Limited Editions Stephen Gill Coexistence

ISBN 13: 9780955657788

Coexistence

 
9780955657788: Coexistence

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1.

Gill, Stephen
Editore: Centre National de l'Audiovisuel (2012)
ISBN 10: 0955657784 ISBN 13: 9780955657788
Nuovi Rilegato Prima edizione Quantità: 1
Da
Studio Books
(Thornwood, NY, U.S.A.)
Valutazione libreria
[?]

Descrizione libro Centre National de l'Audiovisuel, 2012. Hardcover. Condizione libro: NEW. First Edition, First Printing. Centre National de l'Audiovisuel, Luxembourg, 2012. Hardcover in unique marbled paper-covered boards (marbling by Gill). First Edition, First Printing. 152 pages. Edition of 1500 copies. Quarter bound in black leather. Gilt titles. No jacket as issued. 90 color reproductions, with color gate-fold. Book Condition: New/Fine. Publisher's Description: "Coexistence In the summer of 2010 I was asked if I would be interested in making a photographic response to an area containing a pond situated within an industrial wasteland – the remains of the deceased steelmaking industry in Dudelange, Luxembourg. My only previous experience with ponds had been during my teenage years, when an obsession with pond life led me to spend long hours in my bedroom wearing a lab coat and peering into a microscope. That obsessive immersion into a strange and disorientating world had a profound effect on me personally, and certainly left its mark on many of the photographic studies I have subsequently produced. I knew that the pond in Dudelange would be teeming with unseen life now that its industrial past had come to an end. From the 1920s until it was put out of use in 2006 the pond had been used to cool the blast furnaces, and tiny but dense communities would be now forming and thriving in the absence of that extreme heat. For the eight months leading up to my first visit to the territory, my mind increasingly started tuning into microscopic worlds within worlds, and I became ever more aware of the many parallels between patterns and processes in the pond and those in our own lives as individual humans within societies. Slowly I became committed to the idea of attempting to bring these two apparently disparate worlds – so physically close yet so different in scale – visually closer together. Grappling with the idea of knitting together these parts of life that coexist but don’t belong together nor are ever usually seen together, I decided to make a photographic study that would resemble a kind of tapestry. The University of Luxembourg kindly taught me to use one of their medical microscopes so that I was able to study single drops of the water, and I began searching the pond for diatoms and other minuscule creatures and plant life. The more I thought about the human factor that was so essential to the series forming in my head, the more I wanted to involve local people from the small town of Dudelange, which has a substantial community of families with Portuguese and Italian origins. Many of these people used to work in the steelmaking industry. For health and safety reasons it was not possible to invite people to come to the cooling ponds, so I decided instead to take the pond to the people. I filled a red plastic mop bucket with water from the pond, and dipped my underwater camera into this pond water prior to making portraits of the Dudelange residents. Later on I also dipped the prints into the pond itself, so microscopic life was also transferred onto the surface of the paper. Stephen Gill. Codice libro della libreria 344

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2.

Stephen Gill
Editore: Nobody Books (2012)
ISBN 10: 0955657784 ISBN 13: 9780955657788
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(Rumford, ME, U.S.A.)
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Descrizione libro Nobody Books, 2012. Hardcover. Condizione libro: New. book. Codice libro della libreria 0955657784

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3.

Gill, Stephen
Editore: Centre National de l'Audiovisuel (2012)
ISBN 10: 0955657784 ISBN 13: 9780955657788
Nuovi Rilegato Prima edizione copia autogr. Quantità: 1
Da
Studio Books
(Thornwood, NY, U.S.A.)
Valutazione libreria
[?]

