Recensione:
“The Sunken Cathedral is a gem of a novel—lyrical, ominous, and unexpectedly funny. Kate Walbert has somehow managed to write an elegy for a Manhattan that still exists, and characters who—like most of us—would prefer not to think about their impending doom.” (Tom Perrotta, author of The Leftovers)
“Kate Walbert’s frightening, timely novel follows an achingly particular cast, small flames unexpectedly doused, so that the prevailing uncertainty of what it is to be alive rises like the waters flooding coasts. The insufficiencies of sheltering-in against Sudden Weather turn Who We Are Stories into Who Are We plaints, yet Walbert is wise and funny and compassionate, and she gifts The Sunken Cathedral with birds and strokes of blue. ‘Much to learn from blue,’ a painter considers, and much to learn from this ambitiously made, great fiction.” (Christine Schutt, author of Florida and All Souls)
“The Sunken Cathedral is impressionistic, a book of drifting shadows and blazing clarity; Kate Walbert has written a gorgeous and moving requiem for a people and a city that are not yet lost. A magnificent achievement.” (Lauren Groff, author of Fates and Furies)
“Hypnotic...though the novel seems to be set in the present,it feels more menacing than our current world, with sudden, dangerous stormsand terrorism drills in school. An unconventional and unsettling novel withvivid imagery and passages of pure poetry.” (Library Journal, starred review)
“[A] sense of a remembered world that lives on just beneath the ever-changing surface is at the heart of Kate Walbert’s stunning new novel, The Sunken Cathedral. A powerful elegy for a fading New York City and for the planet as a whole, it is also a deeply human story, full of rich and complex characters...[Walbert] writes with such precision that she’s able to pack 80 years worth of personal and world history — war, climate change, marriage, parenthood, friendship, death,grace, love, petty betrayal, and sudden violence — into a slim volume. She’s also very funny... the footnotes work beautifully...audacious...masterful.” (J. Courtney Sullivan, The Boston Globe)
“Walbert writes unlike anyone I’ve read before, imbuing each of her finely-tuned sentences with stunning detail. Trust me: You won’t ever have been more eager to read the footnotes in your life.” (Bustle)
“Insightful...Like so many elements of this rich new novel, its title points backward and forward... though Walbert never allows her narrative to dissolve into stream of consciousness, she manipulates time and space as though they were as viscous as oils. And she allows the central plot to drip off the edges of this canvas. That effect is structurally emphasized by footnotes that read like little prose poems of ineffable grace... Some of these notes are long, taking up more than two pages, and some contain incidents as moving and significant as anything in the main text of the novel,a strategy that implicitly challenges what’s central and what’s tangential in our lives... Walbert’s narrative method is a gentle lesson in empathy, a reminder that it’s only artifice and egotism that give us the misimpression that we’re the central protagonist of the life we’re composing.” (Ron Charles, The Washington Post)
“Kate Walbert's TheSunken Cathedral paintsan elegant picture of a LowerManhattan neighborhood and its citizens, at risk from both ‘suddenweather’ and relentless gentrification.” (Shelf Awareness)
“Walbert tunes in toa complex chorus of female characters in contemporary Manhattan, a cityrecently altered by climate change, tragedy and new wealth...The tapestry ofvoices weave a rich pattern, and the novel is strengthened by Walbert’s use offootnotes, which allow her characters’ thoughts to move freely from the presentto the past, uncovering private or previously unshared memories...TheSunken Cathedral is a reference to a piano sonata by Debussythat itself alludes to the mythical story of a cathedral that rises up from thesea. Like Debussy’s impressionistic music, the novel is poetic, full of lyricalimagery and subtle shifts of tone. Ambitious,elegiac and occasionally even funny, TheSunken Cathedral is an emotionally resonant story of people caught ina time of unease and change—and a striking portrait of the way we livenow.” (Lauren Bufferd, BookPage)
“[A] shimmering newnovel...At its heart is a wonderful pair of widowed French-born friendswho both survived World War II, married Americans, and raised their onlychildren together...Walbert has beenrightly celebrated for her ability to capture the variety and vulnerability ofwomen's lives with a combination of lyricism and brawn...In TheSunken Cathedral, she again creates multiple narrative strands whicheventually dovetail as satisfyingly as tightly fitted joints on awell-constructed rocking chair. But then she takes her remarkable technical prowess to a newlevel with long footnotes...This literal subtext forms a secondary narrativeline that cleverly reflects the way attention is so often fragmented...abeautiful tribute to a city that's continually in flux.” (Heller McAlpin, NPR.org)
L'autore:
Kate Walbert is the author of six previous books of fiction: His Favorites; The Sunken Cathedral; A Short History of Women, a New York Times Book Review ten best books of the year and finalist for the Los Angeles Times Book Prize; Our Kind, a National Book Award finalist; The Gardens of Kyoto; and the story collection Where She Went. Her work has appeared in The New Yorker, The Paris Review, The Best American Short Stories, and The O. Henry Prize stories. She lives with her family in New York City.
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