Romanian Inventors: Gheorghe Marinescu, Alexandru Macedonski, Nicolae Popescu, Ecaterina Andronescu, George Emil Palade, Grigore Moisil

 
9781156591031: Romanian Inventors: Gheorghe Marinescu, Alexandru Macedonski, Nicolae Popescu, Ecaterina Andronescu, George Emil Palade, Grigore Moisil

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 47. Chapters: Gheorghe Marinescu, Alexandru Macedonski, Nicolae Popescu, Ecaterina Andronescu, George Emil Palade, Grigore Moisil, Henri Coand?, List of Romanian inventors and discoverers, Nicolae Paulescu, Traian Vuia, Theodor V. Ionescu, ?tefan Procopiu, Emil Racovi??, Mihai St?ni?oar?, Henric Trenk, Gheorghe ?i?eica, Nicolae Vasilescu-Karpen, Florin-Teodor T?n?sescu, Ana Aslan, Elie Carafoli, Anton Anton, Gheorghe P?nculescu, Aurel Vlaicu, Petrache Poenaru, ?tefan Odobleja, George Constantinescu, Ioan Cantacuzino, Ion Barbu, Costin Neni?escu, Carol Davila, Nicolae Teclu, Eugen Pavel, Billy Gladstone, Rodrig Goliescu, Competi?ia Zece, Mina Minovici, Aurel Per?u, Grigore Antipa, Anastase Dragomir, George Cosmovici, Alexandru Ciurcu, ?tefan Burileanu. Excerpt: Alexandru Macedonski (Romanian pronunciation: ; also rendered as Al. A. Macedonski, Macedonschi or Macedonsky; March 14, 1854 - November 24, 1920) was a Wallachian-born Romanian poet, novelist, dramatist and literary critic, known especially for having promoted French Symbolism in his native country, and for leading the Romanian Symbolist movement during its early decades. A forerunner of local modernist literature, he is the first local author to have used free verse, and claimed by some to have been the first in modern European literature. Within the framework of Romanian literature, Macedonski is seen by critics as second only to national poet Mihai Eminescu; as leader of a cosmopolitan and aestheticist trend formed around his Literatorul journal, he was diametrically opposed to the inward-looking traditionalism of Eminescu and his school. Debuting as a Neoromantic in the Wallachian tradition, Macedonski went through the Realist-Naturalist stage deemed "social poetry", while progressively adapting his style to Symbolism and Parnassianism, and repeatedly but unsuccessfull...

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