Descrizione libro Centre National de l'Audiovisuel, 2012. Hardcover. Condizione libro: NEW. First Edition, First Printing. SIGNED COPY Centre National de l'Audiovisuel, Luxembourg, 2012. Hardcover in unique marbled paper-covered boards (marbling by Gill). First Edition, First Printing. 152 pages. Edition of 1500 copies. Quarter bound in black leather. Gilt titles. No jacket as issued. 90 color reproductions, with color gate-fold. SIGNED by Stephen Gill. Book Condition: New/Fine. SIGNED Publisher's Description: "Coexistence In the summer of 2010 I was asked if I would be interested in making a photographic response to an area containing a pond situated within an industrial wasteland – the remains of the deceased steelmaking industry in Dudelange, Luxembourg. My only previous experience with ponds had been during my teenage years, when an obsession with pond life led me to spend long hours in my bedroom wearing a lab coat and peering into a microscope. That obsessive immersion into a strange and disorientating world had a profound effect on me personally, and certainly left its mark on many of the photographic studies I have subsequently produced. I knew that the pond in Dudelange would be teeming with unseen life now that its industrial past had come to an end. From the 1920s until it was put out of use in 2006 the pond had been used to cool the blast furnaces, and tiny but dense communities would be now forming and thriving in the absence of that extreme heat. For the eight months leading up to my first visit to the territory, my mind increasingly started tuning into microscopic worlds within worlds, and I became ever more aware of the many parallels between patterns and processes in the pond and those in our own lives as individual humans within societies. Slowly I became committed to the idea of attempting to bring these two apparently disparate worlds – so physically close yet so different in scale – visually closer together. Grappling with the idea of knitting together these parts of life that coexist but don’t belong together nor are ever usually seen together, I decided to make a photographic study that would resemble a kind of tapestry. The University of Luxembourg kindly taught me to use one of their medical microscopes so that I was able to study single drops of the water, and I began searching the pond for diatoms and other minuscule creatures and plant life. The more I thought about the human factor that was so essential to the series forming in my head, the more I wanted to involve local people from the small town of Dudelange, which has a substantial community of families with Portuguese and Italian origins. Many of these people used to work in the steelmaking industry. For health and safety reasons it was not possible to invite people to come to the cooling ponds, so I decided instead to take the pond to the people. I filled a red plastic mop bucket with water from the pond, and dipped my underwater camera into this pond water prior to making portraits of the Dudelange residents. Later on I also dipped the prints into the pond itself, so microscopic life was also transferred onto the surface of the paper. Stephen Gill. Codice libro della libreria 343

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4.

GILL, Stephen
Editore: Nobody Books, in association with Centre National de l'Audiovisuel, London (2012)
ISBN 10: 0955657784 ISBN 13: 9780955657788
Nuovi Rilegato Prima edizione copia autogr. Quantità: 6
Da
Vincent Borrelli, Bookseller
(Albuquerque, NM, U.S.A.)
Valutazione libreria
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Descrizione libro Nobody Books, in association with Centre National de l'Audiovisuel, London, 2012. Hardcover. Condizione libro: New. 1st Edition. First edition, first printing. Limited edition of 100 copies (and 5 Artist's Proofs), with an original pigment print, signed and numbered in pencil on the reverse by Gill (paper size 9-5/8 x 7-1/4 inches; image size 8-3/8 x 6-1/8 inches). Hardcover. Unique marbled paper-covered boards (marbling by Gill), quarter-bound in black leather, with title debossed in gold on cover and spine and speckled text block; no dust jacket as issued; contained in a custom black cloth-covered clamshell box. The book is signed and numbered on the title page in pencil by Gill. Photographs by Stephen Gill. 152 pp., with a double gatefold, with 90 four-color plates. 11-1/4 x 8-5/8 inches. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume III. (London and New York: Phaidon, 2014)]. New. Print, book and clamshell in flawless condition. From the artist: "In the summer of 2010 I was asked if I would be interested in making a photographic response to an area containing a pond situated within an industrial wasteland -- the remains of the deceased steelmaking industry in Dudelange, Luxembourg. My only previous experience with ponds had been during my teenage years, when an obsession with pond life led me to spend long hours in my bedroom wearing a lab coat and peering into a microscope. That obsessive immersion into a strange and disorientating world had a profound effect on me personally, and certainly left its mark on many of the photographic studies I have subsequently produced. I knew that the pond in Dudelange would be teeming with unseen life now that its industrial past had come to an end. From the 1920s until it was put out of use in 2006 the pond had been used to cool the blast furnaces, and tiny but dense communities would be now forming and thriving in the absence of that extreme heat. For the eight months leading up to my first visit to the territory, my mind increasingly started tuning into microscopic worlds within worlds, and I became ever more aware of the many parallels between patterns and processes in the pond and those in our own lives as individual humans within societies. Slowly I became committed to the idea of attempting to bring these two apparently disparate worlds -- so physically close yet so different in scale -- visually closer together.Grappling with the idea of knitting together these parts of life that coexist but don't belong together nor are ever usually seen together, I decided to make a photographic study that would resemble a kind of tapestry. The University of Luxembourg kindly taught me to use one of their medical microscopes so that I was able to study single drops of the water, and I began searching the pond for diatoms and other minuscule creatures and plant life. The more I thought about the human factor that was so essential to the series forming in my head, the more I wanted to involve local people from the small town of Dudelange, which has a substantial community of families with Portuguese and Italian origins. Many of these people used to work in the steelmaking industry. For health and safety reasons it was not possible to invite people to come to the cooling ponds, so I decided instead to take the pond to the people. I filled a red plastic mop bucket with water from the pond, and dipped my underwater camera into this pond water prior to making portraits of the Dudelange residents. Later on I also dipped the prints into the pond itself, so microscopic life was also transferred onto the surface of the paper." Signed by Author. Codice libro della libreria 110264

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