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EUR 5,27
Da: Regno Unito a: U.S.A.
Descrizione libro paperback. Condizione: New. Language: ENG. Codice articolo 9781138548206
Descrizione libro Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days. Codice articolo B9781138548206
Descrizione libro Paperback. Condizione: Brand New. 360 pages. 9.69x6.85x0.67 inches. In Stock. Codice articolo __1138548200
Descrizione libro Condizione: New. pp. 360. Codice articolo 26383210681
Descrizione libro paperback. Condizione: New. BRAND NEW ** SUPER FAST SHIPPING FROM UK WAREHOUSE ** 30 DAY MONEY BACK GUARANTEE. Codice articolo 9781138548206-GDR
Descrizione libro Condizione: New. 2018. 1st Edition. paperback. . . . . . Codice articolo V9781138548206
Descrizione libro Condizione: New. Print on Demand pp. 360. Codice articolo 379644774
Descrizione libro Condizione: New. 2018. 1st Edition. paperback. . . . . . Books ship from the US and Ireland. Codice articolo V9781138548206
Descrizione libro Taschenbuch. Condizione: Neu. Neuware - Tracing the provenance of the earliest known album of drawings from its assemblage in the late 1530s to its dismantling in the 1950s, this book fills a critical gap in the study of northern Italian drawings and explores the historic tradition of collecting drawings and humanist collections in northern Italy before Vasari for which the album provides a new point of reference. The study includes a reconstruction of the original album and a page-by-page guide to its contents, providing insight into an overlooked subject. Codice articolo 9781138548206
Descrizione libro Paperback. Condizione: new. Paperback. Evelyn Karet's in-depth study of the Antonio II Badile Album - the earliest known example of an art collection pasted onto the pages of a book - is both focused and broad in its appeal to those interested in the early modern era. The provenance of the album is traced from its assemblage to the seventeenth-century collection of Conte Lodovico Moscardo to its dismantling by the dealer Francis Matthiesen in the 1950s, establishing that the volume conserved in the Frits Lugt Collection is not an original but a replica produced by Matthiesen. Although Antonio II must be celebrated as the collector of the drawings, new paleographic analysis has identified the actual compiler of the album after Antonios death providing a terminus post quem in the late 1530s or early 1540s. Karet enlarges the focus from the album itself to the historic tradition of collecting drawings in northern Italy in the early modern era before Vasari, for which the album provides a new point of reference. Throughout the book, Karet discusses the Badile family, examines the individual drawings in the book, investigates the contacts between artists and humanists, their rich, diverse collections and the humanist mind-set that fostered the appreciation of drawings. She explores notable early drawing collections in northern Italy and the role of northern Italy as a center of collection in the sixteenth and seventeenth centuries. The book concludes with two appendices: a reconstruction of the original album, including a discussion of the reconstruction process, suggestions about what the album originally looked like, and a page-by-page guide to its contents; and a detailed analysis of Francis Matthiesen's career. This book opens up new areas of inquiry into an overlooked subject. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Codice articolo 9781138548206