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9781616234959: You Should Have Heard Just What I Seen: The Music Photography
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James Hamilton has a Romantic Eye. A slightly sullen, yet bemused gaze suggesting a smart and casual affair between subject and lens. He is a music lover, indeed a lover of all the sensual arts, but for my intention he is a man who lives by the charm of music. His heroes are the other-worldly: James Brown, Dinah Washington, Frank Sinatra, Smokey Robinson, Billie Holiday.

The hours, days, weeks, months I spent tiptoeing through four decades of James' contact sheets I realized the soul of the artist gleans genuine respect and distinct recognition from a photographer who shares their emotions. The messengers of music, the "angels"---as Sun Ra would suggest---play for a timeless existence. To capture them with photography is to defy their elusive state, to steal them to common ground, as is the journalist's duty. But like so few, James Hamilton solemnly suggests camaraderie, friendship and shared artistry. His photo archive, not only of music genius, but of street life, politics, filmmakers, poets, authors, and artists is an astounding history of late 20th century New York City. A time when the downtown world below 14th Street experienced it's ultimate existence as a true village of creative pursuit. One can still feel this last vestige of bohemia by taking a magic turn on any given street at any given time, but it is fleeting. And it's vintage glamour has a wizened smile in the shadowy recess of a newly minted lifestyle.

We depend on history to recount what is vanished, missed, dreamed of and mythologized. In James' archive I encounter a universe of sweetness, of salaciousness, and a spellbinding grace and natural wonderment that keeps me coming back to the city that defined romance for me and so many others. The romantic eye as love, as music---Thurston Moore

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L'autore:
James Hamilton Began as a Painter Studying at Pratt Institute in 1964. He spent the summer of '66 working as an assistant to a fashion photographer and did not return to school, deciding instead to make photographs of his life in New York City. In 1969 he spent five months hitch-hiking and taking pictures throughout America. After showing photos from a Texas music festival to editors at Crawdaddy!---the seminal rock `n' roll publication---he was hired as staff photographer. This launched a forty-year career of staff positions held at The Herald, Harper's Bazaar, The Village Voice, and The New York Observer. He has worked on assignment for many magazines including Vanity Fair, New York Magazine, The New York Times Magazine, Rolling Stone and on set with directors George Romero, Francis Ford Coppola, Bill Paxton, Wes Anderson, Noah Baumbach and Andrew Jarecki producing film stills. This is his first monograph.
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  • EditoreEcstatic Peace Library
  • Data di pubblicazione2015
  • ISBN 10 1616234954
  • ISBN 13 9781616234959
  • RilegaturaCopertina rigida
  • Numero di pagine251

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Descrizione libro Condizione: New. Editor(s): Moore, Thurston. Num Pages: black & white illustrations. BIC Classification: AJB; AJCP. Category: (G) General (US: Trade). Dimension: 265 x 308 x 26. Weight in Grams: 1816. . 2010. Hardcover. . . . . Codice articolo V9781616234959

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Descrizione libro Condizione: New. Editor(s): Moore, Thurston. Num Pages: black & white illustrations. BIC Classification: AJB; AJCP. Category: (G) General (US: Trade). Dimension: 265 x 308 x 26. Weight in Grams: 1816. . 2010. Hardcover. . . . . Books ship from the US and Ireland. Codice articolo V9781616234959

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Descrizione libro Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. Signed by James Hamilton on the title page. . We will request additional shipping costs after your order for this book due to its size based on actual shipping costs to your destination. Currently media mail within the US is $6.92 plus 54 cents for packaging for a total of $7.46. This will not slow down the shipping of the book. Thank you for understanding. Signed by Author(s). Codice articolo 010465

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Descrizione libro Buch. Condizione: Neu. Neuware - Photographer James Hamilton opens up his archives from 1960s and 70s New York the first time, revealing across 300 pages a trove of previously unpublished black-and-white photographs--portraits, snapshots, sketches, contact sheets--of some of the most recognizable faces in music. Codice articolo 9781616234959

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Descrizione libro Hardcover. Condizione: new. Hardcover. Throughout the heady years of New York's 1960s and 70s music scenes, James Hamilton was on hand to observe and photograph some of the most significant bands, musicians and performances of the twentieth century. Serving as staff photographer for the "Village Voice" and "Crawdaddy ," Hamilton photographed such musicians as James Brown, Captain Beefheart, Ornette Coleman, Creedence Clearwater Revival, Crosby, Stills, Nash and Young, the Grateful Dead, John Fahey, Mick Jagger, Jethro Tull, Elvin Jones, the Kinks, Madonna, Charlie Mingus, Joni Mitchell, the Ramones, Gil Scott-Heron, Patti Smith, Sun Ra, Tom Verlaine and Stevie Wonder. In "You Should Have Heard Just What I Seen," Hamilton opens up his archives for the first time, revealing across 300 pages a trove of previously unpublished black-and-white photographs—portraits, snapshots, sketches, contact sheets—of some of the most recognizable faces in music. Influential for several generations of budding photographers raised on his photographs, the work of James Hamilton is at last collected in this revelatory volume. As a young man in the late 1960s, James Hamilton met the legendary photographers Diane Arbus and Eugene Smith, and was inspired by them to document the changing skyline of New York City. As staff photographer for "Harper's Bazaar" and the "Village Voice," Hamilton recorded the fashion shows, events, protests and riots, happenings, concerts, poetry readings and art openings of that era, and throughout the 1970s, his photographs of musicians and celebrities began to appear in the pages of "Crawdaddy "magazine. Later Hamilton joined "The New York Observer" and began working with filmmakers George Romero, Francis Ford Coppola, Wes Anderson, Bill Paxton and Noah Baumbach as on-set photographer. Photographer James Hamilton opens up his archives from 1960s and 70s New York the first time, revealing across 300 pages a trove of previously unpublished black-and-white photographs--portraits, snapshots, sketches, contact sheets--of some of the most recognizable faces in music. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Codice articolo 9781616234959

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