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9781461349365: Painting and Our Inner World: The Psychology Of Image Making
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That painting is at least in part an expression of the painter's personality is obvious from the differences between very impulsive and very controlled painters - between the paintings of a Picasso, for example, and a Piet Mondriaan. But these differences have not been looked at in a controlled setting. In this book, Machotka sets out to understand the images produced by a broad sample of students and to connect them to the students' inner lives - to their interpersonal relations, their wishes and fears, their impulses and inhibitions. Their image making was followed in detail and their personality was studied in a long clinical interview, producing a rich, individual picture of the style and substance of the inner life of each. Then the images were grouped into seven types by cluster analysis. The personal data were found to fit the image clusters closely: for example, images with little form and much narration were produced by people with strong compensatory longings, while dense, collaged images were made by participants who exercised relentless control over one major issue in their life. Other individuals had a strong need to integrate their lives and produced well-formed, well-composed images. As expected, no single motive explained all artistic activity - but the style of the images, such as their inhibited formality, abstractness, or fluid boldness, reflected what could be called the map of each participant's interpersonal world.

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Contenuti:
Acknowledgements. Introduction: Art, the body, and relationships. 1. Artists and their biographies. 2. Image makers and their purposes: our methods. 3. First cluster: narrative informality and compensatory longings. 4. Second cluster: inhibited, disconnected forms and downcast angry lives. 5. Third cluster: bold, flowing process and the direct expression of emotion. 6. Fourth cluster: dense paintings and relentless control. 7. Fifth cluster: imposed order, inhibition, and the acceptance of parental standards. 8. Sixth cluster: consistent style and the need to integrate. 9. Seventh cluster: abstraction, avoidance, and the search for firm boundaries. 10. Art making, maps of interpersonal space, and the world of art. Appendix A: Psychological analysis of the clusters: a partial replication; J. Keiser, K. Berlin. Appendix B: Interview forms and statistical tables. References.

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  • EditoreSpringer
  • Data di pubblicazione2013
  • ISBN 10 1461349362
  • ISBN 13 9781461349365
  • RilegaturaCopertina flessibile
  • Numero di pagine232

Altre edizioni note dello stesso titolo

9780306474088: Painting and Our Inner World: The Psychology of Image Making

Edizione in evidenza

ISBN 10:  0306474085 ISBN 13:  9780306474088
Casa editrice: Plenum Pub Corp, 2003
Rilegato

  • 9781461501282: Painting and Our Inner World: The Psychology of Image Making

    Springer, 2011
    Brossura

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Descrizione libro Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -That painting is at least in part an expression of the painter's personality is obvious from the differences between very impulsive and very controlled painters - between the paintings of a Picasso, for example, and a Piet Mondriaan. But these differences have not been looked at in a controlled setting. In this book, Machotka sets out to understand the images produced by a broad sample of students and to connect them to the students' inner lives - to their interpersonal relations, their wishes and fears, their impulses and inhibitions. Their image making was followed in detail and their personality was studied in a long clinical interview, producing a rich, individual picture of the style and substance of the inner life of each. Then the images were grouped into seven types by cluster analysis. The personal data were found to fit the image clusters closely: for example, images with little form and much narration were produced by people with strong compensatory longings, while dense, collaged images were made by participants who exercised relentless control over one major issue in their life. Other individuals had a strong need to integrate their lives and produced well-formed, well-composed images. As expected, no single motive explained all artistic activity - but the style of the images, such as their inhibited formality, abstractness, or fluid boldness, reflected what could be called the map of each participant's interpersonal world. 232 pp. Englisch. Codice articolo 9781461349365

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Descrizione libro Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - That painting is at least in part an expression of the painter's personality is obvious from the differences between very impulsive and very controlled painters - between the paintings of a Picasso, for example, and a Piet Mondriaan. But these differences have not been looked at in a controlled setting. In this book, Machotka sets out to understand the images produced by a broad sample of students and to connect them to the students' inner lives - to their interpersonal relations, their wishes and fears, their impulses and inhibitions. Their image making was followed in detail and their personality was studied in a long clinical interview, producing a rich, individual picture of the style and substance of the inner life of each. Then the images were grouped into seven types by cluster analysis. The personal data were found to fit the image clusters closely: for example, images with little form and much narration were produced by people with strong compensatory longings, while dense, collaged images were made by participants who exercised relentless control over one major issue in their life. Other individuals had a strong need to integrate their lives and produced well-formed, well-composed images. As expected, no single motive explained all artistic activity - but the style of the images, such as their inhibited formality, abstractness, or fluid boldness, reflected what could be called the map of each participant's interpersonal world. Codice articolo 9781461349365

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