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Bloomsbury Encyclopedia of Popular Music of the World: Genres: Middle East and North Africa (8-14) - Rilegato

 
9781501311468: Bloomsbury Encyclopedia of Popular Music of the World: Genres: Middle East and North Africa (8-14)
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The ten EPMOW Genre volumes contain entries on the genres of music that have been or currently are popular in countries and communities all over the world. Included are discussions on cultural, historical and geographic origins; technical musical characteristics; instrumentation and use of voice; lyrics and language; typical features of performance and presentation; historical development and paths and modes of dissemination; influence of technology, the music industry and political and economic circumstances; changing stylistic features; notable and influential performers; and relationships to other genres and sub-genres.

This volume, on the music of the Africa and the Middle East, features a wide range of entries and in-depth essays. All entries conclude with a bibliography, discographical references and discography, with additional information on sheet music listings and visual recordings. Written and edited by a team of distinguished popular music scholars and professionals, this is an exceptional resource for anybody studying or researching the history and development of popular music.

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Recensione:
This new book is an invaluable resource for specialists and non-specialists alike. With contributions from leading scholars of the field and covering a comprehensive range of genres and styles, it will be useful to anyone researching or just interested in the popular musics of the Middle East and North Africa. I will certainly be pointing my own students to this text! --Laudan Nooshin, Senior Lecturer in Ethnomusicology, City University London, UK

No mere reference volume, this is a fascinating and engagingly written introduction to the incredibly rich variety of musical genres of the Middle East and North Africa, from folkloric Bedouin songs to the seamen's anthems of Kuwait to the working class sha'bi of Egypt. Especially impressive is the inclusion of varieties of music from regions often ignored or forgotten, including Azerbaijan, Armenia, and the Arabian Gulf. Learned yet accessible, it is an invaluable resource, and a truly great read. --Ted Swedenburg, Professor of Anthropology, University of Arkansas, USA
L'autore:

David Horn was a founding editor of the journal Popular Music and a founding member of IASPM (The International Association for the Study of Popular Music). He was Director of the Institute of Popular Music at the University of Liverpool from 1988 until his retirement in 2002. Together with the blues scholar Paul Oliver he first proposed the idea of EPMOW in the 1980s, and has worked on the project since that time.

John Shepherd is Vice-Provost and Associate Vice-President (Academic) and Chancellor's Professor of Music and Sociology at Carleton University, Ottawa, Canada. He was from 2007-2012 Carleton's Dean of Graduate and Postdoctoral Affairs. Dr. Shepherd has been a member of EPMOW's editorial board since 1990. In 2000, he was elected a Fellow of the Royal Society of Canada in recognition of his role “as a leading architect of a post-War critical musicology.”

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