Recensione:
Having tested out Piano-Yoga with students aged seven to 70, I can t help but be impressed by it. My students have developed a greater finger control and the wrist exercises have really improved their phrasing - Karen Marshall --Music Teacher (April 2011)
'This is a book for a lifetime of healthy piano playing! ... This book gets 5 stars from me!' - Nancy Lee Harper --EPTA's Piano Journal No.89 (Winter 2009 issue)
'It really works . . . All teachers should give it a try, not only for themselves but also for their pupils who deserve to play with complete relaxation and ease in all repertoire.' - Nadia Lasserson --Piano Professional
L'autore:
GéNIA is a Russian virtuoso pianist with her dexterous fingers in many musical pies. An enigma to both the music and business worlds, GéNIA has become an unstoppable entity constantly seeking to reinvent tradition and stir-up convention. Born in Ukraine to a family of musicians and scientists, her musical upbringing was both traditional and privileged. She started her studies at the age of four with her great-grandmother, the pianist and pedagogue Regina Horowitz (sister of pianist Vladimir Horowitz and wife of the Soviet economist Evsei Liberman). She continued her studies with pianist and teacher Sergei Yushkevitch at the Kharkov State Institute of Arts until moving to London. In 1999, GéNIA graduated from the Guildhall School of Music, where she studied with Professor Joan Havill and was awarded the prestigious Premier Prix. She later graduated from Trinity College of Music, studying with Douglas Finch, and was awarded the Founders Prize for Excellence. In 2000, GéNIA made a controversial and pioneering move away from the classical concert platform which had enabled her to travel the world as a performer. Her provocative and youthful appearance around this time, along with her pioneering website, reflected that of key female figures in the pop and rock industries. Although this now seems to be a standard part of the packaging of classical cross-over artists, at the time it was something that more traditional classical circles were not accustomed to. This move naturally led her towards more underground playing circles, where she discovered her passion for expanding the potential of the piano. She realized this potential in collaborations with an eclectic range of artists and composers, particularly in the world of piano and electronics. Today, GéNIA has commissioned over 20 new works for piano and electronics and is regarded as an innovator in the field of new music performance, equally at ease on the stage of the concert hall or the nightclub. GéNIA s unique approach to piano playing and broad stylistic reach demonstrate her natural ability to draw creative inspiration from many disciplines. This is manifest best in her output as the inventor or Piano-Yoga®, a mutli-dimensional method of piano playing, performing and teaching. This method combines the fundamentals of Russian piano schools with Eastern philosophies, particularly yoga. The first Piano-Yoga® book was published in 2009 in conjunction with the creation of the GéNIA MUSIC Piano School which is housed at the infamous Schott Music shop in London and offers a variety of playing methods which encourage individuality and self-confidence. GéNIA s recorded music career to date has seen the release of several ground-breaking records on both the Blackbox and Nonclassical labels. GéNIA s latest CD Piano Book No. 1 by Gabriel Prokofiev, is due for release worldwide in early September. Through performance and recording, she has worked with some of the most prestigious figures in the contemporary music industry including Nik Bartsch, Max de Wardener, Carl Vine, Gabriel Prokofiev, Karen Tanaka, Ton Bruynel, Hayden Parsey, Mike McFerron, Patrick Nunn, Raimo Kangro, David Bedford, Andrew Hugill, John Richards and Howard Skempton. Her innovative approach has seen her work with some of the most prominent dance producers on the commercial music scene including The Early Man, kREEPA, Medasyn, Derailer, Trevor Goodchilde, Germ and Vex'd.
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