This searing, extraordinarily evocative narrative opens with a man in his house at dawn, surrounded by aspens, coyotes cackling in the distance as he quietly navigates the distance between present and past. As memory overtakes him, he sees the bygone America of his childhood: the farmland and the feedlots, the railyards and the diners—and, most hauntingly, his father’s young girlfriend, with whom he also became involved, setting into motion a tragedy that has stayed with him. His complex interiority is filtered through views of mountains and deserts as he drives across the country, propelled by Benzedrine, rock and roll, and a restlessness born out of exile. The rhythms of theater, the language of poetry, and a flinty humor combine in this stunning meditation on the nature of experience, at once celebratory, surreal, poignant, and unforgettable.
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"As his friend Patti Smith writes in a foreword, this character ('a loner who doesn't want to be alone') is, simultaneously, Shepard, 'sort of him, not him at all.' Like so many of Shepard's plays and short stories, this narrative explores the confusions of identity, the pull between freedom and roots, and the hard-to-erase dissonances of family life. . . . Memories of these women--along with memories of acting jobs, travels and childhood exploits--are woven together here, along with dreams, fantasies and Bosch-like hallucinations. The overall effect recalls Fellini's 1963 masterpiece 8 1/2, in which the real, the surreal and the imagined converge, as its film director hero thinks back upon the women in his life. . . . Will remind Shepard fans of the surreal images that bloom in his plays--at once feverish projections of his characters' imaginations, and richly complex symbols used by the author to create a metaphorical, Bunuel-like landscape. The One Inside . . . provides a sharp-edged distillation of the themes that have preoccupied him throughout his career, and serves as a kind of Rosetta stone to such remarkable plays as Fool for Love, A Lie of the Mind, Buried Child and True West."
--Michiko Kakutani, The New York Times
SAM SHEPARD was the Pulitzer Prize–winning author of more than fifty-five plays and three story collections. As an actor, he appeared in more than sixty films, and received an Oscar nomination in 1984 for The Right Stuff. He was a finalist for the W. H. Smith Literary Award for his story collection Great Dream of Heaven. In 2012 he was awarded an honorary doctorate from Trinity College, Dublin. He was a member of the American Academy of Arts and Letters, received the Gold Medal for Drama from the Academy, and was inducted into the Theater Hall of Fame. He died in 2017.
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