Sports Talk: A Journey Inside the World of Sports Talk Radio - Brossura

Eisenstock, Alan

Brossura

ISBN 10: 1416573682 ISBN 13: 9781416573685

Casa editrice: Atria, 2007

Riassunto

A Journey inside the World of Sports Talk Radio

Their voices explode over the airwaves -- with names like Mike and the Mad Dog, the Stinkin' Genius, Hacksaw, and JT the Brick. They broadcast in drive time and downtime, from rush hour to the dead of night. And yet, millions of fans tune in around the clock to hear their favorite larger-than-life radio personalities rant, rave, critique, predict, and mix it up with callers -- the dedicated fans of sports talk radio.

Never before has this cloistered world opened its doors to a no-holds-barred, behind-the-scenes, full-access look at itself. Noted journalist (and fan) Alan Eisenstock embarks on a journey through the American sports radio landscape and gives readers a front-row seat -- from breakfast at the kitchen table of Eddie Andelman, Boston's godfather of sports radio, to the WFAN commissary with Mike and the Mad Dog in New York; from the plush home game room of Chicago's hot dog-vendor-turned-#1 DJ Mike North to the empty 3 AM studio parking garage with nationally syndicated JT the Brick. Eisenstock goes into the studios, homes, and lives of these and many other of America's hottest and most-listened-to sports talk hosts.

Filled with hilarious and entertaining tales of what makes these hosts tick -- as well as the unbelievable stories of how they got where they are today -- Sports Talk paints a picture the fans never see. Eisenstock shows us the blood, sweat, and tears of program directors with their reputations on the line; hosts searching for career security; and station managers who are always eyeing the bottom line. And, of course, there are stories of the rabid, obsessed, and off-the-wall fans. Whether you're a sports fan or a sports talk junkie, you'll be hooked from the first page.

Su questo libro

L'autore:

Alan Eisenstock, a sports talk radio fan since the early 1970s, is the co-author of Inside the Meat Grinder: An NFL Official's Life in the Trenches. His numerous television writing credits include Married...With Children, Mork and Mindy, Sanford and Son, Family Matters, What's Happening, and The Nanny. He lives with his family in southern California.

Estratto. © Riproduzione autorizzata. Diritti riservati.:

Chapter 1: how i got hooked on smack

I drive.

It is November of 1973. I have been living in Los Angeles for barely two months. I am alone most of the time. My wife has just begun a grueling Ph.D. program while I stay home in our small one-bedroom apartment, trying to write screenplays on my IBM Selectric, which rests on a desk made of two black metal file cabinets and a plywood door. To be honest, I spend most of my day reading mystery novels by Robert B. Parker, Michael Z. Lewin, and Loren D. Estleman, featuring lone-wolf detectives who spend their nights trailing beautiful blondes and bad guys into bad neighborhoods, and their days sitting alone in closets doubling as offices, chain-smoking, their hands wrapped around a bottle. I don't smoke or drink hard stuff and I don't know any blondes or bad guys. But I know the night.

And so I drive, cruising Sunset and Wilshire and Olympic and losing myself in the voices of the darkness. The voices that pour out of the car radio.
I have heard these voices all my life, beginning when I was a boy. They were the companions who calmed my night fears. They were the voices of DJs like Crazy Joey Reynolds, who once locked himself in his studio and played "'Til There Was You" over and over, for four hours straight, while he honked aah-ohh-gah horns, rang cowbells, and cracked jokes in the background. What thrilled me was how Reynolds broke the rules. He was daring and irreverent, and what resulted was nothing less than theater of the mind.

