THIS novel, known as one of the masterpieces of Russian Literature, under the title "A Hero of our Time," and already translated into at least nine European languages, is now for the first time placed before the general English Reader. The work is of exceptional interest to the student of English Literature, written as it was under the profound influence of Byron and being itself a study of the Byronic type of character. The Translators have taken especial care to preserve both the atmosphere of the story and the poetic beauty with which the Poet-novelist imbued his pages.
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Mikhail Yuryevich Lermontov (1814 –1841), a Russian Romantic writer, poet and painter, sometimes called "the poet of the Caucasus", was the most important Russian poet after Alexander Pushkin's death. His influence on later Russian literature is still felt in modern times, not only through his poetry, but also by his prose. His poetry remains popular in Chechnya, Dagestan, and beyond Russia. Mikhail Lermontov was a poet by genius, a romantic at heart, yet by the time of his death at 26, he had already become something of a disillusioned realist. This tension between streaks in his personality is expressed openly in "A Hero of Our Time": the novel starts out as a romantic adventure beautified with most exquisite imagery, but is later transformed into a disquieting tale of manipulation and dark deeds. The setting for this novel (which is really a loosely connected string of short stories) is the wild Caucasian mountains, to which Lermontov himself had been "exiled" to fight against the fierce Chechens. After the death of Pushkin, Lermontov took it upon himself to keep the great poet's legacy alive. The authorities did not take kindly to Lermontov's endeavour, and transferred the young officer to the war zone. To 19th centrury Russian writers, the experience of the Caucasus and of 'Asiatics' in general was of tremendous value as a gauge of the value of Russian civilization. Juxtaposing Russian high society with the people of the steppes and the mountains became a familiar device in Russian literature, just like American Indians were used to symbolize the natural/unadulterated or the uncivilized/savage in American literature. However, in "A Hero of Our Time" the officer Pechorin transcends the boundaries between culture and nature. In the early chapters of the book, Pechorin's adventures are described from outside, and seem extraordinary, bizarre, yet captivating. Later on, other stories are recounted in Pechorin's diary, and they draw a different picture of the modern hero: disillusioned, hateful, and profoundly unhappy. Life is a game which he has long mastered, he knows exactly how to play into people's pride, vanity and passion. Yet, at unlikely moments, a stir of long-forgotten emotion briefly produces a vulnerable, human hero with whom we, despite ourselves, are forced to identify...
Book by M y Lermontov Y Lermontov M y Lermontov
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