Performing the Archive: The Transformation of the Archive in Contemporary Art from Repository of Documents to Art Medium

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9780982530900: Performing the Archive: The Transformation of the Archive in Contemporary Art from Repository of Documents to Art Medium

Instead of smoothing over contemporary art's violent and iconoclastic dimensions, instead of sanitizing and making complex artworks docile in terms of archival possibilities, this book suggests we abandon our fantasy of mastery over representation and respond in kind to the archive-as-artwork, to "living" archives, and to reenactments of history with their seamless connections between fiction and non-fiction. Among the concepts examined are Vilém Flusser's techno-imagination, Lygia Clark's and Hélio Oiticica's participatory aesthetics, and Paulo Bruscky's and Eduardo Kac's literal performances of the archive. They contribute to the erosion of the archive's former boundaries, stability, function, and meaning. Writing alongside the artists as much as about them, Osthoff examines the archive mise-en-abyme, as it grows increasingly recombinant and generative. Simone Osthoff received her Ph.D. from the European Graduate School and is Associate Professor of Critical Studies in the School of Visual Arts at Pennsylvania State University. An art critic and historian of contemporary art, her numerous essays, focusing on media art practices and issues of historiography, have been published internationally and translated into over eight languages.

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Osthoff, Simone
Editore: Atropos Press, United States (2009)
ISBN 10: 0982530900 ISBN 13: 9780982530900
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Descrizione libro Atropos Press, United States, 2009. Paperback. Condizione libro: New. New.. 214 x 138 mm. Language: English . Brand New Book ***** Print on Demand *****.Instead of smoothing over contemporary art s violent and iconoclastic dimensions, instead of sanitizing and making complex artworks docile in terms of archival possibilities, this book suggests we abandon our fantasy of mastery over representation and respond in kind to the archive-as-artwork, to living archives, and to reenactments of history with their seamless connections between fiction and non-fiction. Among the concepts examined are Vilem Flusser s techno-imagination, Lygia Clark s and Helio Oiticica s participatory aesthetics, and Paulo Bruscky s and Eduardo Kac s literal performances of the archive. They contribute to the erosion of the archive s former boundaries, stability, function, and meaning. Writing alongside the artists as much as about them, Osthoff examines the archive mise-en-abyme, as it grows increasingly recombinant and generative. Simone Osthoff received her Ph.D. from the European Graduate School and is Associate Professor of Critical Studies in the School of Visual Arts at Pennsylvania State University. An art critic and historian of contemporary art, her numerous essays, focusing on media art practices and issues of historiography, have been published internationally and translated into over eight languages. Codice libro della libreria AAV9780982530900

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Descrizione libro Atropos Press, 2009. PAP. Condizione libro: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice libro della libreria IQ-9780982530900

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Osthoff, Simone
Editore: Atropos Press, United States (2009)
ISBN 10: 0982530900 ISBN 13: 9780982530900
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Descrizione libro Atropos Press, United States, 2009. Paperback. Condizione libro: New. New.. 214 x 138 mm. Language: English . Brand New Book ***** Print on Demand *****. Instead of smoothing over contemporary art s violent and iconoclastic dimensions, instead of sanitizing and making complex artworks docile in terms of archival possibilities, this book suggests we abandon our fantasy of mastery over representation and respond in kind to the archive-as-artwork, to living archives, and to reenactments of history with their seamless connections between fiction and non-fiction. Among the concepts examined are Vilem Flusser s techno-imagination, Lygia Clark s and Helio Oiticica s participatory aesthetics, and Paulo Bruscky s and Eduardo Kac s literal performances of the archive. They contribute to the erosion of the archive s former boundaries, stability, function, and meaning. Writing alongside the artists as much as about them, Osthoff examines the archive mise-en-abyme, as it grows increasingly recombinant and generative. Simone Osthoff received her Ph.D. from the European Graduate School and is Associate Professor of Critical Studies in the School of Visual Arts at Pennsylvania State University. An art critic and historian of contemporary art, her numerous essays, focusing on media art practices and issues of historiography, have been published internationally and translated into over eight languages. Codice libro della libreria AAV9780982530900

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Descrizione libro Atropos Press, 2016. Paperback. Condizione libro: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Codice libro della libreria ria9780982530900_lsuk

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Descrizione libro Paperback. Condizione libro: New. This item is printed on demand. Item doesn't include CD/DVD. Codice libro della libreria 1682146

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Descrizione libro Atropos Press, 2009. Paperback. Condizione libro: New. Codice libro della libreria INGM9780982530900

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Descrizione libro Atropos Press, 2009. Condizione libro: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service!. Codice libro della libreria ABE_book_new_0982530900

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Descrizione libro Atropos Press, 2009. Paperback. Condizione libro: New. book. Codice libro della libreria 0982530900

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Descrizione libro Atropos Press. Paperback. Condizione libro: New. Paperback. 208 pages. Dimensions: 8.4in. x 5.4in. x 0.8in.Instead of smoothing over contemporary arts violent and iconoclastic dimensions, instead of sanitizing and making complex artworks docile in terms of archival possibilities, this book suggests we abandon our fantasy of mastery over representation and respond in kind to the archive-as-artwork, to living archives, and to reenactments of history with their seamless connections between fiction and non-fiction. Among the concepts examined are Vilm Flussers techno-imagination, Lygia Clarks and Hlio Oiticicas participatory aesthetics, and Paulo Brusckys and Eduardo Kacs literal performances of the archive. They contribute to the erosion of the archives former boundaries, stability, function, and meaning. Writing alongside the artists as much as about them, Osthoff examines the archive mise-en-abyme, as it grows increasingly recombinant and generative. Simone Osthoff received her Ph. D. from the European Graduate School and is Associate Professor of Critical Studies in the School of Visual Arts at Pennsylvania State University. An art critic and historian of contemporary art, her numerous essays, focusing on media art practices and issues of historiography, have been published internationally and translated into over eight languages. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Codice libro della libreria 9780982530900

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