Even before Crazy Joey, there was baseball, where long luxurious pauses in the action allowed my imagination to soar. Although I lived in New England, Red Sox territory, the powerful night signal from New York brought me the sound of the Yankees. Mel Allen, all Southern comfort, unconditionally in love with the Bronx Bombers, midnight pitchman for Ballantine beer and White Owl cigars, described the Yankees in his honey-soaked tenor: "How about that?" and "It's going, going gone!" Phil Rizzuto, known as the Scooter, the former vacuum cleaner of a shortstop, he of the timely hit and high-pitched chatter, jabbered happily alongside Mel. What a team they made! At ten, as I snuggled in bed, Mel and the Scooter visited me through a clunky brown console perched on my nightstand. I closed my eyes and was transported out of my room like the boy in Maurice Sendak's In the Night Kitchen, afloat over a magical baseball diamond, envisioning my own lush green field of dreams. Mel Allen is gone now, a victim of the bottle, murderer of many a night owl. Rizzuto is still part of the Yankee broadcast crew, but I've heard that lately the Scooter has started to slow down. On a recent TV telecast, sitting next to Bill White, a thin, sturdy former Yankee himself, Scooter looked directly into the camera and, obviously reading cue cards, said with a smile, "Hello, everybody, and welcome to another big Yankee game. I'm Bill White."

In '73, as I creep across the night streets of L.A., I swivel my head at each corner, peering for evidence of nightlife, of any life. There are 3 million souls in this tinsel city but not one single person on the streets. A deserted, empty urban terrain. Dark, eerie, and cool. Cooler than you'd expect. The smog has lifted but the emptiness leaves you with a chill. It's just past ten, but as I crawl through a green light, the only car on Pico Boulevard heading downtown, it feels like it's last call and the city is closing down.

I flick the knobs on the radio of my humpbacked, baby blue AMC Gremlin, blinking my eyes, looking for voices, hearing...a comforting drone...unbelievably...

Don Drysdale!

Grinning at me through the chrome glow of the dash. Six feet six, black wavy hair sculpted backward into a ducktail, guy looking like a "hitter" in Dodger blue, a lilting monotone in a slow, flat Sacramento drawl as he takes a call. Drysdale, the intimidator, who insisted that you have to pitch inside, that if a guy goes deep on you, you throw at him next time, bury one in his side, is now nice as can be, a voice beaming warmly at you, like a host at a sedate dinner party offering to take your coat.

"Big D, this is Cal from Long Beach," a caller offers up, his voice a nasal crackle right down the middle.

"What's on your mind, Cal?" Big D asks, pleasant, inviting, the perfect gentleman, no glower in his voice, no effort to intimidate, every effort to accommodate. This is Dodger Talk, where you get to talk one-on-one with Big D. What a thrill. What an honor.

"Well..." Cal from Long Beach launches into a stammer. He swallows, wanting to dislodge the something on his mind. Then a deep breath and with a whoosh: "I think we need a new manager. We have the goods -- Cey, Sutton, Buckner, Lopes, and this kid Garvey -- but Walter Alston is -- "

"Now hold on there, Cal," Drysdale says, his voice rising a little. This caller is out of line. This caller has to be told.

"You have to understand the game, Cal," Big D says, steady. No high hard one, but smoke on the inside corner, a lesson. "Walt Alston has been managing a long long time. He knows his players better than anyone, believe you me. If ever there was a manager who deserved to be in the Hall of Fame, Walter would be it. His experience, I mean, the word genius -- "

"Well," Cal the Caller says.

I'm tooling back on Franklin, slow, like an unmarked car looking for suspects. I turn the radio up. I'm looking for drama in the dark.

"Still" -- Cal swallows -- "I think the game might have passed -- "

I don't hear the rest. No one does. Big D has shut him down, gone for the seven-second delay. Did the caller curse or did he just kick metaphorical dirt on Big D's cleats? We'll never know because true to Dodger Talk, true to all sports talk, Drysdale dodges controversy. Sidesteps it like a mound of dog shit on the sidewalk. But gracefully. Without missing a step. This is 1973. The voices through the radio are soothing, agreeable, smooth, melodious. Talk Muzak.

"And now let's talk to Phil from Whittier. Hey, Phil, you're on with Big D..."

No mention of Cal from Long Beach. He's long gone, slain, a victim of stepping out of bounds. It's oddly unsettling to me. I wanted to hear Cal and Big D get it on. Wanted to hear them rumble. I remember Joey Reynolds and the chances he took and how thrilling it was to be a witness to his free-form radio experiment. Pissed, unrequited, I slam my foot down on the accelerator, hang a right toward Sunset, angling onto the Strip. I hit a light, cool my heels. Trying to find my balance in this new town, this new life.

