accompany it. In short essays, scholars reflect on Laschs work in relation to current debates in art history and visual studies, race discourse, pre-Columbian studies, postcolonial theory, and de-colonial thought.Contributors. Srinivas Aravamudan, Jennifer A. González, Pedro Lasch, Arnaud Maillet, Walter Mignolo, Pete Sigal. Codice articolo DADAX0938989340
Descrizione libro Hardback. Condizione: New. New copy - Usually dispatched within 4 working days. Nasher museum catalog following an installation by Pedro Lasch, where pre-Colombian sculptures were presented facing away from viewers, toward black mirrors, reflecting on the history of colonialism in the Americas. Codice articolo B9780938989349
Descrizione libro Condizione: New. Codice articolo 9954026-n
Descrizione libro Hardcover. Condizione: Brand New. bilingual edition. 111 pages. 10.50x9.00x0.50 inches. In Stock. Codice articolo __0938989340