The Power of Sound: Cambridge Library Collection - Music - Brossura

Gurney, Edmund

Brossura

ISBN 10: 1108038638 ISBN 13: 9781108038638

Casa editrice: Cambridge University Press, 2011

Riassunto

Edmund Gurney (1847–88) is today best known for his work on psychical research, but from a young age he harboured the ambition to be a composer and performer. Frustrated in this aim, he began writing on the philosophy and psychology of music. This work of 1880 was an attempt to apply a strictly scientific method of enquiry to music, and it is regarded as one of the most important and original treatises from the nineteenth century on musical aesthetics. Gurney discusses the sensations of pleasure and pain in relation to the senses, and goes on to examine how the listener differentiates between 'noises' and 'tones'. He explores whether there is an elemental difference between a 'good' and a 'bad' melody, the ultimate futility of the critic trying to describe music, and the 'moral' conclusion to be drawn from a preference for the music of Rossini over that of Beethoven.

Su questo libro

Descrizione del libro:

Best known for his work on psychical research, from a young age Edmund Gurney wanted to be musician. In this 1880 work he applies a scientific method of enquiry to music, and it is regarded as one of the most important treatises on musical aesthetics of the nineteenth century.

Contenuti:

Preface; 1. The organs and impressions of the higher senses; 2. Unformed sound; 3. The elements of a work of art; 4. Abstract form as addressed to the eye; 5. Abstract form as addressed to the ear; 6. Association; 7. The factors of melodic form; 8. Melodic forms and the ideal motion; 9. The relations of reason and order to beauty; 10. Further remarks on musical form and 'subject'; 11. Polyphony and harmony; 12. Material and colour; 13. The two ways of hearing music; 14. Music as impressive and music as expressive; 15. The suggestion by music of external objects and ideas; 16. Music in relation to intellect and morality; 17. Further peculiarities of music's nature and position; 18. Music in relation to the public; 19. The sound-element in verse; 20. Song; 21. The speech theory; 22. Opera; 23. Musical criticism; Appendices.

Su questa edizione

• Editore: Cambridge University Press
• Data di pubblicazione: 2011
• ISBN 10: 1108038638
• ISBN 13: 9781108038638
• Rilegatura: Copertina flessibile
• Numero di pagine: 578