My hand slides onto the radio tuner. I've heard enough of Drysdale and Dodger Talk. I search for night sounds, something more meaningful. Find it.

Roy Orbison singing for the lonely...

Night falls the next day at five o'clock. A cool clean late-afternoon breeze. I leave the apartment windows open, soaking in the black night air. I've hammered out a couple of scenes to a screenplay, read them over carefully, balled them up, and slam-dunked them into the trash. I've air-guitared a riff to Captain Fantastic and collapsed onto the secondhand couch, my cat Lou curled up with me, a mystery novel his pillow, his motor rumbling in my lap like a semi.

I want to hear voices. The TV is not my friend. Too self-centered, too demanding. Maybe later I'll be in the mood. Find a good trashy made-for-TV movie, hopefully something with Linda Blair. Right now I feel like bullshitting about sports. I want to escape. Get lost in a discussion of football or basketball. I wouldn't mind a little sports emoting either, the kind you read in columns by the hilarious Jim Murray in the Los Angeles Times or the always steady Frank Deford in Sports Illustrated. I'd even give an opinion if I could, invisible in the womblike sanctity of the dark. I reach over and absently tune to KABC, home of Dodger Talk, and "sophisticated talk of Los Angeles."

And I hear it.

Not an echo but a scream.

A voice with the consistency of sandpaper. A guttural celebration of phlegm. The voice of a man who sounds as if he's just staggered into the studio from a barstool.

"Look at it this way," the voice wheezes. "All you people out there, get it straight. It goes like this. Life is a department store and sports is the toy department."

I sit up. My cat hops off my lap.

"My name is Ed Beiler," the voice through the radio roars. "I know that doesn't mean anything to you right now. So let me tell you who I really am. I am your voice, the voice of the fan, the everyday Joe who can't afford a, a, a fancy box seat at the ballpark, who sits in the bleachers with a, a, a beer and a hot dog and shouts bloody murder from the first pitch to the last out because...I paid for my ticket and I am entitled! That's right! I'm the guy who boos the umpire when he makes a, a, a lousy call. I'm the guy sitting behind you who screams like hell when a Dodger player boots a routine grounder or turns an easy fly ball into an adventure. I am also the first guy on my feet when Davey Lopes steals a, a, a base, when Don Sutton strikes out the other team's best hitter, and when Steve Garvey hits one out of the park! I am your best friend and management's worst nightmare! I am...Superfan!"

I'm riveted.

"I'm the guy who's ticked off at the prices you have to pay to see a Los Angeles Rams football game or a Los Angeles Lakers basketball game. I'm the guy who is ticked off at how much you have to pay for a Dodger dog. I don't like owners who charge too much, coaches who make bonehead decisions and play the wrong guys, and players who make more money than I'll ever make in my life and cry about it. If you're like me, you got a lot on your chest. So let's talk about it, folks. Come on. Call me up. I'm gonna be here every afternoon from now on to take your calls. I'm not a radio DJ or a, a, a former player or anything like that. I, am, you."

I am hallucinating. I must be. Superfan? On KABC, the home of sophisticated talk...?

"Yeah? Supe?" The caller sounds like he's at a construction site.

"Yep."

"What do you think of Alston? Isn't it time for a change?"

"Heck yeah!" Superfan bellows. "Walter Alston is old. He used to be old and good. Now he's just old! Too old to manage the Dodgers. The team should be looking elsewhere. He's had a great run, done a lotta good things, but the Dodgers need someone who can communicate with the younger players. Throw him a nice farewell party, give him a, a, a gold watch and retire his jersey, give him a free pass to Cooperstown, because he belongs there, but let's move on."

I turn the radio up.

"Okay, let's take another call. Ron from Glendale. You're on with Superfan."

"Hey, Superfan! This is great! What do you think of the Rams?"

"The Rams? I think you mean the Lambs, don'tcha? They stink!"

