The Essential June Jordan honors the enduring legacy of a poet fiercely dedicated to building a better world. In this definitive volume, featuring an afterword by Pulitzer Prize-winner Jericho Brown, June Jordan’s generous body of poetry is distilled and curated to represent the very best of her works. Written over the span of several decades?from Some Changes in 1971 to Last Poems in 2001?Jordan’s poems are at once of their era and tragically current, with subject matter including racist police brutality, violence against women, and the opportunity for global solidarity amongst people who are marginalized or outside of the norm. In these poems of great immediacy and radical kindness, humor and embodied candor, readers will (re)discover a voice that has inspired generations of contemporary poets to write their truths. June Jordan is a powerful voice of the time-honored movement for justice, a poet for the ages. Honored as a "Best Book of 2021" by Publishers Weekly
"This volume of verse displays the undeniable legacy June Jordan left on both our literature and culture. Collected here are blazing examples of poetry as activism, stanzas that speak truth to power and speak out against violence against women and police brutality. But Jordan also speaks on the significance of hope, mixing, as Brown puts it, 'the doom and devastation made mundane through media with the hard decision to love anyway.'"—O, The Oprah Magazine
"A selection of poems published between 1971 and 2001, this posthumous volume reflects Jordan’s view of poetry as 'a political action' that can 'build a revolution.' Her own work is filled with love and delight as well as revenge and justice."—New York Times Book Review, "Editor's Choice"
The Essential June Jordan honors the enduring legacy of a poet fiercely dedicated to building a better world. In this definitive volume, introduced by Pulitzer Prize winner Jericho Brown, June Jordan’s generous body of poetry is distilled and curated to represent the very best of her works. Written over the span of several decades—from Some Changes in 1971 to Last Poems in 2001—Jordan’s poems are at once of their era and tragically current, with subject matter including racist police brutality, violence against women, and the opportunity for global solidarity amongst people who are marginalized or outside of the norm. In these poems of great immediacy and radical kindness, humor and embodied candor, readers will (re)discover a voice that has inspired generations of contemporary poets to write their truths. June Jordan is a powerful voice of the time-honored movement for justice, a poet for the ages. Introduced by Jericho Brown, winner of the 2020 Pulitzer prize in poetry.
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June Jordan was born in Harlem in 1936 and was the author of ten books of poetry, seven collections of essays, two plays, a libretto, a novel, a memoir, five children’s books, and June Jordan’s Poetry for the People: A Revolutionary Blueprint. As a professor at UC Berkeley, Jordan established Poetry for the People, a program to train student teachers to teach the power of poetry from a multicultural worldview. She was a regular columnist for The Progressive and her articles appeared in The Village Voice, The New York Times, Ms., Essence, and The Nation. After her death from breast cancer in 2002, a school in the San Francisco School District was renamed in her honor.
I Must Become a Menace to My Enemies
Dedicated to the Poet Agostinho Neto, President of
The People’s Republic of Angola: 1976
1
I will no longer lightly walk behind
a one of you who fear me:
Be afraid.
I plan to give you reasons for your jumpy fits
and facial tics
I will not walk politely on the pavements anymore
and this is dedicated in particular
to those who hear my footsteps
or the insubstantial rattling of my grocery
cart
then turn around
see me
and hurry on
away from this impressive terror I must be:
I plan to blossom bloody on an afternoon
surrounded by my comrades singing
terrible revenge in merciless
accelerating
rhythms
But
I have watched a blind man studying his face.
I have set the table in the evening and sat down
to eat the news.
Regularly
I have gone to sleep.
There is no one to forgive me.
The dead do not give a damn.
I live like a lover
who drops her dime into the phone
just as the subway shakes into the station
wasting her message
canceling the question of her call:
fulminating or forgetful but late
and always after the fact that could save or
condemn me
I must become the action of my fate.
2
How many of my brothers and my sisters
will they kill
before I teach myself
retaliation?
Shall we pick a number?
South Africa for instance:
do we agree that more than ten thousand
in less than a year but that less than
five thousand slaughtered in more than six
months will
WHAT IS THE MATTER WITH ME?
I must become a menace to my enemies.
3
And if I
if I ever let you slide
who should be extirpated from my universe
who should be cauterized from earth
completely
(lawandorder jerkoffs of the first the
terrorist degree)
then let my body fail my soul
in its bedeviled lecheries
And if I
if I ever let love go
because the hatred and the whisperings
become a phantom dictate I o-
bey in lieu of impulse and realities
(the blossoming flamingos of my
wild mimosa trees)
then let love freeze me
Out.
I must become
I must become a menace to my enemies.
I guess it was my destiny to live so long
Death chase me down
death’s way
uproot a breast
infest the lymph nodes
crack a femur
rip morale
to shreds
Death chase me down
death’s way
tilt me off-kilter
crutch me slow
nobody show me
how
you make a cup of coffee
with no hands
Death chase me down
death’s way
awkward in sunlight
single in a double bed at night
and hurtling out of mind
and out of sight
Don’t chase me down
down
down
death chasing me
death’s way
And I’m not done
I’m not about to blues my dues or beg
I am about to teach myself
to fly slip slide flip run
fast as I need to
on one leg
It’s Hard to Keep a Clean Shirt Clean
Poem for Sriram Shamasunder
And All of Poetry for the People
It’s a sunlit morning
with jasmine blooming
easily
and a drove of robin redbreasts
diving into the ivy covering
what used to be
a backyard fence
or doves shoving aside
the birch tree leaves
when
a young man walks among
the flowers
to my doorway
where he knocks
then stands still
brilliant in a clean white shirt
He lifts a soft fist
to that door
and knocks again
He’s come to say this
was or that
was
not
and what’s
anyone of us to do
about what’s done
what’s past
but prickling salt to sting
our eyes
What’s anyone of us to do
about what’s done
And 7-month-old Bingo
puppy leaps
and hits
that clean white shirt
with muddy paw
prints here
and here and there
And what’s anyone of us to do
about what’s done
I say I’ll wash the shirt
no problem
two times through
the delicate blue cycle
of an old machine
the shirt spins in the soapy
suds and spins in rinse
and spins
and spins out dry
not clean
still marked by accidents
by energy of whatever serious or trifling cause
the shirt stays dirty
from that puppy’s paws
I take that fine white shirt
from India
the threads as soft as baby
fingers weaving them
together
and I wash that shirt
between
between the knuckles of my own
two hands
I scrub and rub that shirt
to take the dirty
markings
out
At the pocket
and around the shoulder seam
and on both sleeves
the dirt the paw
prints tantalize my soap
my water my sweat
equity
invested in the restoration
of a clean white shirt
And on the eleventh try
I see no more
no anything unfortunate
no dirt
I hold the limp fine
cloth
between the faucet stream
of water as transparent
as a wish the moon stayed out
all day
How small it has become!
That clean white shirt!
How delicate!
How slight!
How like a soft fist knocking on my door!
And now I hang the shirt
to dry
as slowly as it needs
the air
to work its way
with everything
It’s clean.
A clean white shirt
nobody wanted to spoil
or soil
that shirt
much cleaner now but also
not the same
as the first before that shirt
got hit got hurt
not perfect
anymore
just beautiful
a clean white shirt
It’s hard to keep a clean shirt clean.
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