And so it goes. For two straight hours, the man called Superfan rants, rages, screams, shouts, whines, taunts, and wails. He hangs up on callers and hollers at players. He challenges owners to call him and explain where they get the cojones to charge obscene ticket prices and virtually eliminate the very fan who made them rich. It is astonishing radio. It is both fresh and a little bit frightening. I feel like I'm overhearing a drunk in a bar screaming and slurring his opinions until he either throws a punch or passes out. On the radio, Superfan is the vocal equivalent of a train wreck. I know I should turn the dial, but I just can't take my ears off him.

The next day, a Tuesday, I tune into KABC just before five and settle in with a beer and a bag of chips, the perfect Superfan snack. No way I'm boiling up a pot of chamomile tea while I listen to this guy. Bill Ballance, the host right before Supe, intros him curtly, then grudgingly reveals that all of Superfan's phone lines are lit up, blazing. Callers are backed up, on hold, waiting like they're on line to get Springsteen tickets. If he notices, Superfan doesn't let on. He just wants to pick up his rave where he left off.

"Hey, everybody, it's me again. Superfan! We gotta talk. I wanna talk about the ugliest eyesore in town. The biggest pit. The absolute worst, the poorest excuse for a, a, a stadium in the world. But what choice do we have, folks, if we wanna see a professional football game? In Cleveland they have the Mistake by the Lake. We have the Screw-Up by USC. I'm talking about the Los Angeles Memorial Coliseum! Have you been there? What a joke. First of all, I don't know about you, but I can only afford the cheap seats. But I love football. So I went to the game Sunday. You know where I sat? In the very last row! Have you ever sat in the, the, the last row? Huh? Lemme tell you something about sitting in the last row of the Los Angeles Memorial Coliseum. You can't see the game! You are a million miles up! You look down and the players look like, like, like a buncha ants wearing football helmets! You know what? I want my money back! I'll tell you what else. We oughta find the right politicians, call them up, and tell them this: tear down that pit and build us a new stadium! We deserve it! What do you think? Huh? Call me! Get it off your chest, folks! This is where you can let off steam. Right here. On my show. Because, remember, I, am, you! And I am...Superfan!"

Wow.

I feel as if I have been slammed backward into the wall by a blast of gale-force wind. I remember Big D from the other night, recall his solemn devotion to the Dodgers, and it feels like a dream.

Now, every afternoon, with increasing arrogance and assurance, Superfan booms his broadcast through my twin KLH speakers standing guard on either side of my bricks-and-boards bookcase. Listening to him is my new ritual; he becomes a legend in my living room. In the real world, in the world that tracks his dollars-and-cents success, his first ratings come out. The L.A. radio community is stunned. Superfan owns the afternoon drive-time slot. Sports columnists and TV pundits don't know what to make of him. We, the legion of his followers, don't care. Hell, we're not even sure we like him. We certainly don't always agree with him. But we always, always tune in.

I wonder if he is unique. I wonder if other markets across the country have their own Superfans. I call around. Talk to friends in Detroit. Pittsburgh. The Bay Area. Nothing like him anywhere. Finally, I speak to a friend in Boston. No broadcasting barkeep like Supe in Beantown, but there is something else. Every night from seven until eleven. Three guys who talk sports, with an edge. The Sports Huddle.

My friend sends me a tape and a picture of the Huddle. Two balding guys with narrow arrogant smiles flank a beefy, dark-haired guy with thick black geeky glasses that make him look like a welder. This man, the one in the middle, is the legendary Eddie Andelman. He sits behind a WEEI microphone and wears a major shit-eating grin. Sports radicals. I know I'm going to like this. The tape is a mishmash of hilarious arguments, outrageous one-liners, and prank phone calls, including a call to room service at Howard Cosell's hotel in Detroit during which Andelman orders a double prune juice -- straight, no chaser -- for Cosell's breakfast. The Huddlers make no bones about it: they rifle the sports pages in search of the punch line. They're intelligent and shameless, the Firesign Theatre of sports.

At one point, they talk about the America'...

Su questa edizione

• Editore: Atria
• Data di pubblicazione: 2007
• ISBN 10: 1416573682
• ISBN 13: 9781416573685
• Rilegatura: Copertina flessibile
• Numero di pagine: 280